A chorus girl comes to the realization that she is not getting any younger and that her longtime relationship with a nightclub comedian is going nowhere. She finds herself attracted to an ... See full summary »
Joey Evans is charming, handsome, funny, talented, and a first class, A-number-one heel. When Joey meets the former chorus girl ("She used to be 'Vera...with the Vanishing Veils'") and now ... See full summary »
Fred, George, Doug and Howie are quickly reaching middle-age. Three of them are married, only Fred is still a bachelor. They want something different than their ordinary marriages, children... See full summary »
The morning of a small town Labor Day picnic, a drifter (Hal Carter) blows into town to visit an old fraternity buddy (Alan Benson) who also happens to be the son of the richest man in town. Hal is an egocentric braggart - all potential and no accomplishment. He meets up with Madge Owens, the town beauty queen and girlfriend of Alan Benson. Written by
Erik L. Ellis <firstname.lastname@example.org>
William Holden didn't want to do the dance sequence with Kim Novak, fearing it would make him look foolish. He told co-star Cliff Robertson, "I just don't know how to dance." Hoping to persuade the studio to cut the dance scene, Holden insisted on being paid an $8,000 "stuntman premium." To his surprise, the studio paid up and Holden was forced to do the dance scene, although he was allowed to do it under the influence of alcohol. In that scene, he is actually intoxicated, and it still remains one of only four movies that he ever danced in (the others being Sabrina (1954), Dear Ruth (1947) and Sunset Blvd. (1950)), and one of the most memorable scenes in the movie. See more »
When William Holden first visits Cliff Robertson while practicing golf on the front lawn - Holden's front left breast pocket rotates several times between being buttoned and unbuttoned. See more »
Very Good movie, despite the flaws. A must for anyone into American mid-century drama. Beautifully filmed and written. Some excellent performances. The Good: Rosalind Russell, Arthur O'Connell, Betty Field, Susan Strasberg. The adequate: Kim Novak and Cliff Robertson. The not too great: William Holden. I'm not bothered by Novak's performance, she was often only as good as her director, and Joshua Logan was an entirely stagebound stylist. Holden on the other hand, is entirely miscast. Way too old for the character by at least 10 years. This is a meaty, sweaty, rebellious part suited to a young Paul Newman or James Dean, not a late '30's, already craggy faced William Holden (he was ideally suited for his Bridge on the River Kwai role). The reading of his lines is artificial and contrived, the pacing atrocious. It's really Logan's fault though. In every one of his films, characters, especially the supporting ones, end up performing like cartoon characters... (Betty Field in Bus Stop, Everyone in South Pacific and Fanny)... and in Picnic, Logan lets almost everyone go over the top with this kind of mannered, ill-paced stuff. However, I love this flick too... the story conquers the flaws, and it consistently pulls me in. Rosalind Russell (though she's allowed to go over the top too) and Arthur O'Connell have remarkable scenes together. Good Movie!
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