Joe May's sensual drama of life in the Berlin underworld is in many ways the perfect summation of German filmmaking in the silent era: a dazzling visual style, a psychological approach to ... See full summary »
Francesca Anderson, the rich wife of an older millionaire, can't cope with the death of her lover, who is the father of her only son, James. As her son is somehow part of her dead lover, ... See full summary »
Saint Tropez, 1975. Julie Wormser and her lover, writer and neighbour Jeff Marle, plan the assassination of her wealthy husband Louis, an impotent who drinks a lot. She hits him, and leaves... See full summary »
Remakes have always existed,even if they were not so trendy fifty years ago.This is a good example (but not a very good remake,by a long shot). Murnau's porter has become a maître d'hôtel ,why not? The problem lies in the fact that he is not played by Emil Jannings this time ,and is almost completely overshadowed by young charming Romy Schneider.Nothing is left from Murnau' s genius,but the audience can appreciate this little story ,closer to a fairy tale than to German expressionism.(The last lines say :"they got married,and they had many children").Romy Schneider was to become Germany's biggest phenomenon of the second half of the fifties ,with the contemporary Sissi saga.
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