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Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great ... See full summary »
In the Oklahoma territory at the turn of the twentieth century, two young cowboys vie with an evil ranch hand and a traveling peddler for the hearts of the women they love. Written by
Scott Lane <firstname.lastname@example.org>
At the train station, Will Parker gets off the train and gives Aunt Eller a white box of something. Aunt Eller sits down on a bench and the camera shows her from the back, looking at Will. He says something like "let me show you guys something", to his other cowboy friends and starts to walk toward them. Aunt Eller puts the white box on the bench to her left and starts to stand up. In the shot immediately following, now showing the front of Aunt Eller, she puts the white box to her left and stands up again in the exact same way she did before. See more »
There's a bright golden haze on the meadow, There's a bright golden haze on the meadow. The corn is as high as a elephant's eye, And it looks like it's climbin' clear up to the sky. Oh, what a beautiful mornin', Oh, what a beautiful day! I got a beautiful feelin' Everything's goin' my way.
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I've just hopped, skipped and jumped through seven pages of back-to-back kudos and other favorable comments on this great movie, and can do little but add mine to the chorus. Therefore, I'd like to focus on some minutiae.
The outstanding actress, among the many, is Gloria Grahame. In my humble opinion, she LIVED the part of Ada Annie. Watch her facial expressions during "I caint say no" and "All or Nuthin' ". The woman radiates sensuality with every line.
In the version shown recently on TV (04/03/06), it appears some lines were cut from "I caint". Unless I'm hallucinating, I remember her singing the following lyrics:
"Cain't seem to say it at all - I hate to disserpoint a beau When he is payin' a call! - Fer a while I ack refined and cool, - A settin on the velveteen setee - Nen I think of thet ol' golden rule, - And do fer him what he would do fer me!"
and at that point she starts idling her hips and flashes a grin of triumph that just REEKS sensuality. Anybody else remember this?
Another subplot(?) rarely mentioned is those two young girls who have a crush on Will and show up in every dance routine. I was enchanted by that little blonde pixie and have been going nuts trying to find out who she was. I suspect she is "Jennie Workman", the first credited dancer (she had one line in "Kansas City"). If so, sadly, she has only this one movie to her credit. If anyone has info on this little charmer, please email me.
I saw this movie soon after it's release in 1955, and was floored by the brilliance of the lyrics, actors in out-of-part roles doing a fantastic job, and the innovative dance routines, including the surreal barroom scene - it IS a dream after all. Fifty years later I still get the same WOW! reaction despite viewing this movie on an almost weekly basis this past month (that darned pixie has got me hooked!).
I wish some local theaters, facing declining audiences and the "home theater" threat, would feature a weekly "Classics Night" and show films like this again. Even a 52" HDTV pales in comparison to the Big Screen impact of some of these old movies, and this one would knock the socks off not only the current generation, but old geezers like myself who remembers when GOOD movies were the norm.
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