Pretty Melinda Howard has been abroad singing with a musical troupe. She decides to return home to surprise her mother whom she thinks is a successful Broadway star with a mansion in ... See full summary »
Employees of the Sleeptite Pajama Factory are looking for a whopping seven-and-a-half cent an hour increase and they won't take no for an answer. Babe Williams is their feisty employee ... See full summary »
The Winfield family moves into a new house in a small town in Indiana. Tomboy Marjorie Winfield begins a romance with William Sherman who lives across the street. Marjorie has to learn how ... See full summary »
There is an on-going battle of industrial espionage between rival cosmetics companies, Femina, owned by Sir Jason Fox, and May Fortune, owned by Matthew Cutter. Caught in the middle between... See full summary »
Candy Williams is a struggling performer in a musical troupe, headed by Hap Schneider. Unfortunately, the troupe has fallen on hard times, forcing the members to get jobs cleaning hotel ... See full summary »
Miss Ethel 'Dynamite' Jackson is a chorus girl who mistakingly receives an invitation from the State Department to represent the American theatre at an arts exposition in Paris, France. ... See full summary »
In 1920's Chicago, Ruth Etting wants to be a renowned singer, which is a far step away from her current work as a taxi dancer. Upon walking into the dance hall and seeing her, Chicago gangster Marty Snyder immediately falls for Ruth, and works toward being her lover, which he believes he can achieve by opening up singing opportunities for her. Ruth is initially wary of Marty, but makes it clear that she is not interested in him in a romantic sense. Regardless, he does help her professionally, and through his opportunities, which are achieved through intimidation and fear, Ruth does quickly start to gain a name as a singer, which she is able to do because of her talent and despite Marty's intimidation tactics. However, the greater her success, the more reliant she becomes on him. This becomes an issue in their relationship as she believes he can take her only so far before he becomes a liability, however he will never let her go that easily. The one person who tried and tries to get ... Written by
There was some discussion of starring Jane Powell in this movie, but the studio had a hard time seeing Powell as a nightclub performer and in a serious role. Before Ruth Etting died, she told an interviewer she wished Powell was given the role. See more »
Ruth Etting's name is billed over 'Ziegfeld Follies' on a theater marquee. The Ziegfeld Follies never allowed any performer's name to be placed over the title of the show. See more »
[Indignantly to Ruth]
Now look here, you stupid liyyle broad, do you know who I am? Do you think I let dames talk to me that way?
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James Cagney gave a brilliant performance: gritty and tough with nuances of pathos
I am NOT a fan of Doris Day - there is just something about her that annoys me. But in this movie she acted very different from the usual Doris Day movie. And the way she sang those ballads breaks your heart. But the acting job that truly amazes - and has through the years made me a fan - is that of James Cagney. One wonders if he had a parent that was abusive or an Uncle or someone he had intimately observed. Because from somewhere that man understood something about an abusive relationship and put it in his performance. It was positively beyond extraordinary. He deserved an Academy Nomination at the very least. While he was cruel, vile, despicable, certainly repulsive and yet you felt at the same time he was pitiful, sad, pathetic. It was an extremely complex performance. When I saw "Love Me Or Leave Me" as a teenager I didn't appreciate the subtlety of his acting. It wasn't until I saw it many, many years later and had gone through a lot of living that I comprehended the true magnitude of his performance.
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