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Storyline
Ruth and her beautiful sister Eileen come to New York's Greenwich Village looking for "fame, fortune and a 'For Rent' sign on Barrow Street". They find an apartment (such as it is!), but fame and fortune are a lot more elusive. Ruth gets the attention of playboy publisher Bob Baker when she submits a story about her gorgeous sister Eileen. She tries to keep his attention by convincing him that she, (a "spinsterish old-maid writer") and the gorgeous, man-getting Eileen are one and the same person. Written by
A.L.Beneteau <albl@inforamp.net>
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Taglines:
That Joyous New Musical !
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Did You Know?
Goofs
When Eileen is dancing at El Morocco, she is wearing shoes with small heels. Later on that night when they dance at the bandstand, Eileen is wearing flat shoes.
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Quotes
Receptionist:
Mr. Wallace, she isn't on the list.
Mr. Wallace:
Don't be so technical, Miss Stevenson. Was America on Columbus' map?
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Connections
Referenced in
Naked Afternoon (1976)
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Soundtracks
"It's Bigger Than You And Me"
Music by
Jule Styne, lyrics by
Leo Robin
Performed by
Jack Lemmon See more »
There are so many accolades that can be linked to the musical version of MY SISTER EILEEN in its Columbia 50's version that one doesn't know where to start. First some facts -- WONDERFUL TOWN, the Bernstein-Comden-Green Broadway version was a smash, not a so-so attempt as has been stated elsewhere. Rosalind Russell received every honor imaginable for her return to the state, and Edie Adams, as Eileen, was also acclaimed, along with the score, the book, etc. Columbia could not arrange with Bernstein and Co. for their handiwork so it rolled out its own EILEEN, and the results are beyond charming. For the record, to dispute another silly comment, BETTY GARRETT, one of the genuine talents of stage and screen, was a musical comedy star on Bway and Hollywood, so her training was extensive, and her performance in the film, perhaps, is its greatest attribute -- but the Bob Fosse-Tommy Rall 'challenge' dance outside the burlesque theater is brilliant, as is the Bandstand song. Janet Leigh would have enchanted any and all males within sight, and her singing and dancing is quite expert. Jack Lemmon's work is fine, and his voice is good -- he was a cabaret pianist-singer whenever the chance opened for him. He also recorded several LP's. IF there is one weakness, it is the same as the Broadway production (which incidentally got a stellar revival and awards recently with Donna Murphy). The ending is too abrupt, and the Conga Line number could have ended stronger. BUT it is a small element. This is one of those musicals, at the tale end of the musical era in Hollywood, that deserves to be listed among the finest of them all!!!