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My Sister Eileen (1955)

Approved  |   |  Musical, Comedy, Romance  |  22 September 1955 (USA)
6.9
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Ratings: 6.9/10 from 1,066 users  
Reviews: 24 user | 18 critic

Ruth and her beautiful sister Eileen come to New York's Greenwich Village looking for "fame, fortune and a 'For Rent' sign on Barrow Street". They find an apartment (such as it is!), but ... See full summary »

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(screenplay), (screenplay), 3 more credits »
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My Sister Eileen (1960–1961)
Comedy
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

Two sisters, Ruth and Eileen, move to Manhattan to further their careers. Ruth was the big sister who had her hands full trying to keep Eileen out of trouble.

Stars: Elaine Stritch, Shirley Bonne, Raymond Bailey
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Cast

Complete credited cast:
...
...
...
...
Frank (as Robert Fosse)
...
...
Ted 'Wreck' Loomis (as Richard York)
Lucy Marlow ...
Helen
...
Barbara Brown ...
Helen's Mother
Horace McMahon ...
Police Officer Lonigan
Henry Slate ...
Second Drunk
Hal March ...
Pete - First Drunk
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Storyline

Ruth and her beautiful sister Eileen come to New York's Greenwich Village looking for "fame, fortune and a 'For Rent' sign on Barrow Street". They find an apartment (such as it is!), but fame and fortune are a lot more elusive. Ruth gets the attention of playboy publisher Bob Baker when she submits a story about her gorgeous sister Eileen. She tries to keep his attention by convincing him that she, (a "spinsterish old-maid writer") and the gorgeous, man-getting Eileen are one and the same person. Written by A.L.Beneteau <albl@inforamp.net>

Plot Summary | Add Synopsis

Taglines:

That Joyous New Musical !


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

22 September 1955 (USA)  »

Also Known As:

The Gay Girls  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(magnetic prints) (RCA Sound Recording)| (optical prints) (RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

2.55 : 1
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Did You Know?

Trivia

When Ruth first visits the Brazilian training ship, it's docked next to two US Navy destroyers. They're DD 531, the Hazelwood, and DD 537, The Sullivans. See more »

Goofs

When Eileen is dancing at El Morocco, she is wearing shoes with small heels. Later on that night when they dance at the bandstand, Eileen is wearing flat shoes. See more »

Quotes

Frank Lippincott: Weren't they interested in your acting?
Eileen Sherwood: Oh, they were interested, but not in my acting.
See more »

Connections

Referenced in Naked Afternoon (1976) See more »

Soundtracks

Atmosphere
Performed by Chorus
See more »

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User Reviews

 
An under-appreciated gem!!!
3 August 2006 | by (Brooklyn, New York) – See all my reviews

There are so many accolades that can be linked to the musical version of MY SISTER EILEEN in its Columbia 50's version that one doesn't know where to start. First some facts -- WONDERFUL TOWN, the Bernstein-Comden-Green Broadway version was a smash, not a so-so attempt as has been stated elsewhere. Rosalind Russell received every honor imaginable for her return to the state, and Edie Adams, as Eileen, was also acclaimed, along with the score, the book, etc. Columbia could not arrange with Bernstein and Co. for their handiwork so it rolled out its own EILEEN, and the results are beyond charming. For the record, to dispute another silly comment, BETTY GARRETT, one of the genuine talents of stage and screen, was a musical comedy star on Bway and Hollywood, so her training was extensive, and her performance in the film, perhaps, is its greatest attribute -- but the Bob Fosse-Tommy Rall 'challenge' dance outside the burlesque theater is brilliant, as is the Bandstand song. Janet Leigh would have enchanted any and all males within sight, and her singing and dancing is quite expert. Jack Lemmon's work is fine, and his voice is good -- he was a cabaret pianist-singer whenever the chance opened for him. He also recorded several LP's. IF there is one weakness, it is the same as the Broadway production (which incidentally got a stellar revival and awards recently with Donna Murphy). The ending is too abrupt, and the Conga Line number could have ended stronger. BUT it is a small element. This is one of those musicals, at the tale end of the musical era in Hollywood, that deserves to be listed among the finest of them all!!!


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