| Photos (See all 28 | slideshow) | Videos (see all 2) |
| Gordon MacRae | ... | Curly McLain | |
| Gloria Grahame | ... | Ado Annie Carnes | |
| Gene Nelson | ... | Will Parker | |
| Charlotte Greenwood | ... | Aunt Eller | |
| Shirley Jones | ... | Laurey Williams | |
| Eddie Albert | ... | Ali Hakim | |
| James Whitmore | ... | Mr. Carnes | |
| Rod Steiger | ... | Jud Fry | |
| Barbara Lawrence | ... | Gertie Cummings | |
| Jay C. Flippen | ... | Skidmore | |
| Roy Barcroft | ... | Marshal | |
| James Mitchell | ... | Dream Curly / Dancer | |
| Bambi Linn | ... | Dream Laurey / Dancer | |
| Jennie Workman | ... | Dancer | |
| Virginia Bosler | ... | Dancer | |
| Kelly Brown | ... | Dancer | |
| Evelyn Taylor | ... | Dancer | |
| Lizanne Truex | ... | Dancer | |
| Jane Fischer | ... | Dancer | |
| Marc Platt | ... | Dancer | |
| rest of cast listed alphabetically: | |||
| Jerry Dealey | ... | Dancer (uncredited) | |
| Al Ferguson | ... | Cowboy at Auction (uncredited) | |
| Ben Johnson | ... | Wrangler (uncredited) | |
| Donald Kerr | ... | Farmer at Dance (uncredited) | |
| Nancy Kilgas | ... | Dancer (uncredited) | |
| Rory Mallinson | ... | Young Cowboy at Box Lunch Auction (uncredited) | |
| Buddy Roosevelt | ... | Cowboy at Auction (uncredited) | |
| Russell Simpson | ... | The Minister (uncredited) | |
| Dolores Starr | ... | Dancer (uncredited) | |
Directed by | |||
| Fred Zinnemann | |||
Writing credits | ||
| Sonya Levien | (screen play) and | |
| William Ludwig | (screen play) | |
| Lynn Riggs | (based upon a dramatic play by) | |
Produced by | |||
| Arthur Hornblow Jr. | .... | producer | |
| Oscar Hammerstein II | .... | executive producer (uncredited) | |
| Richard Rodgers | .... | executive producer (uncredited) | |
Cinematography by | |||
| Robert Surtees | (director of photography) | ||
Film Editing by | |||
| Gene Ruggiero | (film editor) | ||
| George Boemler | (uncredited) | ||
Casting by | |||
| Jack Friedkin | (uncredited) | ||
| William Maybery | (uncredited) | ||
| Ted Stanhope | (uncredited) | ||
Production Design by | |||
| Oliver Smith | |||
Art Direction by | |||
| Joseph C. Wright | (as Joseph Wright) | ||
Set Decoration by | |||
| F. Keogh Gleason | (as Keogh Gleason) | ||
Costume Design by | |||
| Sophie Devine | (costumes by) (as Motley) | ||
| Orry-Kelly | (costumes) (as Orry Kelly) | ||
| Charles Arrico | (uncredited) | ||
Makeup Department | |||
| Annabell | .... | hair stylist | |
| Ben Lane | .... | makeup | |
| Ben Nye | .... | makeup artist (uncredited) | |
| Donald W. Roberson | .... | makeup artist (uncredited) | |
Production Management | |||
| Percy Ikerd | .... | production manager (uncredited) | |
| Samuel Lambert | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Arthur S. Black Jr. | .... | assistant director (as Arthur Black Jr) | |
| Milton Carter | .... | assistant director (uncredited) | |
| James Curtis Havens | .... | second unit director (uncredited) | |
| Russ Haverick | .... | assistant director (uncredited) | |
| Howard Joslin | .... | assistant director (uncredited) | |
| Edward F. Mull | .... | assistant director (uncredited) | |
| Robert E. Relyea | .... | second assistant director (uncredited) | |
| Jack Voglin | .... | assistant director (uncredited) | |
Art Department | |||
| Frank Wesselhoff | .... | painter (uncredited) | |
Sound Department | |||
| Fred Hynes | .... | recording supervisor | |
| Joe Edmondson | .... | sound mixer (uncredited) | |
| C.J. 'Mickey' Emerson | .... | sound recordist (uncredited) | |
| Joseph I. Kane | .... | dubbing (uncredited) | |
| Kendrick Kinney | .... | sound editor (uncredited) | |
| John Lipow | .... | sound editor (uncredited) | |
| John Logan | .... | sound editor (uncredited) | |
| Milo B. Lory | .... | sound editor (uncredited) | |
Special Effects by | |||
| Paul Morrell | .... | optical effects (uncredited) | |
Stunts | |||
| Ben Johnson | .... | stunt double (uncredited) | |
| Shirley Lucas | .... | stunt double: Shirley Jones (uncredited) | |
Camera and Electrical Department | |||
| Schuyler Crail | .... | still photographer (uncredited) | |
| Floyd Crosby | .... | second unit photographer (uncredited) | |
| Bob Gilbreath | .... | helicopter pilot: aerial camera helicopter (uncredited) | |
| Bobby Moreno | .... | camera operator (uncredited) | |
| Al St. Hilaire | .... | still photographer: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| Frank Beetson Jr. | .... | wardrobe (as Frank Beetson) | |
| Ann Peck | .... | wardrobe | |
| Joan Joseff | .... | costume jeweller (uncredited) | |
Editorial Department | |||
| Alvord Eiseman | .... | color consultant: Technicolor, Eastman Color | |
| Howard Epstein | .... | assistant editor (uncredited) | |
| Don Tomlinson | .... | assistant editor (uncredited) | |
Music Department | |||
| Robert Russell Bennett | .... | musical arranger | |
| Jay Blackton | .... | conductor | |
| Jay Blackton | .... | music supervisor | |
| Adolph Deutsch | .... | adaptor: background music | |
| Adolph Deutsch | .... | conductor: background music | |
| Oscar Hammerstein II | .... | book and lyrics by | |
| Robert Helfer | .... | music co-ordinator | |
| Ralph Avseev | .... | music editor (uncredited) | |
| Robert Russell Bennett | .... | orchestrator (uncredited) | |
| Alexander Courage | .... | orchestrator (uncredited) | |
| Ralph Ives | .... | music editor (uncredited) | |
| Richard Melfer | .... | music coordinator (uncredited) | |
| Albert Sendrey | .... | orchestrator (uncredited) | |
Other crew | |||
| Barney Briskin | .... | production executive | |
| Agnes de Mille | .... | dances stager | |
| John Fearnley | .... | production aide | |
| Oscar Hammerstein II | .... | presents (as Hammerstein) | |
| Richard Rodgers | .... | presents (as Rodgers) | |
| Schuyler A. Sanford | .... | technician: Todd-AO | |
| Jus Addiss | .... | dialogue coach (uncredited) | |
| John Dutton | .... | script supervisor (uncredited) | |
| John Emerson | .... | production assistant (uncredited) | |
| Larry Glickman | .... | title designer (uncredited) | |
| Ralph M. Leo | .... | location auditor (uncredited) | |
| H. Thomas Wood | .... | unit publicist (uncredited) | |
|
|
|
|
|
| Giant | Gone with the Wind | Brokeback Mountain | Oklahoma! | Seven Brides for Seven Brothers |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Musical section | IMDb USA section |
After seeing OKLAHOMA! on the screen in Todd-AO for the first time 44 years ago, it immediately became my all-time favorite film. Today, it still holds that lofty ranking.
The beautiful Rodgers & Hammerstein score includes some of the greatest music ever written. The two collaborated on nine broadway musicals, many of which were adapted to the screen, notably CAROUSEL, SOUTH PACIFIC, THE KING AND I, and THE SOUND OF MUSIC, but OKLAHOMA! tops them all.
Gordon MacRae and Shirley Jones are perfectly cast as the young couple experiencing the magic of first love, and their singing of some of the show's classic tunes, such as "Surry With the Fringe On Top" and "People Will Say We're In Love" is a pleasure to listen to.
Miss Jones, making her screen debut as Laurie Williams, instantly establishes her image of the "girl next door"--did I grow up in the wrong neighborhood? She is captivatingly charming as she tries to make Curly (MacRae) jealous by accepting a date to the box social with her Aunt Eller's hired farmhand, Jud Fry, played menacingly by Rod Steiger.
It is the supporting cast of characters that really bring this musical to life--particularly Aunt Eller, played by Charlotte Greenwood. Doesn't everyone have an Aunt Eller in their life? Then there's Ado Annie Carnes (Gloria Grahame) and her longsuffering boyfriend Will Parker (Gene Nelson), who lights up the screen with a great dance number. Throw in a travelling salesman, Ali Hakim (Eddie Albert); Gertie Cummings (Barbara Lawrence), who tries to steal Curly away from Laurie; and Mr. Carnes (James Whitmore), who insists on a shotgun wedding for his daughter, Ado Annie, rather than see her marry Will; and you have some unforgettable characters indeed.
The film's one dissenting note was the class distinction warfare between the handsome, clean-cut Curly, who everyone knows "Laurie has her cap set fer" and the rough and dirty, working-class Jud. Jud meets his untimely end, but, after all, he is the villain.
Not to fear, it's a happy ending for all. Curly gets Laurie, Will gets Ado Annie, and Ali Hakim gets....Gertie? When Ado Annie and Gertie get into a jealous fight which Will attempts to break up, explaining "I'm trying to keep Ado Annie from killing your wife", Ali Hakim responds, "Why don't you mind your own business?" In the end, the farmer and the cowman do learn to get along and become friends, the new schoolhouse gets built, and the Oklahoma territory is about to become a state.
OKLAHOMA! won two Oscars, for Best Sound Recording and Best Scoring of a Musical Picture. How could they go wrong with great orchestral direction by Robert Russell Bennett and the musical score by Richard Rodgers and Oscar Hammerstein II? The American theatre will never see their equal again.