In eighteenth century England, "first cousins" Tom Jones and Master Blifil grew up together in privilege in the western countryside, but could not be more different in nature. Tom, the ... See full summary »
Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy, but his level gaze and twinkling eyes make it clear that he knows ... See full summary »
A cavalcade of English life from New Year's Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War,... See full summary »
Harriet and Queenie Mahoney, a vaudeville act, come to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. Eddie was in love with Harriet,... See full summary »
Marty is a 34-year-old butcher whose Italian family is constantly after him to get married. He meets plain-looking schoolteacher Clara. They are both lonely, unglamorous people who have resigned themselves to their unloved lives. But they manage, in time, to grope their way to love. Written by
Rod Steiger, who had originated the role of Marty in the eponymous TV production, said that he turned down the role in the movie because the Hecht-Lancaster Productions contract would have bound him for years. Harold Hecht and Burt Lancaster, on the other hand, said that they did not want to cast Steiger as they felt the public would not go for the same actor that they had seen for free on TV. See more »
During the conversation with Marty, Angie and their friends about how Mickey Spillane writes women, Marty's shirt is alternately unbuttoned/buttoned between shots. See more »
College girls are one step from the street, I tell you. My son Joseph wife, she type on the typewriter - one step from the street!
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Proof That a Picture Doesn't Need SPFX - It needs great Actors
Okay, so I'm in the Business. I don't believe this movie could get made today except as an art house film. Its beauty lies in its simplicity. Starting with a terrific script by Chayefskey (arguably one of the five best playrights of the 20th century), this movie eschews every that's big about motion pictures for a story about Everman who didn't have a date on Saturday night. Rod Steiger first performed the role on television. It won a number of Emmys. "Opened up" for the silver screen, it retains the intimacy of its characters. Ernest Borgnine has probably been in 100 movies, but this was his shining moment. He breathes live into the hapless Bronx Butcher whose soul longs for love. When he gives his "I'm gonna get down on my knees..." speech, the tears begin to flow. Why? Because in our heart of hearts, each of us feels the need for love and self validation. Marty doesn't need special effects or action sequences. Marty is in a class by itself. Had it never been made we would have all missed an opportunity to look inside ourselves. Maybe in this day and age, with all our CGI and Virtual Reality, we need another Marty, to remind us who we really are.
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