The Night of the Hunter (1955) - News Poster


Fabrice du Welz to Direct ‘Adoration’ With ‘Happy End’ Breakout Star (Exclusive)

Fabrice du Welz to Direct ‘Adoration’ With ‘Happy End’ Breakout Star (Exclusive)
Acclaimed Belgian director Fabrice du Welz is set to direct “Adoration,” the third part of a trilogy that includes “The Ordeal,” which played at Cannes’ Critics’ Week, and “Alleluia,” which played at Directors’ Fortnight.

“Adoration” is being produced by Vincent Tavier at Brussels-based Panique! and Manuel Chiche at Paris-based The Jokers. Memento Films International has acquired international sales to the film. The Jokers will handle distribution in France.

Like “The Ordeal” and “Alleluia,” “Adoration” will explore the boundaries of a maddening, destructive love, this time between two children. It follows 12-year-old Paul, who falls in love with Gloria, a schizophrenic teenager in the mental institution where his mother works. Paul decides to help Gloria escape after she commits a crime, and together they embark on a trip that reveals the extent of Gloria’s dangerous madness and Paul’s devotion to her.

Tavier, who wrote the script with du Welz, said “Adoration
See full article at Variety - Film News »

Canon Of Film: ‘The Night of the Hunter’

In this week’s edition of Canon Of Film, we take a look at Charles Laughton‘s one-off masterpiece, ‘The Night of the Hunter‘. For the story behind the genesis of the Canon, you can click here.

The Night Of The Hunter (1955)

Director: Charles Laughton

Screenplay: James Agee based on the novel by David Grubb

Although he acted in over 50 films during his illustrious acting career, Charles Laughton only got to direct one film in his lifetime, but he made it count, and it stands as a strange, unique essential film that’s part ‘Huckleberry Finn’, and the rest, this surrealistic nightmare with a tone that seems to directly influence modern horror/slasher film directors like Wes Craven, John Carpenter and Tobe Hooper. ‘The Night of the Hunter,’ frightened the hell out of me on my first viewing, and still continues to shake me on subsequent ones. It’s at
See full article at Age of the Nerd »

James Gunn Shares His List of 50 Favorite Horror Films! How Many Have You Seen?

Guardians of the Galaxy director James Gunn started his career working in the horror genre. A couple of the films you're probably familiar with are Dawn of the Dead (2004), which he wrote, and, of course, Slither (2006), which he wrote and directed.

As you'd imagine, Gunn was obviously influenced by certain films in the horror genre. Well, now we know what kind of horror films that James Gunn likes because he recently shared his 50 favorite horror films of all time on his Facebook page:

It's actually a pretty great list of films! There are films that you'd expect to see on a favorite horror film list and a few unexpected films. Look through the list below and let us know how many of the films on the list you've seen.

As for the films you haven't seen, it's the Halloween season and the perfect time to watch some good horror films that you've never seen!
See full article at GeekTyrant »

Todd Haynes Reveals The Films That Inspired ‘Wonderstruck’ For TCM Marathon

Todd Haynes Reveals The Films That Inspired ‘Wonderstruck’ For TCM Marathon
With the premiere of his film “Wonderstruck” right around the corner, Todd Haynes has compiled a list of films that inspired him through the making of his film. This selection of films will be part of Turner Classic Movies’ night program this coming Thursday October 19, one day before the film hits select theaters on October 20.

Related:‘Wonderstruck’ Trailer: Todd HaynesLove Letter to Silent Cinema is a Profound Gem

Wonderstruck” conjoins the stories of two kids living in different time periods who are both dreaming of something different: a girl from New York during the 1920s and a boy from the Midwest during the 1970s. As they seek meaning in their lives, their stories will connect through time. Here is the list of films that Haynes studied when making “Wonderstruck”:

The first one is “The Crowd,” directed by King Vidor from 1928. It is a silent film that follows the
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The Curious Languor of Robert Mitchum

  • MUBI
Everyone notices the eyes first, languid, those of a somnambulist. Robert Mitchum, calm and observant, is a presence that, through passivity, enamors a viewer. His face is as effulgent as moonlight. The man smolders, with that boozy, baritone voice, seductive and soporific, a cigarette perched between wispy lips below which is a chin cleft like a geological fault. He’s slithery with innuendo. There’s an effortless allure to it all, a mix of malaise and braggadocio, a cocksure machismo and a hint of fragility. He’s ever-cool, a paradox, “radiating heat without warmth,” as Richard Brody said. A poet, a prodigious lover and drinker, a bad boy; his penchant for marijuana landed him in jail, and in the photographs from his two-month stay he looks like a natural fit. He sits, wrapped in denim, legs spread wide, hair shiny and slick, holding a cup of coffee. His mouth is
See full article at MUBI »

Telluride 2017. Lineup

  • MUBI
The RiderThe lineup for the 2017 Telluride Film Festival (September 1st - 4th) has been announced:

Arthur Miller: Writer (Rebecca Miller, U.S.)Battle of the Sexes (Valerie Faris & Jonathan Dayton, U.S.)Darkest Hour (Joe Wright, U.K.)Downsizing (Alexander Payne, U.S.)Eating Animals (Christopher Quinn, U.S.)Faces Places (Agnès Varda & Jr, France)A Fantastic Woman (Sebastián Lelio, Chile/U.S./Germany/Spain)Film Stars Don’t Die in Liverpool (Paul McGuigan, U.K.)First Reformed (Paul Schrader, U.S.)First They Killed My Father (Angelina Jolie, U.S./Cambodia)Foxtrot (Samuel Maoz, Israel)Hostages (Rezo Gigineishvili, Georgia/Russia/Poland)Hostiles (Scott Cooper, U.S.)Human Flow (Ai Weiwei, U.S./Germany)The Insult (Ziad Doueiri, France-Lebanon)Lady Bird (Greta Gerwig, U.S.)Land of the Free (Camilla Magid, Denmark-Finland)Lean on Pete (Andrew Haigh, U.K./U.S)Loveless (Andrey Zvyagintsev, Russia/France/Belgium/Germany)Love,
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Telluride 2017 Line-up Includes ‘The Shape of Water,’ ‘Lady Bird,’ ‘Downsizing,’ and More

Now in its 44th year, Telluride Film Festival provides the launching pad for many of the fall’s biggest films and, as usual, we don’t know the line-up until right before it kicks off. Beginning this Friday, they’ve now unveiled the full slate, which features much of the expected players — new films from Guillermo del Toro, Greta Gerwig, Alexander Payne, Joe Wright, and Todd Haynes — as well as the latest work from Paul Schrader, Andrew Haigh, Agnes Varda, Ken Burns, Errol Morris, and more.

Check out the line-up below.

Arthur Miller: Writer (d. Rebecca Miller, U.S., 2017)

Battle Of The Sexes (d. Valerie Faris, Jonathan Dayton, U.S., 2017)

Darkest Hour (d. Joe Wright, U.K., 2017)

Downsizing (d. Alexander Payne, U.S., 2017)

Eating Animals (d. Christopher Quinn, U.S., 2017)

Faces Places (d. Agnes Varda, Jr, France, 2017)

A Fantastic Woman (d. Sebastián Lelio, Chile-u.S.-Germany-Spain, 2017)

Film Stars Don’T Die In Liverpool (d.
See full article at The Film Stage »

Telluride Film Festival Lineup Includes ‘Darkest Hour,’ ‘Downsizing,’ ‘Shape of Water’

Joe Wright’s “Darkest Hour,” Scott Cooper’s “Hostiles,” Angelina Jolie’s “First They Killed My Father,” and Greta Gerwig’s “Lady Bird” will unspool for audiences at the 44th annual Telluride Film Festival, organizers announced Thursday.

Also set for debuts at the four-day event, unfolding over the Labor Day weekend, are Jonathan Dayton and Valerie Faris’ “Battle of the Sexes,” starring Emma Stone and Steve Carell; and Paul McGuigan’s “Film Stars Don’t Die in Liverpool,” with Annette Bening and Jamie Bell.

A number of films set for premieres at the Venice Film Festival will also make the journey to the southwest Colorado ski village, including Guillermo del Toro’s “The Shape of Water,” Andrew Haigh’s “Lean on Pete,” Paul Schrader’s “First Reformed,” and Alexander Payne’s “Downsizing.”


Telluride Film Festival Director on Hidden Gems and a Banner Year for Women

Titles scheduled to finally surface in the States after previous international
See full article at Variety - Film News »

The Big Knife Available on Blu-ray September 5th From Arrow Video

The Big Knife (1955) will be available on Blu-ray + DVD September 5th From Arrow Video

Mere months after delivering one of the definitive examples of film noir with Kiss Me Deadly, Robert Aldrich brought a noir flavor to Hollywood with his classic adaptation of Clifford Odets’ stage play, The Big Knife.

Charles Castle, one of Hollywood’s biggest stars, looks like he has it all. But his marriage is falling apart and his wife is threatening to leave him if he renews his contract. Studio boss Stanley Shriner Hoff isn’t taking the news too well, and he’ll do anything he can to get his man to sign on the dotted line – even if means exposing dark secrets…

Winner of the Silver Lion at the 1955 Venice Film Festival, The Big Knife also boasts a remarkable cast list including Jack Palance (Shane) as Castle and Rod Steiger (On the Waterfront) as Hoff,
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‘Liza, Liza, Skies Are Grey’: Film Review

‘Liza, Liza, Skies Are Grey’: Film Review
California beaches and the Pacific Coast Highway are central characters in Terry Sanders’ nostalgic feature, but even so there’s no there there. Liza, Liza, Skies Are Grey — taking its title from a 1929 Gershwin song and set in the summer of 1966 — is a meandering journey, too tepid to stir up the feelings of yearning and rebellion that it aims to evoke.

Sanders, who produced the Oscar-winning Maya Lin: A Strong Clear Vision (directed by his wife, Freida Lee Mock) and served as second unit director on The Night of the Hunter, brushed off a screenplay he wrote 45...
See full article at The Hollywood Reporter - Movie News »

The Furniture: The Night of the Hunter's American Expressionism

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

Charles Laughton’s The Night of the Hunter is an American classic. But it is also a clear descendant of a movement from across the Atlantic: German Expressionism. This comes through most clearly in the breathtaking work of cinematographer Stanley Cortez (The Magnificent Ambersons).

Yet while The Night of the Hunter’s visual language is clearly indebted to the German films of the 1920s, its sets are far cry from the angular nightmares of The Cabinet of Dr. Caligari and its siblings. Instead, the work of art director Hilyard M. Brown and set decorator Alfred E. Spencer is grounded in iconic American architecture. Through the intimate collaboration of production design and cinematographer, an Expressionist battle between good and evil unfolds through the aesthetic material of American life.
See full article at FilmExperience »

Philippe Le Sourd Afc || The Cinematography Of The Beguiled

  • Cinelinx
Sofia Coppola now represents just the second woman of seventy Cannes Best Director Award winners. That’s a baffling male slant of 68 to two. The Beguiled, her prize winner, is an immaculate exercise in aesthetic restraint. Every facet of its design is an echo of the screams curdling beneath a relentless Southern gentility.

Critical to this masterfully controlled technique is Coppola’s Oscar-nominated cinematographer Philippe Le Sourd Afc. Philippe and I discuss the film’s use of perspective, his unique low-contrast take on visual oppression, and how camera movement can disrupt the emotion of a scene.

Philippe shot Kodak V3 500T 5219 and pull processed the entire negative by a stop for reduced grain, contrast, and range in the shadows. Shot with an Arricam Lt body Cooke S2’s and Panavision Ultra Speeds for their delicate rendering and fast apertures. Panavision customized a ‘close-up filter’ for Le Sourd to imitate the 1860’s style Petzval lensed portraits.
See full article at Cinelinx »

Good Bad Man Cortez: Final Interview Segment with Biographer of The Great Hollywood Heel

Good Bad Man Cortez: Final Interview Segment with Biographer of The Great Hollywood Heel
'The Magnificent Ambersons': Directed by Orson Welles, and starring Tim Holt (pictured), Dolores Costello (in the background), Joseph Cotten, Anne Baxter, and Agnes Moorehead, this Academy Award-nominated adaptation of Booth Tarkington's novel earned Ricardo Cortez's brother Stanley Cortez an Academy Award nomination for Best Cinematography, Black-and-White. He lost to Joseph Ruttenberg for William Wyler's blockbuster 'Mrs. Miniver.' Two years later, Cortez – along with Lee Garmes – would win Oscar statuettes for their evocative black-and-white work on John Cromwell's homefront drama 'Since You Went Away,' starring Ricardo Cortez's 'Torch Singer' leading lady, Claudette Colbert. In all, Stanley Cortez would receive cinematography credit in more than 80 films, ranging from B fare such as 'The Lady in the Morgue' and the 1940 'Margie' to Fritz Lang's 'Secret Beyond the Door,' Charles Laughton's 'The Night of the Hunter,' and Nunnally Johnson's 'The Three Faces
See full article at Alt Film Guide »

After Valentino and Before Bogart There Was Cortez: 'The Magnificent Heel' and the Movies' Original Sam Spade

After Valentino and Before Bogart There Was Cortez: 'The Magnificent Heel' and the Movies' Original Sam Spade
Ricardo Cortez biography 'The Magnificent Heel: The Life and Films of Ricardo Cortez' – Paramount's 'Latin Lover' threat to a recalcitrant Rudolph Valentino, and a sly, seductive Sam Spade in the original film adaptation of Dashiell Hammett's 'The Maltese Falcon.' 'The Magnificent Heel: The Life and Films of Ricardo Cortez': Author Dan Van Neste remembers the silent era's 'Latin Lover' & the star of the original 'The Maltese Falcon' At odds with Famous Players-Lasky after the release of the 1922 critical and box office misfire The Young Rajah, Rudolph Valentino demands a fatter weekly paycheck and more control over his movie projects. The studio – a few years later to be reorganized under the name of its distribution arm, Paramount – balks. Valentino goes on a “one-man strike.” In 42nd Street-style, unknown 22-year-old Valentino look-alike contest winner Jacob Krantz of Manhattan steps in, shortly afterwards to become known worldwide as Latin Lover Ricardo Cortez of
See full article at Alt Film Guide »

The Mystery of Kinka Usher

The answer to the eternal question: What ever happened to the director of ‘Mystery Men’?

The first thing to notice about Kinka Usher’s Twitter account — which we’ll assume is the real deal, even in the absence of a blue check mark — is its profile description: “I directed the movie that actually made All Star by Smash Mouth popular.” As far as legacies go, we can agree this would be an ignoble one, assuming that’s all there was to it. The description does not clarify the movie in question however.

So then, the second thing to notice, after a bit of scrolling, is the title of said movie: Mystery Men. The film, based on marginal superhero characters from an obscure comic book (where my Flaming Carrot fans at?) and released in 1999, stars Ben Stiller, William H. Macy, Janeane Garofalo, and an almost literally unbelievable list of others. Smash Mouth is indeed heard on the soundtrack
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Chuck Barris, ‘Confessions Of A Dangerous Mind’ Subject, Is Dead At 87

Chuck Barris, ‘Confessions Of A Dangerous Mind’ Subject, Is Dead At 87
Chuck Barris, the game show host whose life was immortalized by the 2002 film “Confessions Of A Dangerous Mind,” died Tuesday of natural causes in Palisades, N.Y., Variety reports. He was 87.

Confessions of a Dangerous Mind” was adapted from his autobiography by Charlie Kaufman, and was the first directorial effort by George Clooney. The film starred Sam Rockwell as Barris, and told the story of his alleged side gig as a C.I.A. assassin in the 1960s and ’70s, a claim which the agency denied.

Read More: ‘Talk Show the Game Show’ Live: Wanda Sykes Judges Nick Thune at SXSW

Barris was famous for hosting the 1970s NBC game show “The Gong Show,” a wacky and free-wheeling talent show spoof which he created and produced. (Will Arnett is bringing a “Gong Show” revival to ABC this summer). Before stepping on camera, Barris created and produced popular game show hits such as “The Dating Game,
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Robin O’Hara, Longtime Indie Film Producer, Dies: Friends and Family Remember an Influential Figure

Robin O’Hara, Longtime Indie Film Producer, Dies: Friends and Family Remember an Influential Figure
Fierce, committed and above all, tough — these are the words that collaborators use to describe producer Robin O’Hara, a longtime fixture of the New York independent film scene, who died suddenly last week after complications from cancer treatment.

When O’Hara’s business and life partner Scott Macaulay of Forensic Films posted the sad news on Facebook last Wednesday, hundreds of prominent filmmakers, former crewmembers, and friends from across the independent film world offered an outpouring of condolences, remembrances, and testimonies about O’Hara’s importance in nurturing their art and their careers.

As “Saving Face” director Alice Wu wrote, “She was brilliant and mercurial and hilarious and terrifying. She gave no fucks — unless she did give a fuck — and then she gave everything. Anyone who has been lucky enough to be in her orbit never lets go. She pushed us all … and we became better people.”

Echoing Wu,
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Peter Travers on Bill Paxton: A Modest Actor of Immodest Gifts

Peter Travers on Bill Paxton: A Modest Actor of Immodest Gifts
I met Bill Paxton in 1995. On a visit to the Rolling Stone offices in midtown Manhattan, he looked in awe at our cover wall, featuring iconic images of rock royalty. An intern, passing by, stopped to stare at him. "Your face looks familiar," she said.

"I've been in a couple of movies," Paxton said, good-naturedly.

The intern wasn't buying it. "Which ones?"

"Apollo 13 ... it just came out, I'm an astronaut in that one."

"Which astronaut?" the youngster prodded, skeptical to the last.

Warming to the impromptu interrogation, Paxton flashed
See full article at Rolling Stone »

Rip Seijun Suzuki, The Anarchic Japanese Auteur Who Inspired Quentin Tarantino and Jim Jarmusch

  • Indiewire
Rip Seijun Suzuki, The Anarchic Japanese Auteur Who Inspired Quentin Tarantino and Jim Jarmusch
“I make movies that make no sense,” Seijun Suzuki would often say, and he wasn’t being modest. The prolific director, who died earlier this month at the age of 93, was the Jackson Pollock of Japanese cinema, an irrepressibly creative artist who painted with gobs of color and geysers of fake blood in order to defy the strictures of narrative and remind viewers that movies are more than the stories they tell.

His hyper-stylized gangster sagas, which had a way of turning the most basic B-picture plots into unfettered symphonies for the senses, were born out of a rabid intolerance for boredom; audiences never knew what was going to happen next, and sometimes it’s tempting to suspect that Suzuki didn’t either. Few directors ever did more to fundamentally demolish our understanding of what film could be, and even fewer did so while working under the auspices of a major production studio.
See full article at Indiewire »

John Hurt, ‘Alien’ and ‘The Elephant Man’ Star, Dies At 77

  • Indiewire
John Hurt, ‘Alien’ and ‘The Elephant Man’ Star, Dies At 77
Sir John Hurt, one of the elder statesmen of great British actors, has passed away. He was 77.

Hurt’s first major breakout film role was as Richard Rich in “A Man for All Seasons” in 1966, and was a captivating on-screen presence in a rich array of roles. He won a Golden Globe for his supporting work in 1978’s “Midnight Express,” playing a prisoner addicted to heroin, and starred as David Lynch’s iconic “Elephant Man” (nominated for an Oscar and winning a BAFTA for his work in the 1980 black-and-white drama).

He was also beloved by genre fans for his unforgettable work in 1978’s “Alien,” which led to a cameo parodying the most famous scene of Ridley Scott’s sci-fi horror film for Mel Brooks in “Spaceballs.”

In addition, he played supporting roles in the “Harry Potter” films, “Hellboy,” “Snowpiercer” and many many more. Notably, he was cast as the War
See full article at Indiewire »
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