Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
Farm family Frake, with discontented daughter Margy, head for the Iowa State Fair. On the first day, both Margy and brother Wayne meet attractive new flames; so does father's prize hog, ... See full summary »
Rio Grande takes place after the Civil War when the Union turned their attention towards the Apaches. Union officer Kirby Yorke is in charge of an outpost on the Rio Grande in which he is ... See full summary »
Mary Robbins is a moderately educated, beautiful, young woman who owns the saloon called "The Poker". She is the only woman in the town of Couldee-making her the fancy of all the men there,... See full summary »
Robert Z. Leonard
In the Oklahoma territory at the turn of the twentieth century, two young cowboys vie with an evil ranch hand and a traveling peddler for the hearts of the women they love. Written by
Scott Lane <firstname.lastname@example.org>
This is the first Todd-AO production and the only such production to be shot twice, first at 24 fps (to produce the general-release version in 35 mm) and finally at 30 fps (to produce the roadshow version in 70 mm). By the time Around the World in Eighty Days (1956) was made, a way had been found to convert Todd-AO to 35mm without having to film twice. The 35 mm version of "Oklahoma!" is presented in CinemaScope; the 70 mm version is presented in Todd-AO. See more »
In the early scenes at Aunt Eller's, the corn disappears and reappears between shots. See more »
There's a bright golden haze on the meadow, There's a bright golden haze on the meadow. The corn is as high as a elephant's eye, And it looks like it's climbin' clear up to the sky. Oh, what a beautiful mornin', Oh, what a beautiful day! I got a beautiful feelin' Everything's goin' my way.
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I've just hopped, skipped and jumped through seven pages of back-to-back kudos and other favorable comments on this great movie, and can do little but add mine to the chorus. Therefore, I'd like to focus on some minutiae.
The outstanding actress, among the many, is Gloria Grahame. In my humble opinion, she LIVED the part of Ada Annie. Watch her facial expressions during "I caint say no" and "All or Nuthin' ". The woman radiates sensuality with every line.
In the version shown recently on TV (04/03/06), it appears some lines were cut from "I caint". Unless I'm hallucinating, I remember her singing the following lyrics:
"Cain't seem to say it at all - I hate to disserpoint a beau When he is payin' a call! - Fer a while I ack refined and cool, - A settin on the velveteen setee - Nen I think of thet ol' golden rule, - And do fer him what he would do fer me!"
and at that point she starts idling her hips and flashes a grin of triumph that just REEKS sensuality. Anybody else remember this?
Another subplot(?) rarely mentioned is those two young girls who have a crush on Will and show up in every dance routine. I was enchanted by that little blonde pixie and have been going nuts trying to find out who she was. I suspect she is "Jennie Workman", the first credited dancer (she had one line in "Kansas City"). If so, sadly, she has only this one movie to her credit. If anyone has info on this little charmer, please email me.
I saw this movie soon after it's release in 1955, and was floored by the brilliance of the lyrics, actors in out-of-part roles doing a fantastic job, and the innovative dance routines, including the surreal barroom scene - it IS a dream after all. Fifty years later I still get the same WOW! reaction despite viewing this movie on an almost weekly basis this past month (that darned pixie has got me hooked!).
I wish some local theaters, facing declining audiences and the "home theater" threat, would feature a weekly "Classics Night" and show films like this again. Even a 52" HDTV pales in comparison to the Big Screen impact of some of these old movies, and this one would knock the socks off not only the current generation, but old geezers like myself who remembers when GOOD movies were the norm.
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