Sometime in the early years of the century, a boy, Apu, is born to a poor Brahmin family in a village in Bengal. The father, a poet and priest, cannot earn enough to keep his family going. ... See full summary »
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Apu is a jobless ex-student dreaming vaguely of a future as a writer. An old college friend talks him into a visit up-country to a village wedding. This changes his life, for when the ... See full summary »
On a cold winter's Sunday, the pastor of a small rural church (Tomas Ericsson) performs service for a tiny congregation; though he is suffering from a cold and a severe crisis of faith. ... See full summary »
Director:
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Director:
Carl Theodor Dreyer
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Hanne Agesen,
Emil Hass Christensen,
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Director:
Mikhail Kalatozov
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Sergio Corrieri,
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An eight year old boy is thought to be lazy and a troublemaker, until the new art teacher has the patience and compassion to discover the real problem behind his struggles in school.
A group of four middle class workers in India take the week off to have a holiday. When they get to the forest, they meet up with another group and spend their time flirting with women.
Sometime in the early years of the century, a boy, Apu, is born to a poor Brahmin family in a village in Bengal. The father, a poet and priest, cannot earn enough to keep his family going. Apu's sister, Durga, is forever stealing guavas from the neighbour's orchards. All these add to the daily struggles of the mother's life, notwithstanding her constant bickering with old aunt who lives with the family. Written by
L.H. Wong <as9401k56@ntuvax.ntu.ac.sg>
This is a tour de force around a family's quest for that better future amidst sheer poverty. The film's success is not limited only to realistic depiction of human condition in early 20th century Bengal, but it brings up the triumph of human spirit, love and affection in spite of utter struggle in the most poignant way that one may think. Anybody remotely connected with movie making should also watch APARAJITO AND APUR SANSAR, to complete the experience, and off course to understand the art and craft of cinematic expression from the Maestro. No doubt it ranks in top 100 movie list from Time magazine, not to speak of almost all Indian publications connected with films rate this one as THE MOVIE.
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This is a tour de force around a family's quest for that better future amidst sheer poverty. The film's success is not limited only to realistic depiction of human condition in early 20th century Bengal, but it brings up the triumph of human spirit, love and affection in spite of utter struggle in the most poignant way that one may think. Anybody remotely connected with movie making should also watch APARAJITO AND APUR SANSAR, to complete the experience, and off course to understand the art and craft of cinematic expression from the Maestro. No doubt it ranks in top 100 movie list from Time magazine, not to speak of almost all Indian publications connected with films rate this one as THE MOVIE.