The Night of the Hunter (1955)

User Rating:

8.2/10   

Director:

Charles Laughton
(more)

Writers:

Davis Grubb (novel)
James Agee (screenplay)
(more)

Release Date:

24 November 1955 (Argentina)

Genre:

Drama | Film-Noir | Thriller

Tagline:

The wedding night, the anticipation, the kiss, the knife, BUT ABOVE ALL... THE SUSPENSE!

Plot:

A religious fanatic marries a gullible widow whose young children are reluctant to tell him where their real daddy hid $10,000 he'd stolen in a robbery.

Plot Keywords:

Money | Widow | Children | Preacher | Hymn

Awards:

1 win

US TV Schedule:

Tue. July 21

4:15 PM

TCM

Cast

Robert Mitchum	...	Harry Powell
Shelley Winters	...	Willa Harper
Lillian Gish	...	Rachel Cooper
James Gleason	...	Birdie Steptoe
Evelyn Varden	...	Icey Spoon
Peter Graves	...	Ben Harper
Don Beddoe	...	Walt Spoon
Billy Chapin	...	John Harper
Sally Jane Bruce	...	Pearl Harper
Gloria Castillo	...	Ruby (as Gloria Castilo)
rest of cast listed alphabetically:
Corey Allen	...	Young Man in Town (uncredited)
Paul Bryar	...	Bart the Hangman (uncredited)
Cheryl Callaway	...	Mary (uncredited)
Michael Chapin	...	Ruby's Boyfriend (uncredited)
Mary Ellen Clemons	...	Clary (uncredited)
Kathy Garver	...	Child (uncredited)
James Griffith	...	District Attorney (uncredited)
John Hamilton	...	Townsman Who Greets Rachel (uncredited)
Kay Lavelle	...	Miz Cunninghan (uncredited)
Gloria Pall	...	Burlesque Dancer (uncredited)
George Wallace	...	(uncredited)

Directed by
Charles Laughton
Robert Mitchum		(uncredited)

Writing credits
Davis Grubb		(novel)
James Agee		(screenplay)
Charles Laughton		screenplay contributor (uncredited)

Produced by
Paul Gregory	....	producer

Original Music by
Walter Schumann		(music by)

Cinematography by
Stanley Cortez		(photography by)

Film Editing by
Robert Golden

Casting by
Millie Gusse		(uncredited)

Art Direction by
Hilyard M. Brown		(as Hilyard Brown)

Set Decoration by
Alfred E. Spencer		(as Al Spencer)

Makeup Department
Don L. Cash	....	make-up (as Don Cash)
Kay Shea	....	hair stylist

Production Management
Ruby Rosenberg	....	production manager
Frank Parmenter	....	production manager: second unit (uncredited)

Second Unit Director or Assistant Director
Milton Carter	....	assistant director
Frank Parmenter	....	second unit director (uncredited)
Terry Sanders	....	second unit director (uncredited)
Jack Sonntag	....	first assistant director (uncredited)

Art Department
Joe LaBella	....	property man (as Joe La Bella)

Sound Department
Stanford Houghton	....	sound (as Stanford Naughton)

Special Effects by
Louis DeWitt	....	special photographic effects (as Louis De Witt)
Jack Rabin	....	special photographic effects

Camera and Electrical Department
Seymour Hoffberg	....	assistant camera (uncredited)
Harold E. Wellman	....	camera: second unit (uncredited)

Costume and Wardrobe Department
Jerry Bos	....	wardrobe
Evelyn Carruth	....	assistant wardrobe

Music Department
Arthur Morton	....	orchestrator (uncredited)

Other crew
Saul Bass	....	publicist (uncredited)
Robert Mitchum	....	director: children (uncredited)
Denis Sanders	....	unspecified assistant (uncredited)
Terry Sanders	....	unspecified assistant (uncredited)

Production Companies

• Paul Gregory Productions (presents)

Distributors

• United Artists (1955) (USA) (theatrical)
• Columbia Pictures Corporation (1955) (UK) (theatrical)
• United Artists (1956) (France) (theatrical)
• MGM/UA Home Entertainment (1991) (USA) (VHS)
• MGM/UA Home Entertainment (1994) (USA) (video) (laserdisc)
• MGM/UA Home Entertainment (1998) (USA) (VHS)
• BFI Films (1999) (UK) (theatrical) (re-release)
• MGM/UA Home Entertainment (2000) (USA) (DVD)
• Twentieth Century Fox Home Entertainment (2003) (Netherlands) (DVD)
• MGM Home Entertainment (2007) (USA) (DVD)
• Filmmuseum Distributie (2007) (Netherlands) (theatrical) (re-release)
• Chapel Distribution (1997) (Australia) (theatrical) (35mm print)
• Criterion Collection, The (19??) (USA) (video) (laserdisc)
• Warner Home Vídeo (19??) (Brazil) (VHS)

Runtime:

92 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

Finland:K-16 (1959) (cut) | South Korea:15 (2003) | Argentina:13 | Australia:M | Canada:14A (video rating) | Finland:(Banned) (1955) | Norway:16 | Portugal:M/12 | Sweden:15 | UK:12 | USA:Approved (certificate #17385) | West Germany:12 | UK:X (original rating)

Filming Locations:

CBS Studio Center - 4024 Radford Avenue, Studio City, Los Angeles, California, USA

Company:

Paul Gregory Productions

Trivia:

In his biography, Robert Mitchum stated that director Charles Laughton found the script by James Agee totally unacceptable; he paid off Agee, sent him packing and rewrote virtually the entire script himself, uncredited.

Goofs:

Continuity: When John is telling Pearl the bedtime story, Harry's shadow appears on the bedroom wall. When John looks outside at Harry at the gate, the angle of the streetlight next to him would not throw the shadow into the house, but on the ground in front of him.

Quotes:

Icey Spoon: A husband's one piece of store goods you never know 'til you get it home and take the paper off.

Movie Connections:

Referenced in The Devil's Rejects (2005)

Soundtrack:

Dream, Little One, Dream

Sleep, Lit'le ones, sleep...

I still hear the lullaby singing sweetly in my head, like a hazy, haunting dream that won't go away.

From the opening scene of the beautiful Lillian Gish and her children, watching over the world in a starry sky, this movie just sinks you into a mesmeric fairy tale land. The camera takes us down in one sweeping move to a scene of children playing, a hot sunny day, and right to the feet of a murder victim. And that sweet music turns on us like a twisted nightmare as the scene chases after a car speeding along a country road to find one of movies worst villains.

Charles Laughton, in sadly his one and only stab at directing, created a masterpiece of horror with Night of the Hunter. The moments of sugar coated sweetness only make this movie even more disturbing as you wonder how the two can inhabit the same world.

Mitchum is terrifying. More-so in a town full of simple folk ready to match him up with the local widow who needs a father for her lit'le n's. Its like he's walked into the middle of a Frank Capra movie and he's going to do what he wants to.

This is not just a great horror movie, but an artist achievement to rival Welles' Kane. The river scene is one of many moments of pure visual splendor. And that sound track just keeps drifting alone, as if trying to coax you into slumber, till the singing madman of your nightmares comes over the hill, relentless. "Chil-dren, Come along now"

You don't watch this movie, it watches you. ...Hush, Lit'le ones, Hush.