The big national crime syndicate has moved into town, partnering up with local crime boss Nick Scanlon. There are only two problems: First, Nick is the violent type, preferring to do things... See full summary »
Captain Wade Hunnicutt is the wealthiest and most powerful citizen in his Texan town; he is also a notorious womanizer, which has turned his wife Hannah against him. She has brought up ... See full summary »
A veteran comes home from the Korean War to the mountains and takes over the family moonshining business. He has to battle big-city gangsters who are trying to take over the business and ... See full summary »
Just as Nevada wins $7000 in yellowback bills, Ben Ide takes his #7000 in yellowbacks and heads out to buy mining equipment. Burridge has his man Powell kill Ide and retrieve the money and ... See full summary »
Guinn 'Big Boy' Williams
Marshal Flagg, an aging lawman about to be retired, hears that his old nemesis, the outlaw McKaye, is back in the area and planning a robbery. Riding out to hunt down McKaye, Flagg is ... See full summary »
Tony and Felix own a tramp boat, and sail around the Caribbean doing odd jobs and drinking a lot. They agree to ferry the beautiful but passportless Irena to another island. They both fall ... See full summary »
When he sustains a rodeo injury, star rider Jeff McCloud returns to his hometown after many years of absence. He signs on as a hired hand with a local ranch, where he befriends fellow ranch... See full summary »
As usual with most of the RKO films from this era "presented" by RKO-owner Howard Hughes, the PCA number is usually 500-1000 digits lower than the one from other studios being released at ... See full summary »
A stranger comes to town looking for his estranged wife. He finds her running the local girls. He also finds a town and sheriff afraid of their own shadow, scared of a landowner they never see who rules through his rowdy sidekicks. The stranger is a town tamer by trade, and he accepts a $500 commission to sort things out. Written by
Jeremy Perkins <email@example.com>
You're going to do Mable's song tonight. She's nursing a sore throat.
But I haven't got any voice and that's the worst kind!
They aren't paying for your pear-shaped tones at the Palace, dear.
Nelly means, "Who listens."
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Man With the Gun is pretty much forgotten now, but caused a minor storm of media interest back in 1955 when Robert Mitchum turned down both Jett Rink in Giant (which had actually been written for him and which was subsequently substantially reworked) and Charles Laughton's intended version of The Naked and the Dead to make it instead. Despite some obvious production problems and some harsh lighting that occasionally renders both Mitch and Jan Sterling in unflattering tones, it's a terrific dark western that more than stands comparison with his earlier Blood on the Moon as his 'town tamer' sets to work on a town that never had the chance to grow up before getting run down by the local badmen before turning out to possibly be almost as bad as the men he dispatches. Certainly his way of dealing with news of a death in the family burning a saloon to the ground and goading its manager into trying to kill him doesn't inspire much confidence in his stability. As well as a good script and a surprisingly good supporting turn from the usually irritating but here well cast Henry Hull, it also boasts a strikingly good early Alex North score, which even includes an early workout for one of his tormented emotional cues that would later turn up in Spartacus.
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