When young and attractive Lina Stroppiani, a thief like the rest of her family, tries to steal the taxi of Paolo, together with two accomplices, she can't possibly know that this will have ...
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Antonietta viene fotografata per caso e la sua foto finisce in copertina. Il suo fidanzato vuol far causa al giornale per questo, ma Antonietta decide di farsi conoscere e con l'aiuto di ... See full summary »
Alla fine del '600 nel napoletano sotto la dominazione spagnola, il mugnaio Luca cerca di arrabattarsi per non pagare le gabelle che impone Don Teofilo, il governatore, con il consiglio di ... See full summary »
Vittorio De Sica,
A five-part compilation film. in "The Baby," a poverty-ridden couple with children decides that their recently-born child is too much and they decide to leave him him in a church for ... See full summary »
Vittorio De Sica,
Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta. But ... See full summary »
Women love handsome Antonio because they think of him as the perfect lover. But he has problems to fullfill this ideal and Barbara only notices his failures when they are married. When the ... See full summary »
In the 18th century, Louis de Bourguignon is working with the Malichot's gang, but their ways are too 'unethical' for him. He creates his own band, acting under the name of Cartouche, ... See full summary »
When a small town begins losing its citizenry in a series of grisly murders, out-of-town police inspector Jean Lavardin (Jean Poiret) is sent to investigate. Could the killers be a bullied ... See full summary »
When young and attractive Lina Stroppiani, a thief like the rest of her family, tries to steal the taxi of Paolo, together with two accomplices, she can't possibly know that this will have far reaching consequences... Written by
Michel Hafner <firstname.lastname@example.org>
Pickpocket comedy with Italian screwballs...slight but sunny
A young Sophia Loren momentarily entrances a young Marcello Mastroianni as a ruse for her friends to steal his taxi; he thwarts them and sees her home, only to find out soon enough she's also a pickpocket, and her wily papa works a luggage-stealing scheme down at the train station. Minor yet exquisitely breezy and uncomplicated Italian farce, with sexy asides and feisty banter no doubt charming American audiences who went to see this under the title "Too Bad She's Bad". We never really learn when Mastroianni's cabbie actually falls for the curvaceous Loren, just as we never discover when her feelings for him become anything other than business-related, but that's the beauty of the set-up. No scenes punctuate the weightier issues because the movie is issue-free. The most substantial exchange of dialogue comes late in the film between Sophia and father Vittorio De Sica as they discuss love: "No one ever died from heartbreak," he tells her. "In fact, that is what prolongs life." ** from ****
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