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No Man's Woman (1955)

Approved | | Crime, Mystery, Romance | 27 October 1955 (USA)
Carolyn Ellenson double-crosses five people who cross her path and is murdered by one of them. After marrying Harlow Grant for his money, she leaves him but carries on her infidelities so ... See full summary »



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Complete credited cast:
Carolyn Ellenson Grant
Harlow Grant
Wayne Vincent
Louise Nelson
Jil Jarmyn ...
Dick Sawyer
Fern Hall ...
Virginia Gillis
Det. Lt. Colton
Det. Sgt. Wells
Douglas Wood ...
Philip Grant
Otto Peterson
Capt. Hostedder
Sandy (the bartender)


Carolyn Ellenson double-crosses five people who cross her path and is murdered by one of them. After marrying Harlow Grant for his money, she leaves him but carries on her infidelities so cleverly he can not divorce her. When Grant falls in love with Louise Nelson, art-studio employee, Carolyn demands a prohibitive cash settlement and large alimony payments. Then tiring of her art-critic lover, Wayne Vincent, who has jeopardized his own career touting her art-studio business, Carolyn leaves him to pursue Dick Sawyer and break-up his engagement to Betty Allen. All of these five people have motives for murdering Carolyn and the police choose Grant as the logical suspect. But another person comes forward to confess to the killing for personal reasons, but he didn't do it. The real killer feels secure but must remove the murder-weapon from the studio before the police discover it. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis


Caught in the Web of Her Own Evil! (original poster) See more »


Crime | Mystery | Romance






Release Date:

27 October 1955 (USA)  »

Also Known As:

Mulher Sem Alma  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.37 : 1
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User Reviews

Marie Windsor's "a witch...whichever way it's spelled"
13 July 2002 | by (Western New York) – See all my reviews

As mysteries go, No Man's Woman runs in the league of those populous puzzles that fueled so many old Perry Mason episodes: a lot of suspects, one of whom will be fingered. But the movie preserves a starring performance by Marie Windsor, one of the all-time great broads of post-war poverty-row movies. She leads in more of them than one might think, most of them obscure (if not vanished) westerns, sci-fi cheapies, and crime programmers. But, top billing or not, we get to see less of Windsor in No Man's Woman that we might like – too many people want her dead.

Among them: her industrialist husband (John Archer) whom she won't divorce unless he forks over a ruinous settlement; his girlfriend (Jil Jarmyn), whose pleas Windsor coldly rebuffs; Windsor's art critic paramour/business partner (Patric Knowles), who writes puff-pieces for her gallery and gets fired for conflict of interest (today they'd call it `synergy'); her loyal young assistant (Nancy Gates), whose fiancé she blithely tries to steal; and the fiancé (Richard Crane), onto whose boat she invites herself in order to seduce then blackmail him.

Windsor, as one exchange between characters goes, is `a witch...whichever way it's spelled.' When her wicked-woman machinations have reached the boil, and just about everyone has indiscreetly remarked how they'd like to see her dead, a 3-a.m. intruder into her studio grants their wishes. And so the search for the murderer is on....

Much like the roles Joan Crawford at this juncture in her career was playing in A-productions, Windsor's character is that of an honey-voiced schemer hiding her self-interest beneath a facade of piss-elegance – with every petty victory, the huge orbs of her eyes flash with satisfaction. She was more memorable in The Narrow Margin and The Killing (better movies), but what she delivers makes one wonder why she never broke out of the B-movie ghetto.

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