Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
Farm family Frake, with discontented daughter Margy, head for the Iowa State Fair. On the first day, both Margy and brother Wayne meet attractive new flames; so does father's prize hog, ... See full summary »
Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great ... See full summary »
Matchmaker Dolly Levi travels to Yonkers to find a partner for "half-a-millionaire" Horace Vandergelder, convincing his niece, his niece's intended, and his two clerks to travel to New York City along the way.
In the Oklahoma territory at the turn of the twentieth century, two young cowboys vie with an evil ranch hand and a traveling peddler for the hearts of the women they love. Written by
Scott Lane <firstname.lastname@example.org>
The world premiere was preceded by a parade of fringed surreys, led by Oklahoma's Governor Raymond Gary, which made its way from the St. James Theater, where the stage version of "Oklahoma" had opened 12 years earlier, to the Rivoli Theater for the film premiere. There, standing atop a carpet of transplanted Oklahoma soil, Gov. Gary helped raise the Oklahoma state flag from the theater staff and officially proclaimed the Rivoli to be Oklahoma territory. See more »
Laurie greets the female dancers on the porch in one shot and in the next shot they are shown just getting out of their buggies and carriages. See more »
There's a bright golden haze on the meadow, There's a bright golden haze on the meadow. The corn is as high as a elephant's eye, And it looks like it's climbin' clear up to the sky. Oh, what a beautiful mornin', Oh, what a beautiful day! I got a beautiful feelin' Everything's goin' my way.
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I emphasize 60 because the musical debuted on Broadway in 1943, even though the film version was released 12 years later.
An unforgettable score. Perfect singer-actors. Tantalizing cinematography. It does not seem to get much better than this.
The main thing I admire about Oklahoma is that like the Rodgers and Hammerstein adaptations that would follow it (Carousel, South Pacific, Flower Drum Song, and, of course, The Sound of Music), the movie was fronted by legitimate musical talent, unlike in My Fair Lady and West Side Story. Further, it was a movie that did not rely on major stars, Rod Steiger notwithstanding, to make it an enjoyable picture. (Lest you forget this movie 'introduced' Shirley Jones as Laurey. Lest you would also like to know, the stage musical Oklahoma debuted on March 31, 1943, which coincidentally was a birthday of Miss Jones (I won't say which one). Prophetic? Maybe.
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