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The Night of the Hunter (1955)

A religious fanatic marries a gullible widow whose young children are reluctant to tell him where their real daddy hid $10,000 he'd stolen in a robbery.

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(screenplay by), (based on the novel by)

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Cast

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Walt Spoon
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Ruby (as Gloria Castilo)
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Storyline

It's the Great Depression. In the process of robbing a bank of $10,000, Ben Harper kills two people. Before he is captured, he is able to convince his adolescent son John and his daughter Pearl not to tell anyone, including their mother Willa, where he hid the money, namely in Pearl's favorite toy, a doll that she carries everywhere with her. Ben, who is captured, tried and convicted, is sentenced to death. But before he is executed, Ben is in the state penitentiary with a cell mate, a man by the name of Harry Powell, a self-professed man of the cloth, who is really a con man and murderer, swindling lonely women, primarily rich widows, of their money before he kills them. Harry does whatever he can, unsuccessfully, to find out the location of the $10,000 from Ben. After Ben's execution, Harry decides that Willa will be his next mark, figuring that someone in the family knows where the money is hidden. Despite vowing not to remarry, Willa ends up being easy prey for Harry's outward ... Written by Huggo

Plot Summary | Plot Synopsis

Plot Keywords:

widow | preacher | children | money | doll | See All (326) »

Taglines:

The wedding night, the anticipation, the kiss, the knife, BUT ABOVE ALL... THE SUSPENSE! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

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Release Date:

24 November 1955 (Argentina)  »

Also Known As:

Die Nacht des Jägers  »

Filming Locations:

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Box Office

Budget:

$795,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Goofs

(at around 39 mins) When Willa Harper is lying in bed talking to Harry her mouth movements are out of sync with the dialogue. See more »

Quotes

Willa Harper: I feel clean now. My whole body's just a-quiverin' with cleanness.
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Connections

Featured in And the Oscar Goes To... (2014) See more »

Soundtracks

Once Upon a Time There Was a Pretty Fly
(1955) (uncredited)
Music by Walter Schumann
Lyrics by Davis Grubb
Originally sung by Sally Jane Bruce but later dubbed by Betty Benson
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Frequently Asked Questions

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User Reviews

 
Breathtaking Imagery
16 December 2007 | by See all my reviews

Extraordinary, unparalleled, breathtaking ... that's how I would appraise the film's visuals, from DP Stanley Cortez. The images are all in B&W, and many have a noir design straight out of German Expressionism. Sharp angles, high-contrast "hard" lighting, and deep shadows amplify form, or rather distort reality, and as such project human experience as an exaggeration of the emotional.

Some of the images in "The Night Of The Hunter" are so enthralling that they will live on in the collective mind as long as cinema exists. Who can forget that famous underwater scene wherein a dead woman's body sits upright in a car with her hair flowing along the current like seaweed, accompanied by background music that is so dreamlike? One of my favorite images is the one wherein Willa Harper (Shelley Winters) lies in blissful repose on a bed as Harry Powell (Robert Mitchum) stands by a window in an unadorned room with angular walls that slope upward, as if in a church.

One of the most haunting, and famous, sequences has the two children, John and Pearl, in a rowboat, as they make a Homeric odyssey down a river, lorded over by giant spider webs, frogs, and rabbits. And then there's that electrifying scene with Rachel Cooper (Lillian Gish) in silhouette, sitting in a chair, holding a shotgun, as Harry Powell sings "Leaning On The Everlasting Arms". Cinematic brilliance extraordinaire!

Consistent with its expressionistic visuals, the story is presented from the POV of a child's nightmare. John and Pearl symbolize innocence, and the bogeyman comes in the form of an adult, a godlike man who cons the gullible townsfolk including the children's mom. Our good reverend Powell is less interested in saving souls than he is in finding all that loot stashed away somewhere. Thus, the film's underlying theme is at least as relevant now as it was fifty years ago; the film has not aged one bit.

Production design is sparse, true to the film's visual style and to the setting in Depression era West Virginia. The casting is perfect. Robert Mitchum has just the right look and voice for the part of Harry Powell. I like how he calls to John and Pearl ... "chill-drenn?" Lillian Gish is well-suited to represent ... reality.

And those two kids likewise are ideally cast. Love the way Pearl, with her round face and those rag-a-muffin curls refers to herself, in that Southern drawl, as "Pell". And the film's horror combines with humor in many scenes, one of which has "Pell" sitting on the ground with scissors in hand nonchalantly cutting up paper currency into paper dolls.

Acting is generally exaggerated, again consistent with what one would expect in a nightmare. Evelyn Varden, as Icey Spoon (love that name), hams it up in a gossipy, mother hen sort of way. And Shelley Winters effectively jitters her way through the film, ghostlike, her character lost in delusion.

The film's original score is haunting and mournful, and could hardly set a more appropriate tone: "Dream little one, dream; dream my little one, dream; oh the hunter in the night fills your childish heart with fright; fear is only a dream; so little one dream".

With its brilliant photography, its unpopular but deeply truthful theme, and its nightmarish story, Charles Laughton's "The Night Of The Hunter" is high up on my list of twenty best films of all time.


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