| Kanu Bannerjee | ... | Harihar Ray (as Kanu Bandyopadhyay) | |
| Karuna Bannerjee | ... | Sarbojaya Ray (as Karuna Bandopadhyay) | |
| Chunibala Devi | ... | Indir Thakrun | |
| Uma Das Gupta | ... | Durga (as Uma Dasgupta) | |
| Subir Banerjee | ... | Apu (as Subir Bandopadhyay) | |
| Runki Banerjee | ... | Little Durga (as Runki Bandopadhyay) | |
| Reba Devi | ... | Seja Thakrun | |
| Aparna Devi | ... | Nilmoni's wife | |
| Tulsi Chakraborty | ... | Prasanna, school teacher | |
| rest of cast listed alphabetically: | |||
| Haren Banerjee | ... | Chinibas, Sweet-seller (as Haren Bandyopadhyay) | |
| Rampada Das | |||
| Nibhanani Devi | ... | Dasi Thakurun | |
| Rama Gangopadhaya | ... | Ranu Mookerjee | |
| Roma Ganguli | ... | Roma (as Rama Gangopadhyay) | |
| Binoy Mukherjee | ... | Baidyanath Majumdar (as Binoy Mukhopadhyay) | |
| Haridhan Nag | |||
| Harimohan Nag | ... | Doctor | |
| Kshirod Roy | ... | Priest | |
| Suren Roy | |||
Directed by | |||
| Satyajit Ray | |||
Writing credits(in alphabetical order) | ||
| Bibhutibhushan Bandyopadhyay | novel | |
| Satyajit Ray | screenplay | |
Original Music by | |||
| Ravi Shankar | |||
Cinematography by | |||
| Subrata Mitra | |||
Film Editing by | |||
| Dulal Dutta | |||
Production Design by | |||
| Bansi Chandragupta | |||
Art Direction by | |||
| Bansi Chandragupta | |||
Production Management | |||
| Anil Choudhury | .... | production manager | |
| Suren Sahu | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Ashish Barman | .... | assistant director | |
| Santi Chatterjee | .... | assistant director (as Shantikumar Chattopadhyay) | |
| Subir Hajra | .... | assistant director | |
Art Department | |||
| Suresh Chandra Chandra | .... | assistant art director (as Suresh Chandra) | |
| Dibakar Dutta | .... | assistant art director | |
Sound Department | |||
| Bhupen Ghosh | .... | sound recordist | |
| Samir Ghosh | .... | assistant sound recordist | |
| Durgacharan Mitra | .... | additional sound recordist | |
Editorial Department | |||
| Bemananda Brajwasi | .... | assistant editor | |
| Harinarayan Mukhopadhyay | .... | assistant editor | |
| Tapeshwar Prasad | .... | assistant editor | |
| Sukumar Sengupta | .... | chief assistant editor | |
Music Department | |||
| Satyen Chatterjee | .... | music recordist (as Satyen Chattopadhyay) | |
| Sitaram Das | .... | musician | |
| Aloknath Dey | .... | flute (as Alok Dey) | |
| Pratap Narayan Mitra | .... | pakhowaj (as Pratapnarayan Mitra) | |
| Dakshina Mohan Tagore | .... | dilruba and tarmalai (as Dakshinamohan Tagore) | |
Other crew | |||
| Somen Gupta | .... | assistant publicist | |
| R.B. Mehta | .... | processing supervisor | |
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| Christ Stopped at Eboli | Greed | The Childhood of Maxim Gorky | I Vitelloni | La terra trema |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb India section |
There is this one scene in Satyajit Ray's Pather Panchali when the eruption of a conflict between Apu's family and a quarrelsome neighbour brought the film to a complete standstill (for me anyway). Those few characters' state of mind and their relationship dynamics at that point in time, was conveyed with such explosive intensity, I got gut punched drunk.
Pather Panchali boasts of suitably melodramatic yet highly intuitive performances. Its breath taking cinematography ranks alongside existential beauty this side of Malick heaven. The musical scoring, by the great Ravi Shankar, is identifiably Indian, yet universally sublime. Together, these myriad parts melded into a whole so grand in its social consciousness, so incisively intimate in its portrait of one family, I could do nothing but be slowly devoured like a most willing prey.
On 4th Oct 2003, I saw my all time favourite film, Tokyo Story. The feeling I got today from Pather Panchali, is as close as is possible from that fateful October day.
Pather Panchali is one of the best films I have ever seen. This will be a night to remember. Now on with the other two then.