In eighteenth century England, "first cousins" Tom Jones and Master Blifil grew up together in privilege in the western countryside, but could not be more different in nature. Tom, the ... See full summary »
Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy, but his level gaze and twinkling eyes make it clear that he knows ... See full summary »
A cavalcade of English life from New Year's Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War,... See full summary »
Stuck as the last of six children at home with an overbearing Italian mother, the only child still unmarried, 34 year old socially awkward Bronx butcher Marty faces middle age with no prospects of marriage, and he faces permanent bachelorhood. But when he is goaded by his mother into going to the Stardust Ballroom one Saturday night, Marty unexpectedly meets Clara, a lonely teacher. Suddenly, Marty's future seems bright. Winner of Best Picture of 1955, Best Adapted Screenplay for Paddy Chayefsky, Best Director for Delbert Mann, and Best Actor for Ernest Borgnine. Written by
When Virginia and her husband are arguing about her mother-in-law, her hair is extremely disheveled and sweat-matted. After she puts her baby in the crib, she is shown to have perfectly styled and dry hair moments later. See more »
You don't like her. My mother don't like her. She's a dog. And I'm a fat, ugly man. Well, all I know is I had a good time last night. I'm gonna have a good time tonight. If we have enough good times together, I'm gonna get down on my knees. I'm gonna beg that girl to marry me. If we make a party on New Year's, I got a date for that party. You don't like her? That's too bad.
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I have known, loved and seen this film many times in the past fifteen years and finally bought it recently on DVD in the UK. The story is timeless and I am very surprised that no-one has yet attempted a plausible re-make of it. Stangely made in black and white ( for economic reasons I suppose, as color was widespread enough in 1954 ), the film depicts the horrors of trying to find a soul-mate with family pressures on hand to boot. No doubt italo-Americans will appreciate even more. I found Betsy Blair extremely attractive although she is supposed to be portraying someone "ugly" - the subject is fascinating and endlessly complex as beauty is in the eye of the beholder. The general impression given was one of a depiction of a real-life situation, which is of course to the credit of the film !! I remained hungry at the end and would have liked the film to continue just a little more to show the genesis of their amorous relationship !! But some would argue that at the end of a film you should be left wanting for more .......... I also loved the theme music which is actually sung at the end over the credits where they show the name of the actor plus a view of the actor from the film - this is a technique used all too little nowadays - and this absence is most regrettable as it enabled you to put a face to a name !! I was both surprised and amused that in the 1950's, ugly people were referred to as "dogs" - sounds so funny now - but I think the word "squares" or "cornballs" was also used disparagingly !! Definitely a most original film and which (exceptionally) seems to have attracted a unanimity of positive reviews on IMDb !!
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