Ruth and her beautiful sister Eileen come to New York's Greenwich Village looking for "fame, fortune and a 'For Rent' sign on Barrow Street". They find an apartment (such as it is!), but ...
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Sisters Ruth and Eileen Sherwood move from Ohio to New York in the hopes of building their careers. Ruth wants to get a job as a writer, while Eileen hopes to succeed on the stage. The two ... See full summary »
Gladys Glover has just lost her modelling job when she meets filmmaker Pete Sheppard shooting a documentary in Central Park. For Pete it's love at first sight, but Gladys has her mind on ... See full summary »
To help his divorced neighbor claim a substantial inheritance, a family man poses as her husband. The ruse spills over into his career in advertising, and his recent promotion relies on his wholesome and moral appearance.
In post-WW2 France, U.S. Army hospital private Hogan and Captain Locke try to outwit one another on issues such as wooing pretty nurses, accounting for missing medical supplies, organizing unauthorized dances and influencing their C.O.
Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great ... See full summary »
Ellen (June Allyson) is kidnapped by father (Charles Bickford) after she ran off and got married to someone he thinks is a gold digger. She escapes and starts an adventurous trip back to ... See full summary »
Ruth and her beautiful sister Eileen come to New York's Greenwich Village looking for "fame, fortune and a 'For Rent' sign on Barrow Street". They find an apartment (such as it is!), but fame and fortune are a lot more elusive. Ruth gets the attention of playboy publisher Bob Baker when she submits a story about her gorgeous sister Eileen. She tries to keep his attention by convincing him that she, (a "spinsterish old-maid writer") and the gorgeous, man-getting Eileen are one and the same person. Written by
There are so many accolades that can be linked to the musical version of MY SISTER EILEEN in its Columbia 50's version that one doesn't know where to start. First some facts -- WONDERFUL TOWN, the Bernstein-Comden-Green Broadway version was a smash, not a so-so attempt as has been stated elsewhere. Rosalind Russell received every honor imaginable for her return to the state, and Edie Adams, as Eileen, was also acclaimed, along with the score, the book, etc. Columbia could not arrange with Bernstein and Co. for their handiwork so it rolled out its own EILEEN, and the results are beyond charming. For the record, to dispute another silly comment, BETTY GARRETT, one of the genuine talents of stage and screen, was a musical comedy star on Bway and Hollywood, so her training was extensive, and her performance in the film, perhaps, is its greatest attribute -- but the Bob Fosse-Tommy Rall 'challenge' dance outside the burlesque theater is brilliant, as is the Bandstand song. Janet Leigh would have enchanted any and all males within sight, and her singing and dancing is quite expert. Jack Lemmon's work is fine, and his voice is good -- he was a cabaret pianist-singer whenever the chance opened for him. He also recorded several LP's. IF there is one weakness, it is the same as the Broadway production (which incidentally got a stellar revival and awards recently with Donna Murphy). The ending is too abrupt, and the Conga Line number could have ended stronger. BUT it is a small element. This is one of those musicals, at the tale end of the musical era in Hollywood, that deserves to be listed among the finest of them all!!!
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