The Disciples of James Dean meet up on the anniversary of his death and mull over their lives in the present and in flashback, revealing the truth behind their complicated lives. Who is the... See full summary »
François Perrin plays football at the AS Trincamp. During a training session, he gets into a fight with Bertier, the team's star, and is ordered off the field. The club's boss, who is also ... See full summary »
When the accident-prone daughter of a French businessman disappears in Brazil and the detective sent down to find her returns empty-handed, the businessman's company psychologist comes up ... See full summary »
Pedro Armendáriz Jr.
A new commanding officer arrives at a remote castle serving as an insane asylum for crazy and AWOL U.S. Army soldiers where he attempts to rehabilitate them by allowing them to live out ... See full summary »
Jack Caine (Dolph Lundgren) is a Houston vice cop who's forgotten the rule book. His self-appointed mission is to stop the drugs trade and the number one supplier Victor Manning. Whilst ... See full summary »
Craig R. Baxley
In 1927 Kansas City Pete Kelly and his jazz band play nightly at a speakeasy. A local gangster starts to move in on them and when their drummer is killed Kelly gives in, even though this also means taking the thug's alcoholic girl as a singer. Kelly soon realises he has made a big mistake selling out in this way and that rich girl Ivy is now the only decent thing in his life. Written by
Jeremy Perkins <firstname.lastname@example.org>
"Pete Kelly's Blues" was originally a radio series created by Richard L. Breen and starring Jack Webb. It ran on NBC as a summer replacement series from July 4 to September 19, 1951. It later became a short-lived TV series (Pete Kelly's Blues (1959)), produced by Webb. See more »
If you can only see one existential noir gangster musical...
What a weird brew this one is! The toughness of a gangster pic, the existential malhereuse of a trendy European epic, the fine '20s sounds of a period musical, all in Warners wide screen. Webb's production design is arty and interesting, and Lee Marvin is really, really good in a supporting role. There's terse, snappy dialogue that sounds like it's out of a much later movie, and a killer finale that clearly influenced Coppola, Scorsese, and practially every other showy director of that generation.
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