Montgomery Cliff (in his last role) plays James Bower, an American physicist visiting West Germany who's recruited by a shady CIA agent, named Adam, to help them with the defection of a ... See full summary »
Lois is the editor of the 400 Magazine and is a work-a-holic. When Tom comes to her office to sell her a rowing machine, he leaves as her personal secretary. After a short time, he is an ... See full summary »
A writer, looking for some peace and quiet in order to finish a novel, takes a room at the Baldpate Inn. Peace and quiet are last things he gets, though, as there are some very strange things going on at the establishment.
A small group of Allied soldiers and airmen on Java are being bombed by Japanese 'planes daily. With only one working fighter of their own, and five pilots anxious to fly it, the Dutch ... See full summary »
Ellory Bugs has offered a huge donation to his old alma mater, Taylor Tech, which is to be paid only if his son, Jimmie "Doodle" Bugs, becomes a football hero. But "Doodle" tips the scales ... See full summary »
In 1927 Kansas City Pete Kelly and his jazz band play nightly at a speakeasy. A local gangster starts to move in on them and when their drummer is killed Kelly gives in, even though this also means taking the thug's alcoholic girl as a singer. Kelly soon realises he has made a big mistake selling out in this way and that rich girl Ivy is now the only decent thing in his life. Written by
Jeremy Perkins <email@example.com>
Jack Webb actually knew how to play the cornet. He loved jazz music and, as a boy, was given a cornet by a musician who lived near his home. While he never truly mastered the instrument he knew it well enough that his handling and fingering of the cornet in this movie is accurate. See more »
Jack Webb takes up the trumpet and takes on local gangsters in this colorful if at times somewhat peculiar movie about jazz musicians in the Kansas City of the Roaring Twenties. The story is disappointingly shallow and by-the-numbers, but there's some great music and songs from, among others, Peggy Lee and Ella Fitzgerald, courtesy of Ray Heindorf and Sammy Cahn.
Webb was a strange case. A true pioneer of early television production, and in his way a true innovator, he made a virtue out of impassivity. He directs this one with more energy than his TV shows, but the dryness and apathy are still there. When he's dealing with conventional players, like Martin Milner, it's like he's directing himself. But when he's got a live wire, like Lee Marvin, who has a colorful supporting role in this one, or Andy Devine, who has an offbeat one, he seems almost to have the makings of an American Fellini. Deep down, I suspect, that Webb really loved crazy people. He just didn't know how to show it.
19 of 24 people found this review helpful.
Was this review helpful to you?