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Marty (1955)

Approved  |   |  Drama, Romance  |  10 June 1955 (Belgium)
7.7
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Ratings: 7.7/10 from 14,335 users  
Reviews: 125 user | 59 critic

A middle-aged butcher and a school teacher who have given up on the idea of love, meet at a dance and fall in love.

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Title: Marty (1955)

Marty (1955) on IMDb 7.7/10

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Won 4 Oscars. Another 14 wins & 5 nominations. See more awards »

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Cast

Complete credited cast:
Esther Minciotti ...
Augusta Ciolli ...
...
...
...
...
...
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Storyline

Stuck as the last of six children at home with an overbearing Italian mother, the only child still unmarried, 34 year old socially awkward Bronx butcher Marty faces middle age with no prospects of marriage, and he faces permanent bachelorhood. But when he is goaded by his mother into going to the Stardust Ballroom one Saturday night, Marty unexpectedly meets Clara, a lonely teacher. Suddenly, Marty's future seems bright. Winner of Best Picture of 1955, Best Adapted Screenplay for Paddy Chayefsky, Best Director for Delbert Mann, and Best Actor for Ernest Borgnine. Written by trivwhiz

Plot Summary | Add Synopsis

Taglines:

A wonderful guy . . . once you've met him, you'll never forget him! See more »

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

10 June 1955 (Belgium)  »

Also Known As:

Марти  »

Box Office

Budget:

$343,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (alternate)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Film debut (uncredited) of Jerry Orbach. See more »

Goofs

In the opening scene in the butcher shop, Marty is shown facing the camera and using a knife to cut between the bones of a roast (to make chops). He does not finish cutting all of the chops, but sets his knife down on the ledge of the counter to his right (our left). In the next shot, from the reverse angle (that is, with Marty's back to the camera), Marty again has the knife in his hand, and is cutting through the remainder of the roast. After he has finished cutting, he takes up a meat cleaver to complete the task of making chops. See more »

Quotes

Aunt Catherine: College girls are one step from the street, I tell you. My son Joseph wife, she type on the typewriter - one step from the street!
See more »

Connections

Featured in The 75th Annual Academy Awards (2003) See more »

Soundtracks

Marty
Music by Harry Warren
Lyrics by Paddy Chayefsky (uncredited)
Played during the opening credits and throughout the picture
Sung by male voices during the closing cast credits
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Nicely-Crafted, With a Worthwhile Story
30 July 2004 | by (Ohio) – See all my reviews

Despite having only the most basic of story-lines, this is a nicely-crafted movie with a worthwhile story. Ernest Borgnine deserves the praise he has received for his performance as "Marty", and he seems very natural in the part, for all that it seems so different from most of his other roles. The other characters are also rendered believably, and events develop naturally. While the two main characters may think of themselves as failures, viewers can see that they are just ordinary persons trying to be honest and sensitive, and this makes it easy to identify with them.

The story efficiently introduces Marty and the other characters, showing how he interacts with them. Since the others are all so absorbed in their own concerns, they view Marty solely in terms of how he fits in with their own plans and desires, again making it easy for the viewer to relate to him. Joe Mantell, Esther Minciotti, Augusta Ciolli, and Jerry Paris make Marty's family and friends thoroughly believable, and they work well in their interactions with Borgnine. By the time that Marty meets Clara (Betsy Blair), everything is set up so as to get the most out of the possibilities.

Praise also goes to Delbert Mann and Paddy Chayefsky for being willing to make a movie out of such low-key material. It may not impress those who have become benumbed by the ostentation of present-day film-makers, since its quality is of a subtler, more unaffected kind. But it's a worthwhile achievement in its own right, a story about ordinary persons and everyday concerns, of the kind that takes skill and understanding to make well.


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