The story of a young boy, Apu, and life in his small Indian village. His parents are quite poor - his father Harihar, a writer and poet, gave away the family's fruit orchard to settle his ... See full summary »
Huzur Biswamghar Roy is a rich landowner who lives in a palace with his wife and son and his many servants. His passion - his wife would call it his addiction - is music and he spends a ... See full summary »
Wazed Ali Shah is the ruler of one of the last independent kingdoms of India. The British, intent on controlling this rich country, have sent general Outram on a secret mission to clear the... See full summary »
The first story is about Nanda, a young man who leaves Calcutta to work as a postmaster in an isolated malaria-infested village. The postmaster is looked after by a young orphan girl, Ratan... See full summary »
In this adaption of the Ibsen stage play, an idealistic physician discovers that the town's hot springs are dangerously contaminated. But with the community relying on the spa for tourist dollars, his warnings to the falls for deaf ears.
The musician duo of Goopi Gayin and Bagha Bayin make a comeback in this sequel, where they are invited to the court of the Hirak Raja (Diamond King), for their musical skills. They have to ... See full summary »
The story of a young boy, Apu, and life in his small Indian village. His parents are quite poor - his father Harihar, a writer and poet, gave away the family's fruit orchard to settle his brother's debts. His sister Durga and an old aunt also still lives with them. His mother Sarbojaya bears the brunt of the family's situation. She scrapes by and sells her personal possessions to put food on the table and has to bear the taunts of her neighbors as Durga is always stealing fruit from their orchard. Things get worse when Harihar disappears for five months and Durga falls ill. Even after Harihar returns, the family is left with few alternatives. Written by
...it is one of those greatest works of art..so lyrical yet so composed. there is one phrase that Ray has used extensively in his writings; something that his professor use to say when he was studying painting in Shantiniketan: "look at Fujiyama, Fire within and Calm without. There is the symbol of true oriental artist..." i think it best describes Ray's work where he suggests in his cinema enormous reserves of power and feelings which never spill into emotional displays.
the strength and variety of the cinematic craftsmanship in this film can be explored endlessly, but what strikes me the most, is the way his work has confirmed, sustained and nurtured the existence of an art form, western in origin, transplanted and taking root in Indian soil. in a way pather panchali is so 'rooted'. it is so earthy and 'regional' at core and may be thats why its 'international', may be thats why, despite being the product of its time and place it is universal in its appeal. the moods and moments that he creates are simply 'matchless'. so simple, and yet so profound. the Indir Thakuran sequences of the film remain for me the highest, noblest and rare expression of art in Indian films so far (except films by Ghatak and Mrinal Sen) The film induces a kind of contemplation and a sense of wonder, about the truth, individual and privet. almost without you being aware of it it opens windows to the truth that lies within and beyond the boundaries of cinema itself.
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