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A cavalcade of English life from New Year's Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War,... See full summary »
Stuck as the last of six children at home with an overbearing Italian mother, the only child still unmarried, 34 year old socially awkward Bronx butcher Marty faces middle age with no prospects of marriage, and he faces permanent bachelorhood. But when he is goaded by his mother into going to the Stardust Ballroom one Saturday night, Marty unexpectedly meets Clara, a lonely teacher. Suddenly, Marty's future seems bright. Winner of Best Picture of 1955, Best Adapted Screenplay for Paddy Chayefsky, Best Director for Delbert Mann, and Best Actor for Ernest Borgnine. Written by
When Marty and Clara are walking on the street on Saturday night, a woman approaches a "No Parking" sign, turns and waves to the camera. See more »
All my brothers and brothers-in-laws tell me what a good-hearted guy I am. You don't get to be good-hearted by accident. You get kicked around long enough, you become a professor of pain.
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As an under-30 viewer of Marty I wanted to take the time to say that I believe the value in a film such as this lies in the fact that it deals with themes that continue to be of relevance to contemporary viewers.
In particular, Marty has to deal with a widow mother whom attempts to thwart his chance at love in order to preserve her own central position in his life. The situation is not dissimilar to one that my boyfriend has to deal with- his mother is a widow and she is worried that if her son marries she will be displaced and have no social worth.
Ernest Borgnine's performance was superb, especially the scene in which he yells at his mother to lay-off trying to make him go out and find a girl at the Stardust Ballroom when he knows that all the night has in store for him is more heart-ache.
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