Sometime in the early years of the century, a boy, Apu, is born to a poor Brahmin family in a village in Bengal. The father, a poet and priest, cannot earn enough to keep his family going. ... See full summary »
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Sometime in the early years of the century, a boy, Apu, is born to a poor Brahmin family in a village in Bengal. The father, a poet and priest, cannot earn enough to keep his family going. Apu's sister, Durga, is forever stealing guavas from the neighbour's orchards. All these add to the daily struggles of the mother's life, notwithstanding her constant bickering with old aunt who lives with the family. Written by
L.H. Wong <email@example.com>
I don't know how even 6.4% of the female voters could have given this movie a 2!!!!! This was Ray's first movie, but his economy of dialog, his synchronization and sympathy with India's rural life is incredible. So little said, yet so much! Apu and Durga following the sweetmeat seller, the scene where they run through a "kash" field....superb, the work of a real artist, a master. The film develops its characters and the atmosphere slowly and resolutely. The narrative builds up to a powerful climax. Ray had an ancient camera while shooting this movie, did it matter? No. His expression and technique was more than sound, although this was a maiden venture.
Some critics found(and still find, I might add) the film to be too slow. Satyajit Ray wrote about the slow pace - "The cinematic material dictated a style to me, a very slow rhythm determined by nature, the landscape, the country. The script had to retain some of the rambling quality of the novel because that in itself contained a clue to the authenticity: life in a poor Bengali village does ramble."
There you are, if you have not watched this movie, you'll probably missed the greatest movie made on Indian rural life. That's why Akira Kurosawa said of him:"To have not seen the films of Ray is to have lived in the world without ever having seen the moon and the sun"
43 of 48 people found this review helpful.
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