A German architect runs away with the maharajah of Eschnapur's fiancee but is caught and thrown in the dungeon, while his relatives arrive from Europe looking for him and the maharajah's brother is scheming to usurp the throne.
Reporter Peter Barter gets murdered while driving to his tv station. Commisioner Kras gets a phone call from clairvoyant Cornelius who saw Barter's death in a vision. But a dark force ... See full summary »
An altruistic department-store owner hires ex-convicts in order to give them a second chance at life. Unfortunately, one of the convicts he hires recruits two of his fellow ex-convicts in a plan to rob the store.
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
Somewhere in the 18th century Great Britain, noble but penniless young boy John Mohune is sent by his dying mother to Moonfleet, to put himself under the protection of a certain Jeremy Fox. The boy discovers that Fox is both a former lover of his mother and the leader of a gang of buccaneers. A strange friendship grows as their adventures go on. Written by
Stewart Granger wanted the film to be made in Cornwall. He was dismayed that it did not follow the book. See more »
Right at the beginning of the film, when the little boy comes to, there's a shot where we can see the people surrounding him (as seen by the boy). But judging by the boy's place on the table in the next shot, he should be looking at the people upside down. See more »
This is a late Fritz Lang effort for MGM, an odd assignment for him in that it's a Stewart Granger costume picture, not the sort of project one would expect the director to have been hired for. The film turns out quite nicely. It's a fairly conventional story of smuggler's on the English coast, features a fine cast of veteran players, many of whom had appeared in pictures of this sort before.
That the story is presented in large part through the eyes of a small boy lends it a measure of distinction. We see Granger's character much as the boy does, as a hero, despite considerable evidence to the contrary. Granger is excellent in the lead. Despite what appears to be a modest budget, this is a handsome film, in the grand manner. That it's a back-lot picture, thus not a real spectacle, is more than made up for by Lang's manner of dealing with his material. The movie feels like a fairy tale. The ending is unexpectedly moving, surprised me, and is still vivid in my memory.
While not a masterpiece, Moonfleet should satisfy admirers of its director and costume picture fans as well.
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