An Italian-American neighborhood in Louisiana is disturbed when truck driver Rosario Delle Rose is killed by police while smuggling. His buxom widow Serafina miscarries, then over a period ... See full summary »
Joey Evans is charming, handsome, funny, talented, and a first class, A-number-one heel. When Joey meets the former chorus girl ("She used to be 'Vera...with the Vanishing Veils'") and now ... See full summary »
The morning of a small town Labor Day picnic, a drifter (Hal Carter) blows into town to visit an old fraternity buddy (Alan Benson) who also happens to be the son of the richest man in town. Hal is an egocentric braggart - all potential and no accomplishment. He meets up with Madge Owens, the town beauty queen and girlfriend of Alan Benson. Written by
Erik L. Ellis <firstname.lastname@example.org>
William Inge had his finger on the pulse of small town America. He wasn't checking the heartbeats of its inhabitants but his own. I've just said that as if I knew all about it and I don't, but I sense it. I mean, "Splendor In The Grass", "The Dark At The Top Of The Stairs", "Come Back Little Sheeba" That's all the evidence we need to know that he was a male writer with a woman's heart. "Picnic" epitomises that theory. Director Joshua Logan and writer Daniel Taradash trusted Inge's world without questioning it. Everything flows with the irrational sanity of a woman's heart. William Holden was a bit too old for the part but who cares! He is William Holden, capable to provoke passions of Mediterranean intensity at any age. He seems a bit self conscious at times and that helps the character's foibles no end. Kim Novak is breathtaking. Susan Strasberg milks her tomboy with a longing for all its worth. Betty Field, Daisy Buchanan in the original "Great Gatsby", gives a masterful performance without uttering a word that may reveal what she's actually feeling, until the end of course. That scene in which she tries to stop her daughter from going away, is as much Field's as it is Inge's. Rosalind Russell didn't get the Oscar for her superb, time bomb disguised in a school teacher's dress, performance. Her craving for sex and romance and sex and marriage and sex is as bold as anything she had ever done and Rosalind Russell new how to be bold from "His Girl Friday" to "Auntie Mame". The Moonglow sequence has become a classic moment in pictures. Deservedly so. I would suggest, if you haven't done it yet, take a trip through William Inge's territory. Familiar faces, familiar landscapes, familiar feelings, all completely new.
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