| Photos (See all 18 | slideshow) |
| James Stewart | ... | Will Lockhart | |
| Arthur Kennedy | ... | Vic Hansbro | |
| Donald Crisp | ... | Alec Waggoman | |
| Cathy O'Donnell | ... | Barbara Waggoman | |
| Alex Nicol | ... | Dave Waggoman | |
| Aline MacMahon | ... | Kate Canady | |
| Wallace Ford | ... | Charley O'Leary | |
| Jack Elam | ... | Chris Boldt | |
| John War Eagle | ... | Frank Darrah | |
| James Millican | ... | Tom Quigby | |
| Gregg Barton | ... | Fritz | |
| Boyd Stockman | ... | Spud Oxton | |
| Frank DeKova | ... | Padre | |
| rest of cast listed alphabetically: | |||
| Beulah Archuletta | ... | Woman at Indian Wedding (uncredited) | |
| Jack Carry | ... | Mule Driver (uncredited) | |
| Bill Catching | ... | Mule Driver (uncredited) | |
| Frank Cordell | ... | Mule Driver (uncredited) | |
| Frosty Royce | ... | Mule Driver (uncredited) | |
| Eddy Waller | ... | Dr. Selden (uncredited) | |
Directed by | |||
| Anthony Mann | |||
Writing credits | ||
| Philip Yordan | (screenplay) & | |
| Frank Burt | (screenplay) | |
| Thomas T. Flynn | (Saturday Evening Post story) | |
Produced by | |||
| William Goetz | .... | producer (uncredited) | |
Original Music by | |||
| George Duning | |||
Cinematography by | |||
| Charles Lang | (director of photography) | ||
Film Editing by | |||
| William A. Lyon | (as William Lyon) | ||
Art Direction by | |||
| Cary Odell | |||
Set Decoration by | |||
| James Crowe | |||
Makeup Department | |||
| Clay Campbell | .... | makeup artist | |
| Helen Hunt | .... | hair styles | |
Second Unit Director or Assistant Director | |||
| William Holland | .... | assistant director | |
Sound Department | |||
| George Cooper | .... | sound | |
| John P. Livadary | .... | recording supervisor (as John Livadary) | |
Stunts | |||
| Bill Catching | .... | stunts (uncredited) | |
| Frank Cordell | .... | stunts (uncredited) | |
| Harry Froboess | .... | stunts (uncredited) | |
| Ted Mapes | .... | stunts (uncredited) | |
| Chuck Roberson | .... | stunts (uncredited) | |
| Boyd Stockman | .... | stunts (uncredited) | |
| Jack N. Young | .... | stunts (uncredited) | |
Music Department | |||
| Arthur Morton | .... | orchestrator | |
| Morris Stoloff | .... | conductor | |
Other crew | |||
| Henri Jaffa | .... | Technicolor colour consultant | |
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| The Phantom Rider | Custer's Last Stand | Chisum | Man with the Steel Whip | Billy the Kid Returns |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb USA section |
Will Lockhart {James Stewart} leaves his home in Laramie on a mission to find out who was responsible for selling repeating rifles to the Apaches who killed his brother. Landing in Coronado, New Mexico, he finds that most of the territory is owned and ruled by Alec Waggoman {Donald Crisp}, a fierce patriarchal rancher with one loose cannon son, Dave {Alex Nicol} and another surrogate son, Vic Hansboro {Arthur Kennedy} running the Barb Ranch. As he digs deeper, Lockhart finds he is in the middle of two wars, one of which may eventually conclude his revenge fuelled mission.
The Man From Laramie is the last of the five Westerns that director Anthony Mann made with leading man James Stewart. The only one filmed in CinemaScope, it is a visually stylish picture that is full of brooding psychological themes and boasts great acting and a tight script. It's no secret that Mann, before his sad death, was looking to make a Western King Lear, The Man From Laramie serves as a delicious starter to what would have been the main course. With its family dilemmas and oedipal overtones, Mann's Western is very Shakespearian in tone. That its characters are sumptuously framed amongst a harsh dangerous landscape further fuels the psychological fire; with the landscapes {terrificly photographed by Charles Lang} providing a link to the characters emotional states. So many scenes linger long and hard in the memory {none of which I would dare to spoil for would be new viewers}, so much so they each reward more upon subsequent revisits to the film. There's some minor quibbles down the pecking order; for instance Cathy O'Donnell as Barbara Waggoman is poor and contributes little to proceedings, but really it remains a quality piece of psychological work that barely gives us reason to scratch the itch.
Taut, tight and tragic is The Man From Laramie, brought to us courtesy from the dynamite partnership of Mann & Stewart. 9/10