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Oh... Rosalinda!! (1955)

"Die Fledermaus" (The Bat) is the pseudonym adopted by Dr Falke. Floating on the buoyant waltzes of Strauss, this Viennese romp is sure to please. Disguises, tricks and every kind of ... See full summary »
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Cast

Cast overview, first billed only:
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Anneliese Rothenberger ...
Oskar Sima ...
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Col. Lebotov
Nicholas Bruce ...
Hotel receptionist
Arthur Mullard ...
Russian guard
Barbara Archer ...
Lady (as Barbara Ash)
Hildy Christian ...
Lady
Caryln Gunn ...
Lady
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Storyline

"Die Fledermaus" (The Bat) is the pseudonym adopted by Dr Falke. Floating on the buoyant waltzes of Strauss, this Viennese romp is sure to please. Disguises, tricks and every kind of deception combine to reveal a would-be cheat in hot pursuit of his own wife, much to his chagrin. Silly, charming, always entertaining, always fun. This is a film version of "Die Fledermaus" set in post-war Vienna with the main protagonists of Dr Falke represented by the 3 occupying powers. This is NOT just a film of a staged production but a truly filmic version of the operetta. Written by Steve Crook <steve@brainstorm.co.uk>

Plot Summary | Add Synopsis

Taglines:

She set the whole town talking with her saucy 'GOINGS-ON'... Oh, what a Girl!!

Genres:

Musical

Certificate:

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Details

Country:

Language:

Release Date:

2 January 1956 (UK)  »

Also Known As:

Fledermaus '55  »

Box Office

Budget:

£212,000 (estimated)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

2.55 : 1
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Did You Know?

Trivia

Michael Redgrave, Anneliese Rothenberger, and Anthony Quayle did their own singing. Everyone else is dubbed. See more »

Connections

Version of Die Fledermaus (1962) See more »

Soundtracks

Tete a Tete
from "Die Fledermaus"
Music by Johann Strauss (as Johann Strauss)
English Lyrics by Dennis Arundell
See more »

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User Reviews

 
Oh... Rosalinda!! (1955)
6 January 2012 | by (Portland OR) – See all my reviews

Powell & Pressburger take Strauss' "Die Fledermaus" and update it. I'm not familiar with the original work, but from what I can tell most of the plot points remain intact. The updating comes in the form of bringing it to postwar "Four Power" Vienna (like THE THIRD MAN) with some light commentary on the occupation. My problem with opera is quite similar to my problem with Shakespeare. The story is being advanced in a manner I find difficult to comprehend. Sometimes it's alright, but whenever there's a large chorus singing, it all sounds like mush to me. And some of the ladies go into that ridiculously high register where all words turn into "aaaaaaEEEEEEeEeEeEeee!!!" Still, when I couldn't make out the words I managed to get most of it from context, and the movie is fun musical comedy. The farce is well-constructed and the performances are very enjoyable (including Michael Redgrave being far more flamboyant than I would have ever imagined him). It's not brilliant, it's not stunning, it doesn't stick with you, but it's a good little romp with some nice tunes.


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