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New York Confidential (1955)

6.9
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Ratings: 6.9/10 from 183 users  
Reviews: 8 user | 13 critic

A top syndicate crime boss and his corrupt politicians, make multi-million deals and order murders , until the vicious pattern finally catches up to him.

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Writers:

(suggested by the book), (suggested by the book), 2 more credits »
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Title: New York Confidential (1955)

New York Confidential (1955) on IMDb 6.9/10

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Cast

Cast overview, first billed only:
...
Charlie Lupo
...
Nick Magellan
Marilyn Maxwell ...
Iris Palmer
...
Katherine (Kathy) Lupo
J. Carrol Naish ...
Ben Dagajanian
Onslow Stevens ...
Johnny Achilles
Barry Kelley ...
Robert Frawley
...
Arnie Wendler
...
Mama Lupo
Herbert Heyes ...
James Marshall
Steven Geray ...
Morris Franklin
William 'Bill' Phillips ...
Whitey
Henry Kulky ...
Gino
Nestor Paiva ...
Martinelli
Joseph Vitale ...
Batista
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Storyline

Nick Magellan works for the corrupt businessman Charlie Lupo, who presides over an influential crime syndicate in Manhattan, New York. New York senators belong to the realm of this syndicate. Charlie has a recalcitrant daughter, Kathy Lupo. She is in love with Nick. Nick protects Kathy against her father when she leaves her parental home. Charlie always knows not to be judged, but when one of the senators talks too much during a television interview, he is in the center of a massive fraud research by the law. Written by Robert

Plot Summary | Add Synopsis

Genres:

Crime | Film-Noir | Drama

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Details

Country:

Language:

Release Date:

18 February 1955 (USA)  »

Also Known As:

Pantherkatze  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.85 : 1
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User Reviews

 
Something Old, Something New York
11 July 2010 | by (milford de) – See all my reviews

"jump fido, papa give you liver" says anne bancroft to richard conte...of course, there is the main storyline of the organization, the syndicate, the business of crime that merges with the mafia family's personal lives in a soap opera where stiffs abound...but what sticks to my ribs is the quirky dialogue that runs throughout... for example, richard conte learns from ann bancroft that he has a 'penchant' and he repeats the word to her father, broderick crawford, who reacts very strangely...or it's crawford who says, 'what I wouldn't give for a salami on rye with a kosher pickle'...he finally gets his wish and wishes he hadn't...or a hit man's desire to go to cleveland and richard conte says, 'you'll be going a little further than that'...then there's conte in the bar saying 'the beer's flat, bring me another, I'm a slow eater, I haven't finished my sandwich'...they should have let him eat in peace... the scenes start, stop and fade out like the many chapters of a book, and one in particular near the end has no dialogue and lasts less than 30 seconds, yet it is quite effective...and so, when the day is done, it's not necessarily the main storyline that grabs you, but it's the way dialogue has allowed us to personally identify each of the main characters that makes this a memorable movie.


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