Kathy leaves the newspaper business to marry homicide detective Bill but is frustrated by his lack of ambition and the banality of life in the suburbs. Her drive to advance Bill's career soon takes her down a dangerous path.
Bachelor Harry Quincey, head designer in a small-town cloth factory, lives with his selfish sisters, glamorous hypochondriac Lettie and querulous widow Hester. His developing relationship ... See full summary »
A well-known judge has become a fugitive from the police, with a large reward on his head. A reporter believes that the judge is hiding in a private sanitarium, so she seeks out a private ... See full summary »
Horace Vendig shows himself to the world as a rich philanthropist. In fact, the history of his rise from his unhappy broken home shows this to be far from the case. After being taken in by ... See full summary »
An industrialist (Joseph Cotton) and a pianist (Joan Fontaine) meet on a trip and fall in love. Through a quirk of fate, they are reported dead in a crash though they weren't on the plane. ... See full summary »
Roselle Regalzyk (Anne Bancroft) is the naughty but nice little sister of mobster Phil "Regal" (Anthony Quinn). The unwed Roselle has managed to get herself pregnant by Nick Branda (Farley Granger), another convict who is soon on his way to the electric chair. Phil no sooner has Nick sprung so that he can marry Roselle, then Roselle miscarries, making the shotgun wedding unnecessary. Written by
A scene where Quinn first goes inside a building to visit his mother, that street was filmed on Second Street in Los Angeles, California in what is called "Little Tokyo". See more »
When Joe is talking to Phil about a new story angle on him, in a close-up shot Phil is talking to Joe with a cigarette in his left hand, waving it around. In the next wider shot, Phil has his left hand in his pocket and the cigarette is in his right hand. See more »
Very solid, with Quinn remarkable--a very good low key noir
The Naked Street (1955)
A hidden gem. It's too straight forward to be some kind of memorable classic, and it has too many of the earmarks of many movies that came earlier to be original in any way. But this is a really well made, slightly lower budget, crime and romance film with a great cast. Anthony Quinn in particular shows several sides to his personality as a nice big brother who is also controlling and blind to his little sister, a full grown Ann Bancroft, who is radiant in the working class apartment she lives in with her mother. And Farley Granger is a good echo of the slightly idealistic but misled innocent he played in "Strangers on a Train," though here he is not so innocent.
Expect a fast progression, some good solid filming, and acting that holds its own. The director, Maxwell Shane, is really more of a screenwriter, and so it figures the writing here is pretty good (he co-wrote, too). He has only a handful of other films he directed in this period, all reasonably good (the first, "Fear in the Night," the most forgettable, and the best, "The Glass Wall" stars Gloria Grahame), and all fairly formula stuff. This one rises up because of its tight construction and good, very good, acting. Give it a chance.
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