Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
Farm family Frake, with discontented daughter Margy, head for the Iowa State Fair. On the first day, both Margy and brother Wayne meet attractive new flames; so does father's prize hog, ... See full summary »
In the Oklahoma territory at the turn of the twentieth century, two young cowboys vie with an evil ranch hand and a traveling peddler for the hearts of the women they love. Written by
Scott Lane <firstname.lastname@example.org>
The musical that this film is based on was originally entitled "Away We Go!" The title was changed to "Oklahoma!" after the popularity of that song with the play's initial audiences. It was the first Broadway musical in which every single song had a direct relation to the plot, and in which there were none that were simply musical interludes. (Even "Show Boat", which actually is the first Broadway musical in which most of the songs have a direct relation to the plot, originally had one or two numbers which were simply thrown in so that something could be going on while the scenery was being changed, or even to suit certain cast members who perforned "specialties" in the original 1927 production. These specialties were deleted from later productions of "Show Boat".) See more »
In the early scenes at Aunt Eller's, the corn disappears and reappears between shots. See more »
There's a bright golden haze on the meadow, There's a bright golden haze on the meadow. The corn is as high as a elephant's eye, And it looks like it's climbin' clear up to the sky. Oh, what a beautiful mornin', Oh, what a beautiful day! I got a beautiful feelin' Everything's goin' my way.
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I just acquired the set of Rogers and Hammerstein's musicals on DVD, and am enjoying them immensely; the picture clarity and sound are outstanding and the music and story good to boot!! I believe this was Shirley Jones' debut in a movie, and she portrays Laurie to a tee, and has ample support from all of the other actors, with fine comedy support from Gloria Grahame and Charlotte Greenwood; have enjoyed Ms Greenwood in earlier films she did at Fox, and am wondering if she played Aunt Eller on Broadway.... The ballet sequence is exquisitely handled by Agnes DeMille, and the dancing in all scenes superb; if there was any complaint it would only be that the scenes with Jud seem a little prolonged and drawn out, but overall, an excellent film...
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