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Stuck as the last of six children at home with an overbearing Italian mother, the only child still unmarried, 34 year old socially awkward Bronx butcher Marty faces middle age with no prospects of marriage, and he faces permanent bachelorhood. But when he is goaded by his mother into going to the Stardust Ballroom one Saturday night, Marty unexpectedly meets Clara, a lonely teacher. Suddenly, Marty's future seems bright. Winner of Best Picture of 1955, Best Adapted Screenplay for Paddy Chayefsky, Best Director for Delbert Mann, and Best Actor for Ernest Borgnine. Written by
Screenwriter Paddy Chayefsky was inspired to write the source material for this film when he stumbled across a Friday night Friendship Club Meeting at the ballroom of the Abbey Hotel in New York City. Chayefsky noticed a sign near the ballroom entrance that read "Girls, Dance With the Man Who Asks You. Remember, Men Have Feelings, Too," it gave him the idea for a play about a young woman attending a neighborhood dance like that. He said that he wanted to write a film about a man who goes to a ballroom, and that he set out to make Marty "the most ordinary love story in the world." See more »
When Virginia and her husband are arguing about her mother-in-law, her hair is extremely disheveled and sweat-matted. After she puts her baby in the crib, she is shown to have perfectly styled and dry hair moments later. See more »
Simple, Beautiful and Touching Love Story With Magnificent Performance of the Cast and Sensitive Direction
Marty Piletti (Ernest Borgnine) is a lonely, insecure and honest thirty-four years old good man, living with his Italian mother, Mrs. Theresa Piletti (Esther Minciotti), and working as a butcher. Angie (Joe Mantell) is his best friend, a very shallow person, and his company to the bars and ballrooms in the evenings, since the ugly and fat Marty is rejected by the girls. His Italian family and friends put pressure on him to get married, but Marty has no girlfriend and lots of difficulties to get close to women. One Saturday night, Marty meets Clara Snyder (Betsy Blair), a twenty-nine single, ugly (obs: `dog', in accordance with the description of Marty's friends in the story, but indeed Betsy Blair was a charming woman, having beautiful eyes and lovely smile and voice) and rejected woman, in a ballroom. Betsy is a teacher in Brooklyn with college degree, and like Marty, is very insecure and has the feeling of rejection by men. They feel attracted by each other and spend a wonderful night together. On the next day, before and after the Sunday Mass, Marty's relatives and friends make jokes with the lack of beauty in Clara. The marvelous open end of the story, uncommon in American movies, is one of the best I have ever seen. This movie is a simple, beautiful and touching love story with magnificent performances of the cast and a sensitive direction. The story and slangs (dog, tomatoes etc.) are dated in 2004, but does not jeopardize the beauty of this delightful romance. `Marty' is the only Best Picture winner (awarded in Picture, Director, Actor and Screenplay and nominated for Supporting Actor, Supporting Actress, Art-Direction and Cinematography) to also win at the Cannes Film Festival. My vote is nine.
Title (Brazil): `Marty'
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