Miss Ethel 'Dynamite' Jackson is a chorus girl who mistakingly receives an invitation from the State Department to represent the American theatre at an arts exposition in Paris, France. ... See full summary »
In this reworking of "No, No, Nanette," wealthy heiress Nanette Carter bets her uncle $25,000 that she can say "no" to everything for 48 hours. If she wins, she can invest the money in a ... See full summary »
The Winfield family moves into a new house in a small town in Indiana. Tomboy Marjorie Winfield begins a romance with William Sherman who lives across the street. Marjorie has to learn how ... See full summary »
Pretty Melinda Howard has been abroad singing with a musical troupe. She decides to return home to surprise her mother whom she thinks is a successful Broadway star with a mansion in ... See full summary »
Employees of the Sleeptite Pajama Factory are looking for a whopping seven-and-a-half cent an hour increase and they won't take no for an answer. Babe Williams is their feisty employee ... See full summary »
American couple Mike and Janet Harper move to England for Mike's work, his company which deals in wool textiles and wool fashions. Despite Mike's want for them to live in a flat in the ... See full summary »
Jane Osgood runs a lobster business, which supports her two young children. Railroad staff inattention ruins her shipment, so with her lawyer George, Jane sues Harry Foster Malone, director of the line and the "meanest man in the world".
In 1920's Chicago, Ruth Etting wants to be a renowned singer, which is a far step away from her current work as a taxi dancer. Upon walking into the dance hall and seeing her, Chicago gangster Marty Snyder immediately falls for Ruth, and works toward being her lover, which he believes he can achieve by opening up singing opportunities for her. Ruth is initially wary of Marty, but makes it clear that she is not interested in him in a romantic sense. Regardless, he does help her professionally, and through his opportunities, which are achieved through intimidation and fear, Ruth does quickly start to gain a name as a singer, which she is able to do because of her talent and despite Marty's intimidation tactics. However, the greater her success, the more reliant she becomes on him. This becomes an issue in their relationship as she believes he can take her only so far before he becomes a liability, however he will never let her go that easily. The one person who tried and tries to get ... Written by
According to Doris Day, most of the scene of a violent confrontation between James Cagney (Marty Snyder) and her did not appear in the final film because it would not pass the censors. After Etting is a triumph at the Ziegfeld Follies, Snyder comes to her hotel room to see her, and she tells him to get out of her life. As originally filmed, Cagney slammed her against a wall, savagely tore off her dress, and after a tempestuous struggle, he threw her onto a bed and raped her. See more »
During one scene late in the film where Cagney is speaking, the audio/visuals are off by more than a second. See more »
[Indignantly to Ruth]
Now look here, you stupid liyyle broad, do you know who I am? Do you think I let dames talk to me that way?
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James Cagney gave a brilliant performance: gritty and tough with nuances of pathos
I am NOT a fan of Doris Day - there is just something about her that annoys me. But in this movie she acted very different from the usual Doris Day movie. And the way she sang those ballads breaks your heart. But the acting job that truly amazes - and has through the years made me a fan - is that of James Cagney. One wonders if he had a parent that was abusive or an Uncle or someone he had intimately observed. Because from somewhere that man understood something about an abusive relationship and put it in his performance. It was positively beyond extraordinary. He deserved an Academy Nomination at the very least. While he was cruel, vile, despicable, certainly repulsive and yet you felt at the same time he was pitiful, sad, pathetic. It was an extremely complex performance. When I saw "Love Me Or Leave Me" as a teenager I didn't appreciate the subtlety of his acting. It wasn't until I saw it many, many years later and had gone through a lot of living that I comprehended the true magnitude of his performance.
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