IMDb > One Froggy Evening (1955)
One Froggy Evening
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One Froggy Evening (1955) More at IMDbPro »


Overview

User Rating:
8.5/10   4,021 votes »
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Popularity: ?
Down 5% in popularity this week. See why on IMDbPro.
Director:
Writer:
Michael Maltese (story)
Contact:
View company contact information for One Froggy Evening on IMDbPro.
Release Date:
31 December 1955 (USA) See more »
Plot:
A man futilely struggles to make his fortune with a frog that sings and dances, but only when it is alone with the owner. Full summary » | Full synopsis »
Plot Keywords:
Awards:
1 win See more »
User Reviews:
Perfection See more (28 total) »

Cast

  (in alphabetical order)
Bill Roberts ... Michigan J. Frog (singing voice) (uncredited)

Directed by
Chuck Jones  (as Charles M. Jones)
 
Writing credits
Michael Maltese (story)

Produced by
Edward Selzer .... producer (uncredited)
 
Original Music by
Milt Franklyn (uncredited)
 
Film Editing by
Treg Brown (uncredited)
 
Sound Department
Treg Brown .... sound effects editor (uncredited)
 
Animation Department
Philip DeGuard .... background artist
Robert Gribbroek .... layout artist
Ken Harris .... animator
Abe Levitow .... animator
Richard Thompson .... animator
Ben Washam .... animator
Willie Ito .... assistant animator (uncredited)
 
Music Department
Milt Franklyn .... musical director
Milt Franklyn .... orchestrator (uncredited)
 
Crew verified as complete


Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
7 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Certification:
USA:Approved (PCA #16892)

Did You Know?

Trivia:
The singing voice of the frog is provided by Bill Roberts, a popular Hollywood nightclub singer of the 1950s. Many sources erroneously credit Terence Monk with supplying the singing voice of the frog. This error appears to be rooted in an interview in which Chuck Jones identified him as such. However, he was not the baritone heard in the film. The confusion may have been caused by the fact that Jones did use Monck in "The Cat Above and the Mouse Below", where he sang "Largo al factotum" (from Rossini's "Il barbiere di Siviglia"/"The Barber of Seville").See more »
Goofs:
Continuity: When the owner of the frog gets thrown out of the talent agency, there's a hand-print on the wall to the side of the door he is thrown from. In the next shot it's gone.See more »
Quotes:
Michigan J. Frog:[singing] Hello, my baby / hello, my honey / hello, my ragtime gal. / Send me a kiss by wire / baby, my hearts on fire / if you refuse me / honey, you'll lose me / then you'll be left alone / Oh baby, telephone and tell me I'm your own.See more »
Movie Connections:
Referenced in Behind the Tunes: Animal Quackers (2003) (V)See more »
Soundtrack:
Throw Him Down, McCloskeySee more »

FAQ

Which series is this from: Merrie Melodies or Looney Tunes?
See more »
10 out of 10 people found the following review useful.
Perfection, 1 October 2008
Author: (andrew-goulding1@hotmail.co.uk) from Lincoln, England

What is there to say about Chuck Jones's 'One Froggy Evening' that hasn't been said already, not just one of the greatest cartoons ever made but one of the best things to ever happen anywhere ever! The story of a demolition worker who discovers a singing frog in the cornerstone of a building and attempts to exploit the creatures talents for profit, 'One Froggy Evening' is often called "the 'Citizen Kane' of animated shorts". That level of artistic worth is not an exaggeration. Everything, absolutely everything, is perfect about 'One Froggy Evening'. For one, the timing is astonishing. Jones tells the story (from a uniquely brilliant script by Michael Maltese, the author of many of the greatest cartoon scripts of all time) completely silent apart from the singing of the frog, who bursts into song at precisely the most hilarious moments possible.

Aside from being side-splittingly funny, 'One Froggy Evening' also works on a deeper level as a profound parable about greed. Presented with this wondrous of a singing frog, the demolition worker's immediate and only impulse is to use it to make money. To his ever-growing frustration, the frog will only sing in his presence. Despite his obsession with money, the demolition worker is extremely sympathetic and the audience shares in his pain even as they howl with laughter at his misfortune. The cartoon ends with another poor sap about to make the same mistakes, showing that no matter how much we progress as a society, greed is a constant in human beings. One element that is not often mentioned is the haunting quality of 'One Froggy Evening'. There's a sense of the supernatural in both a singing frog and a frog that can last for years sealed inside the cornerstone of a building, which always leads me to think of the frog in slightly more sinister terms, as a karmic lesson enforcer! The final image of 'One Froggy Evening' coupled with the distant echo of the frog's song always sends a shiver down my spine.

Aside from all this, there's the wonderful animation and the glorious soundtrack. From the moment the frog leaps out of the box, his back foot slipping a couple of times, he is one of the great animated creations. His ability to snap from spellbindingly charismatic showman to the most uninspiring and ordinary croaker you've ever seen is both hilarious and impeccably achieved. The demolition worker, meanwhile, goes through a wonderful range of Chuck Jones's trademark expressions. The music is great throughout, with a virtuoso performance from singer Bill Roberts who sings a range of classic Tin Pan Alley songs, a snatch of opera and, best of all, a cracking original composition by Chuck Jones and Michael Maltese themselves. Called 'The Michigan Rag', the song is not only the best and catchiest in the whole cartoon, it also provided a name for the frog character when, overwhelmed by the popularity of the film and inundated with requests for the character's name, Jones dubbed him Michigan J. Frog. Despite this popularity, Jones wisely refused to use Michigan in any other cartoons, ensuring 'One Froggy Evening' remains a true one-off and one of the greatest strokes of genius animation has ever seen.

In the interests of keeping it brief, I'll leave it there but I could gush about 'One Froggy Evening' for pages and pages. It really is a landmark piece of film history and more than justifies its appearance on every single list of greatest animated cartoons that's worth a damn.

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Message Boards

Discuss this movie with other users on IMDb message board for One Froggy Evening (1955)
Recent Posts (updated daily)User
What looney tunes cartoon is this? westing000
Terence Monck (sp?) not Bill Roberts voice?? bhodgman
Toy Story homage? terihu
There is a third cartoon, I never saw it again! warstrikesback
Influences? Ted-5
See more »

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