IMDb > Mr. Arkadin (1955)
Mr. Arkadin
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Mr. Arkadin (1955) More at IMDbPro »

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Overview

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7.4/10   4,476 votes »
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Director:
Writers:
Orson Welles (story)
Orson Welles (screenplay)
Contact:
View company contact information for Mr. Arkadin on IMDbPro.
Release Date:
2 October 1962 (USA) See more »
Tagline:
Two words whispered, two men dead... See more »
Plot:
An American adventurer investigates the past of mysterious tycoon Arkadin...placing himself in grave danger. Full summary » | Full synopsis »
Plot Keywords:
User Reviews:
Let's drink to character See more (54 total) »

Cast

  (in credits order) (verified as complete)

Orson Welles ... Gregory Arkadin

Michael Redgrave ... Burgomil Trebitsch

Patricia Medina ... Mily

Akim Tamiroff ... Jakob Zouk

Mischa Auer ... The Professor
Paola Mori ... Raina Arkadin
Katina Paxinou ... Sophie
Grégoire Aslan ... Bracco

Peter van Eyck ... Thaddeus
Suzanne Flon ... Baroness Nagel
Robert Arden ... Guy Van Stratten
Jack Watling ... Marquis of Rutleigh
Frédéric O'Brady ... Oscar (as O'Brady)
Tamara Shayne ... Woman in Apartment (as Tamara Shane)
Terence Longdon ... Secretary (as Terence Langdon)
Annabel Buffet ... Parisian woman with bread (as Annabel)

Gert Fröbe ... First Policeman - Munich (as Gert Frobe)
Eduard Linkers ... Second Policeman - Munich (as Eduard Linker)
Manuel Requena ... General Martinez
rest of cast listed alphabetically:
Pedro Vidal
Emilio Fornet ... Party Guest (uncredited)
Manolita G. Fraile ... (uncredited)
José González Talavera ... (uncredited)
Mateo Guitart ... (uncredited)
Gordon Heath ... Pianist (uncredited)
Gary Land ... (uncredited)
Vicente Martín ... (uncredited)
Sergio Mendizábal ... (uncredited)
Anne-Marie Mersen ... Uncredited (uncredited)
Antonio Molino Rojo ... (uncredited)
Sergio Orta ... (uncredited)
Carmen Rambla ... (uncredited)
Gustavo Re ... Italian police in Naples port (uncredited)
Robert Rietty ... Airport Control Tower Operator (uncredited)
Emilio G. Ruiz ... (uncredited)
Jacinto San Emeterio ... (uncredited)

Directed by
Orson Welles 
 
Writing credits
Orson Welles (story)

Orson Welles (screenplay)

Produced by
Louis Dolivet .... producer
Orson Welles .... producer
 
Original Music by
Paul Misraki 
 
Cinematography by
Jean Bourgoin 
 
Film Editing by
Renzo Lucidi 
William Morton (uncredited)
Orson Welles (uncredited)
 
Art Direction by
Orson Welles (uncredited)
 
Set Decoration by
Gil Parrondo (uncredited)
Luis Pérez Espinosa (uncredited)
 
Costume Design by
Orson Welles (uncredited)
 
Makeup Department
Roy Ashton .... makeup artist (uncredited)
Arcadio Ochoa .... makeup artist (uncredited)
Francisco Puyol .... makeup artist (uncredited)
 
Production Management
Michel Boisrond .... production manager (uncredited)
Juan N. Solórzano .... production manager: Spain (uncredited)
 
Second Unit Director or Assistant Director
Isidoro M. Ferry .... assistant director (as Ferri)
José María Ochoa .... assistant director (as Jose Mario Ochoa)
José Luis de la Serna .... assistant director (as De La Serna)
 
Art Department
Francisco Prósper .... construction coordinator (uncredited)
Enrique de la Riva .... property master (uncredited)
 
Sound Department
Jacques Carrère .... sound re-recordist (as Jacques Carrere)
Jacques Lebreton .... sound
Jaime Torrens .... sound engineer: Spain (uncredited)
 
Camera and Electrical Department
Paul Rodier .... camera operator
Louis Stein .... camera operator
Félix Mirón .... additional cinematographer (uncredited)
Julio Ortas .... still photographer (uncredited)
Rafael Pacheco .... still photographer (uncredited)
Raúl Pérez Cubero .... additional camera operator (uncredited)
 
Editorial Department
Colette Cueille .... assistant editor
Lolita López .... assistant editor (uncredited)
 
Music Department
Antoñita Moreno .... saeta singer (uncredited)
 
Other crew
Johanna Horward .... script clerk
Jacques Laird .... researcher (as Jacqueline Laird)
Julio de Fleischner .... supervising director (uncredited)
Alfredo Ruescas .... production assistant (uncredited)
Tadeo Villalba .... production assistant (uncredited)
Billie Whitelaw .... dubbed voice: Paola Mori (uncredited)
 
Crew verified as complete


Production CompaniesDistributorsSpecial EffectsOther Companies

Additional Details

Also Known As:
Runtime:
93 min | France:95 min (Cannes Film Festival) | USA:98 min (TCM print) | USA:105 min (2006 Restored Version)
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (RCA Ultraviolet High Fidelity Sound System)
Certification:
Australia:PG | Finland:K-16 | Sweden:15 | UK:A (original rating) | UK:PG (re-rating) | USA:Not Rated | West Germany:16 (f)
Company:

Did You Know?

Trivia:
The voice of the announcer at Munich Airport is that of director Orson Welles.See more »
Goofs:
Continuity: When the small plane is shown in long shots, it has a solid roof over the cockpit, but when Arkadin is shown on the radio calling the Barcelona tower in closeup, he is sitting in a plane with an open cockpit.See more »
Quotes:
Gregory Arkadin:A scorpion wanted to cross a river, so he asked the frog to carry him. The frog refused because the scorpion would sting him. That would not be logical, explained the scorpion, because if he stung the frog they would both drown. So the frog agreed to carry the scorpion. Half way across, the frog felt a terrible pain - the scorpion had stung him. There is no logic in this, exclaimed the frog. I know, replied the scorpion, but I cannot help it - it is my nature.See more »
Movie Connections:
Referenced in Brunnen (2005)See more »
Soundtrack:
Stille Nacht, heilige NachtSee more »

FAQ

This FAQ is empty. Add the first question.
24 out of 29 people found the following review useful.
Let's drink to character, 22 January 2006
Author: antcol8 from United States

You guys are great...so much interesting, smart stuff in all the comments. What can I add? Well, I saw it last night, and I was thinking about The Auteur Theory and Roland Barthes' thoughts about the one big book of which all books are a part. And, although I haven't seen Alphaville for years, I realized that the connections between these two films are important: the Mizraki score and the performance of Akim Tamiroff.Godard is such a great mannerist, and this film (Arkadin) is such a basic text for director - driven cinema. How can this film mean anything to anyone who doesn't understand the rage to create - against all odds, against one's self-destructive nature, against one's death wish? It is "breathless", truly. Scenes never give the impression of ending, everything is done in overdrive, people are constantly looming, dizzyingly moving in and out of shot; the grotesquerie of the bad acting rhymes with the grotesquerie of the costume set pieces and with that of the B movie Euro - freak character actors parading, one by one, in front of the camera for their star turns. "Feeding time" indeed! I saw Arkadin shortly after seeing Spielberg's Munich. The only similarity is in the constant change of location. But where in the Spielberg this functions as a celebration of money, budget and the power of illusion, here each location is both overcrowded and threadbare. The Munich of Arkadin is a bombed-out nightmare with traces of its former elegance. The Europe of this film is so haunted and sleepwalking; the world of this film is made up of bits and scraps.

The fact that Arkadin connects closely to Kane or Quinlan is obvious and certainly interesting. Although it should seem obvious at this late date that Welles has patterns and themes that reoccur throughout his films. Does this fact still illuminate anything? If anybody questions the fact that Welles is an artist...well, this film will just add to their confusion. But for us believers this film can function like the ritual suffering of the penitents in the film. It hurts so good!

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Arden's acting wadetaylor
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A Diaster Only a Genius Could Make LynchNut77
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