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Love Me or Leave Me (1955)

Passed  -  Biography | Drama | Music  -  10 June 1955 (USA)
7.3
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Ratings: 7.3/10 from 2,317 users  
Reviews: 49 user | 17 critic

A fictionalized account of the career of jazz singer Ruth Etting and her tempestuous marriage to gangster Marty Snyder, who helped propel her to stardom.

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(screenplay), (screenplay), 1 more credit »
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Title: Love Me or Leave Me (1955)

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Won 1 Oscar. Another 1 win & 6 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
Johnny Alderman
Robert Keith ...
Bernard V. Loomis
Tom Tully ...
Frobisher
Harry Bellaver ...
Georgie
Richard Gaines ...
Paul Hunter
Peter Leeds ...
Fred Taylor
Claude Stroud ...
Eddie Fulton
Audrey Young ...
Jingle Girl
John Harding ...
Greg Trent
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Storyline

In 1920's Chicago, Ruth Etting wants to be a renowned singer, which is a far step away from her current work as a taxi dancer. Upon walking into the dance hall and seeing her, Chicago gangster Marty Snyder immediately falls for Ruth, and works toward being her lover, which he believes he can achieve by opening up singing opportunities for her. Ruth is initially wary of Marty, but makes it clear that she is not interested in him in a romantic sense. Regardless, he does help her professionally, and through his opportunities, which are achieved through intimidation and fear, Ruth does quickly start to gain a name as a singer, which she is able to do because of her talent and despite Marty's intimidation tactics. However, the greater her success, the more reliant she becomes on him. This becomes an issue in their relationship as she believes he can take her only so far before he becomes a liability, however he will never let her go that easily. The one person who tried and tries to get ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Life-Inspired Drama From Dance Hall to Ziegfield Follies! See more »


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

10 June 1955 (USA)  »

Also Known As:

Ama-me ou Esquece-me  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(35 mm optical prints)| (Western Electric Sound System) (35 mm magnetic prints)

Color:

(Eastmancolor)

Aspect Ratio:

2.55 : 1
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Did You Know?

Trivia

Of the sixty-two films he made, James Cagney wrote that he rated this among his top five. See more »

Goofs

During one scene late in the film where Cagney is speaking, the audio/visuals are off by more than a second. See more »

Quotes

Martin Snyder: [Indignantly to Ruth] Now look here, you stupid liyyle broad, do you know who I am? Do you think I let dames talk to me that way?
See more »

Connections

Featured in Doris Day: A Sentimental Journey (1991) See more »

Soundtracks

Five Foot Two, Eyes of Blue (Has Anybody Seen My Girl?)
(uncredited)
Music by Ray Henderson
Danced by Doris Day and chorus girls
See more »

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User Reviews

 
One of Day's best
4 May 2006 | by (United States) – See all my reviews

Not being a great Cagney fan, I didn't have high hopes for this film when I first saw it. The only reason I did watch it was Doris Day. Boy, am I glad I did. Anyone who questions Day's acting abilities should take a look at this film. Personally, I've always thought she was one of Hollywood's few singers who really could act. Look at the lackluster acting of Kathryn Grayson or Jane Powell sometime. Doris Day runs circles around them. If you're still in doubt after seeing this film, watch "Julie" sometime. Another one of her best films.

Also, Day is in fine voice in this film. All of the songs are wonderful. "Ten Cents A Dance" and "Shaking The Blues Away" among the best. I have heard the real Ruth Etting's rendition of both these numbers, and they are nothing like Day's performances. Obviously, they weren't going for mimicry here, but it works fine just the same. Highly recommended.


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Why did she marry him? au-grad
love me or leave me theduchess86
Divorce in 1955--Hayes Code??? redheadedfool
Where can I get the script ? sjm59
I found this harrowing, and very modern squinchyface
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