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Picnic (1955)

Approved | | Drama, Romance | 16 February 1956 (USA)
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Emotions are ignited amongst the complacent townsfolk when a handsome drifter arrives in a small Kansas community on the morning of the Labour Day picnic.

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Won 2 Oscars. Another 3 wins & 11 nominations. See more awards »

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Christine Schoenwalder (as Elizabeth W. Wilson)
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Storyline

The morning of a small town Labor Day picnic, a drifter (Hal Carter) blows into town to visit an old fraternity buddy (Alan Benson) who also happens to be the son of the richest man in town. Hal is an egocentric braggart - all potential and no accomplishment. He meets up with Madge Owens, the town beauty queen and girlfriend of Alan Benson. Written by Erik L. Ellis <ele@eece.unm.edu>

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Genres:

Drama | Romance

Certificate:

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Details

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Release Date:

16 February 1956 (USA)  »

Also Known As:

Picknick  »

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Technical Specs

Runtime:

| (DVD)

Sound Mix:

(RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

2.55 : 1
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Did You Know?

Trivia

The need for extras of all ages to appear in the Picnic celebration sequences filmed at Riverside Park in Halstead, Kansas caused many local schoolchildren to miss school days in order to stand in line at the small City Hall to obtain their social security cards, required for extra-work. See more »

Goofs

This is not really a goof. At the time of the film (1955) in the fictitious town of Salinson (a mix of the city names of Salina and Hutchinson, both filming locales), both the Salina Journal and the Hutchinson News were afternoon papers, producing a first edition shortly after noon and a home delivery edition after 3 pm. The Salina Journal did not become a morning paper until the 1970s (I was a Journal staffer 1969-1995). See more »

Quotes

Howard Bevans: You've got your troubles, and I've got mine.
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Connections

Referenced in What's My Line?: Episode dated 5 February 1956 (1956) See more »

Soundtracks

Theme from Picnic
Music by George Duning
Lyrics (not used in film) by Steve Allen
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Frequently Asked Questions

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User Reviews

 
soul-searching at its best
19 April 2002 | by (SF) – See all my reviews

It pains me to see people miss Picnic's message; as people hastily label it as 'outdated' or flawed in any way, they neglect the fact that what Inge, Logan, and the cast have offered us is indeed universal. Set on Labor Day weekend in Middle America, this is a film about the bittersweet irony of living in a world governed by rules and time. The characters in Picnic is confronted by a demon that, if not dealt with appropriately, serves to consume them and ensure that they become the thing they most fear. In a desperate search to find love, Rosemary (Rosalind Russell) alienates people to the extent that she seems increasingly destined to be alone. Admired throughout the town for her beauty, Madge (Kim Novak), in her unwillingness or inability to assert herself, is trapped inside her pretty face and finds she cannot build a character to support it. Her younger sister Millie (Susan Strasberg) is devoted to intellectual pursuit but finds her intellectual superiority complex serves to limit her peer group and rob her of her childhood. She is seen throughout the film sneaking cigarettes, and at one point steals a swig of whiskey, all in a rather revealing display of her conflict with regards to her place in the transition from youth to adulthood. Mrs Owens (Betty Field), having been left by her husband presumably for a younger woman, attempts to force Madge into an early marriage to a rich man so that she will not face the same anguish, but her dominating insistence on Madge's beauty as her chief asset is what eventually drives her away with little regret. This truly is the story of the varying ways people create and deal with solitude. Each character undergoes the struggle we all must to find a person beneath the masks we hide behind. It is a study of the irony of the evanescence of happiness - at this Labor Day picnic that is the great joyful gathering of the entire town, each of our main characters seeks their own escape. The emotional rawness of the end of Summer is exposed and serves as the perfect time for seasonal as well as personal transition. They are all, in effect, living parts of a sunset, as described by Russell in perhaps the most significant examination of time in the film. Holden's character is unique in that it is a true testament to the everyman and the power of chance. His arrival in this town is in fact the catalyst for reflection and action, and he shakes things up without having any inherent wisdom or inspiration (he is actually something of a moron, thus his ability to make things happen is so much more intriguing). That this is a passionate and beautifully acted (the occasional vacancy and slowness only a reinforcement of the emotional stagnancy Logan intends to have us defeat) love story with a heart-wrenchingly beautiful theme song is only icing on the cake.


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