IMDb > The Night of the Hunter (1955)
The Night of the Hunter
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The Night of the Hunter (1955) More at IMDbPro »

Photos (See all 82 | slideshow) Videos (see all 2)
The Night of the Hunter -- Three Reasons Criterion trailer
The Night of the Hunter -- Criterion trailer

Overview

User Rating:
8.1/10   66,906 votes »
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Popularity: ?
Up 8% in popularity this week. See why on IMDbPro.
Director:
Writers:
James Agee (screenplay)
Davis Grubb (based on the novel by)
(more)
Contact:
View company contact information for The Night of the Hunter on IMDbPro.
Release Date:
24 November 1955 (Argentina) See more »
Tagline:
The scenes...the story...The stars BUT ABOVE ALL - THE SUSPENSE! See more »
Plot:
A religious fanatic marries a gullible widow whose young children are reluctant to tell him where their real daddy hid $10,000 he'd stolen in a robbery. Full summary » | Full synopsis »
Plot Keywords:
Awards:
2 wins See more »
User Reviews:
Overwhelming See more (396 total) »

Cast

  (in credits order) (verified as complete)

Robert Mitchum ... Harry Powell

Shelley Winters ... Willa Harper

Lillian Gish ... Rachel Cooper

James Gleason ... Birdie Steptoe
Evelyn Varden ... Icey Spoon

Peter Graves ... Ben Harper

Don Beddoe ... Walt Spoon

Billy Chapin ... John Harper
Sally Jane Bruce ... Pearl Harper

Gloria Castillo ... Ruby (as Gloria Castilo)
rest of cast listed alphabetically:

Emmett Lynn ... Birdie Steptoe (scenes deleted)

Corey Allen ... Young Man in Town (uncredited)

Paul Bryar ... Bart the Hangman (uncredited)
Cheryl Callaway ... Mary (uncredited)

Michael Chapin ... Ruby's Boyfriend (uncredited)
Mary Ellen Clemons ... Clary (uncredited)

Kathy Garver ... Child (uncredited)

James Griffith ... District Attorney (uncredited)

John Hamilton ... Townsman Who Greets Rachel (uncredited)
Kay Lavelle ... Miz Cunninghan (uncredited)

Gloria Pall ... Burlesque Dancer (uncredited)

George Wallace ... (uncredited)

Directed by
Charles Laughton 
 
Writing credits
James Agee (screenplay by)

Davis Grubb (based on the novel by)

Charles Laughton  screenplay contributor (uncredited)

Produced by
Paul Gregory .... producer
 
Original Music by
Walter Schumann (music by)
 
Cinematography by
Stanley Cortez (photography by)
 
Film Editing by
Robert Golden (film editor)
 
Casting by
Millie Gusse (uncredited)
 
Art Direction by
Hilyard M. Brown  (as Hilyard Brown)
 
Set Decoration by
Alfred E. Spencer (set decoration) (as Al Spencer)
 
Makeup Department
Don L. Cash .... makeup (as Don Cash)
Kay Shea .... hair stylist
 
Production Management
Ruby Rosenberg .... production manager
Frank Parmenter .... production manager: second unit (uncredited)
 
Second Unit Director or Assistant Director
Milton Carter .... assistant director
Frank Parmenter .... second unit director (uncredited)
Terry Sanders .... second unit director (uncredited)
Jack Sonntag .... first assistant director (uncredited)
 
Art Department
Joe LaBella .... property man (as Joe La Bella)
 
Sound Department
Stanford Houghton .... sound (as Stanford Naughton)
 
Special Effects by
Louis DeWitt .... special photographic effects (as Louis De Witt)
Jack Rabin .... special photographic effects
 
Camera and Electrical Department
Seymour Hoffberg .... assistant camera (uncredited)
Harold E. Wellman .... camera: second unit (uncredited)
 
Costume and Wardrobe Department
Jerry Bos .... wardrobe
Evelyn Carruth .... wardrobe assistant
 
Music Department
Arthur Morton .... orchestrator (uncredited)
 
Other crew
Saul Bass .... publicist (uncredited)
Robert Mitchum .... acting coach: children (uncredited)
Denis Sanders .... unspecified assistant (uncredited)
Terry Sanders .... unspecified assistant (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
Runtime:
92 min
Country:
Language:
Aspect Ratio:
1.66 : 1 See more »
Sound Mix:
Mono (Western Electric Recording)
Certification:
Argentina:13 | Australia:M | Australia:PG (TV rating) | Brazil:14 | Canada:14A (video rating) | Finland:K-16 (1959) (cut) | Finland:(Banned) (1955) (uncut) | France:Tous publics | Germany:12 (re-rating) (2001) | Italy:VM16 | Norway:16 | Portugal:M/12 | South Korea:15 (2003) | Spain:T | Sweden:11 (re-rating) (2004) | Sweden:15 (re-rating) (1958) | Sweden:(Banned) (original rating) (1955) | UK:12 | UK:X (original rating) | USA:Approved (certificate #17385) | USA:TV-PG (tv rating) | USA:Unrated (video release) | West Germany:16 (VHS re-rating) | West Germany:18 (original rating) (1956)

Did You Know?

Trivia:
One day Robert Mitchum arrived on set drunk and producer Paul Gregory told him that he was in no condition to work that day. Mitchum took umbrage to this and walked over to the producer's Cadillac, opened the front door and urinated on the front seat.See more »
Goofs:
Miscellaneous: The back cover of the movie magazine Harry buys for Ruby is completely blank.See more »
Quotes:
Rachel Cooper:Women are such durn fools.See more »
Movie Connections:
Soundtrack:
Hing, Hang, HungSee more »

FAQ

How does the movie end?
Is 'The Night of the Hunter' based on a book?
How much sex, violence, and profanity are in this movie?
See more »
71 out of 101 people found the following review useful.
Overwhelming, 6 November 2005
Author: Felix-28 from Melbourne, Australia

I was lucky enough to see this in a cinema with a restored print. I had previously caught a snatch of it while channel surfing cable TV, and saw enough in about 30 seconds to realise that this was worth watching through if I got the chance.

I could barely speak at the end of the film. Pauline Kael called it one of the scariest movies ever made, and she was absolutely right. Robert Mitchum becomes the embodiment of evil, and his pursuit of the children is so relentless, and so menacing, that it becomes impossible to believe that they can escape. The images are brilliant; there's a depth to black and white that colour somehow lacks, and it is used superbly here to create a sense of brooding terror.

I didn't mind the homily at the end. Like everything else in the film, it is done with utter conviction, and this makes it work. Charles Laughton saw it as the indispensable conclusion to the film, and the strength of his belief makes it indispensable.

The images are so much part of the film that it must lose a great deal on the small screen, although my minimal exposure to it in that environment showed that it was still well worth watching, but if you get a chance to see it in a cinema, jump at it.

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