How do we understand faith and prayer, and what of miracles? August 1925 on a Danish farm. Patriarch Borgen has three sons: Mikkel, a good-hearted agnostic whose wife Inger is pregnant, ... See full summary »
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An elder ronin samurai arrives at a feudal lord's home and requests an honorable place to commit suicide. But when the ronin inquires about a younger samurai who arrived before him things take an unexpected turn.
Noriko is 27 years old and still living with her widowed father. Everybody tries to talk her into marrying, but Noriko wants to stay taking care of her father.
On a cold winter's Sunday, the pastor of a small rural church (Tomas Ericsson) performs service for a tiny congregation; though he is suffering from a cold and a severe crisis of faith. ... See full summary »
Director:
Ingmar Bergman
Stars:
Ingrid Thulin,
Gunnar Björnstrand,
Gunnel Lindblom
In mediaeval Japan a compassionate governor is sent into exile. His wife and children try to join him, but are separated, and the children grow up amid suffering and oppression.
This study of Cuba--partially written by renowned poet Yevgeny Yevtushenko--captures the island just before it made the transition to a post-revolutionary society. Moving from city to ... See full summary »
Director:
Mikhail Kalatozov
Stars:
Sergio Corrieri,
Salvador Wood,
José Gallardo
Sometime in the early years of the century, a boy, Apu, is born to a poor Brahmin family in a village in Bengal. The father, a poet and priest, cannot earn enough to keep his family going. ... See full summary »
Mouchette is a young teenager living in the tough country. Her mother is going to die, and her father does not take care of her. Mouchette does not manage to express her rebellion against ... See full summary »
Director:
Robert Bresson
Stars:
Nadine Nortier,
Jean-Claude Guilbert,
Marie Cardinal
How do we understand faith and prayer, and what of miracles? August 1925 on a Danish farm. Patriarch Borgen has three sons: Mikkel, a good-hearted agnostic whose wife Inger is pregnant, Johannes, who believes he is Jesus, and Anders, young, slight, in love with the tailor's daughter. The fundamentalist sect of the girl's father is anathema to Borgen's traditional Lutheranism; he opposes the marriage until the tailor forbids it, then Borgen's pride demands that it happen. Unexpectedly, Inger, who is the family's sweetness and light, has problems with her pregnancy. The rational doctor arrives, and a long night brings sharp focus to at least four views of faith. Written by
<jhailey@hotmail.com>
Morten Borgen:
And the rest of us, all the rest of us, we go straight down to hell to eternal torments, don't we? Yes, that's what you think, isn't it?
Peter Petersen:
Yes. Words, words, you have them all right.
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very strong early pictures, followed by a slow build up of the plot. introducing character after character. each one played very carefully without the slightest overacting. strong faces, intense voices. the visuals show a black and white with some soft sand tone in between, at least it seemed like that. wonderful cinematography, very careful and precise lights.
there is almost no editing. there are minute long scenes without a cut. the set is most of the time studio and the acting happens like in a play, wit the audience at the position of the camera. yet miraculously it never feels ... staged. very careful small pieces are set in between to illustrate characters, like the end, when the doctor slightly touches the arm of the priest, following their earlier conversation and contrasting their social position.
an amazing piece. very late i realized that most of it was without any music, building up the auditive experience by rhythm of words ... or of breath. as in the givingBirth sequence when the breathing of the woman is somehow intense, yet not loud at all, very different from more modern versions of givingBirth in movies. not necessarily realistic in sound, but totally in the intensity.
what a film. and i had never heard of it until a friend put the DVD in my hand ...
12 of 13 people found this review helpful.
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very strong early pictures, followed by a slow build up of the plot. introducing character after character. each one played very carefully without the slightest overacting. strong faces, intense voices. the visuals show a black and white with some soft sand tone in between, at least it seemed like that. wonderful cinematography, very careful and precise lights.
there is almost no editing. there are minute long scenes without a cut. the set is most of the time studio and the acting happens like in a play, wit the audience at the position of the camera. yet miraculously it never feels ... staged. very careful small pieces are set in between to illustrate characters, like the end, when the doctor slightly touches the arm of the priest, following their earlier conversation and contrasting their social position.
an amazing piece. very late i realized that most of it was without any music, building up the auditive experience by rhythm of words ... or of breath. as in the givingBirth sequence when the breathing of the woman is somehow intense, yet not loud at all, very different from more modern versions of givingBirth in movies. not necessarily realistic in sound, but totally in the intensity.
what a film. and i had never heard of it until a friend put the DVD in my hand ...