7.2/10
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Mr. & Mrs. '55 (1955)

| Comedy, Musical, Romance
A young, naive heiress, in custody of a martinet and flamingly feminist aunt is forced into a 'marriage of convenience' with an unemployed cartoonist in an attempt to save her millions - a ... See full summary »

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Cast

Cast overview, first billed only:
...
Anita Verma
...
Preetam Kumar
...
Seeta Devi (Anita's Aunt)
...
Johny (as Johny Walker)
Yasmin
...
Preetam's Bhabhi
...
Lily D'Silva (as Uma Devi)
Cuckoo ...
Singer (in song "Neele Aasmani")
Radhika ...
(as Radhika)
Anwaribai ...
(as Anwari)
Agha
Haroon
Rooplaxmi ...
(as Roo Plaxmi)
Moni Chatterjee ...
The Judge (as Moni Chatterji)
Al Nasir ...
Ramesh (as Al-Nasir)
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Storyline

A young, naive heiress, in custody of a martinet and flamingly feminist aunt is forced into a 'marriage of convenience' with an unemployed cartoonist in an attempt to save her millions - a move orchestrated by the scheming aunt. However, in the course of her ostensibly married life, she learns the true meaning of marriage and the deep significance of being an Indian wife, much to the dismay of her aunt, who, in adherence to her wayward beliefs, has been trying to instill every kind of anti-male sentiment in her niece's ingenuous mind. Written by Hrishi Dixit <hrishi@slb.com>

Plot Summary | Add Synopsis


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Also Known As:

Mister and Mrs. '55  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The only comedy film Guru Dutt made. See more »

Soundtracks

Neele Aasmane
Sung by Geeta Dutt
Music Composed by O.P. Nayyar
Lyrics by Majrooh Sultanpuri
See more »

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User Reviews

 
Timeless comedy-drama from cinematic genius Guru Dutt
29 August 2016 | by (United States) – See all my reviews

Without giving away any of the surprises of this landmark Hindi film, this movie was clearly ahead of its time in its social commentary and its subtle satirical approach of the transitioning East Indian society post independence from the British Raj. It has a delightful blend of the effects of British influence upon Indian society and traditional Indian cultural & social values. This was very well balanced by Guru Dutt. Guruji proved his versatility in handling comedy as articulately as he did melodrama. With the assistance of the ensemble of Hindi cinema greats like Abrar Alvi, O. P. Nayyar, Majrooh Sultanpuri, etc., this movie is a another gem of the golden age of Hindi cinema.

Madhubala (real name Mumtaz Jehan Dehlavi), whose screen presence begs description, delivers a performance which captures all the emotions that could ever be desired in a film heroine. After Veena (1926-2004), Madhubala was the most beautiful actress ever to grace the silver screen of Hindi cinema. She was one of 2 of the all time greatest heroines in the history of Hindi cinema: The other was Meena Kumari (real name Mahjabeen Bano).

Almost as beautiful as Madhubala, is the Guru Dutt protégé Yasmin (born Vinita Bhatt in Lahore). Breathtakingly beautiful, it is incredible that Yasmin's screen career never took off. She reportedly married film technician, Englishman Jimmy Vinning. Yasmin appeared in a famous song sequence in RUSTOM SOHRAB (1963) starring Prithviraj Kapoor, Suraiya, Premnath, and Mumtaz.

As terrific a natural actor Guru Dutt was, he was better off behind the camera rather than in front of it. Guru Dutt was incomparable as a character actor which he proved in his own film SAHIB, BIBI, AUR GHULAM. With all due respect to his cinematic genius, Guruji should have cast either Dilip Kumar or Dev Anand in the role of Preetam. As for the comic sidekick, instead of Johny Walker, Shammi Kapoor should have been cast to match the beauty of Yasmin. It almost chokes the viewer to see breathtakingly gorgeous ladies like Madhubala and Yasmin paired off with fellows like Guru Dutt and Johny Walker. JW is inimitable as a comic sidekick, but in this particular film, Guruji should have gone with a 5 star casting: Madhubala, Dilip Kumar, Shammi Kapoor, Yasmin. Dilip Kumar and Shammi Kapoor were a long overdue screen pairing which proved spectacular in VIDHAATA (1982).

The incomparable Lalita Pawar has to be mentioned. A truly stunning beauty in her youth, this veteran actress of Hindi cinema had a screen presence which elevated any film in which she appeared. And of course there is the inimitable comedienne Tun Tun. Last but not least, there is the special guest appearance by the dashing Hindi film hero Al Nasir parodying a tennis superstar.

Having already been cited in other reviews of this film, the title of this movie could have been different. Overall, this is a timeless classic from the cinematic genius of Guru Dutt.


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