Struggling artist Geoffrey Carroll meets Sally whilst on holiday in the country. A romance develops but he doesn't tell her he's already married. Suffering from mental illness, Geoffreyy ... See full summary »
In the South Seas, Val Stevens and Lucille Gordon are getting married when a ship goes down offshore. Val rescues Captain Deever and passenger Eric Blacke. Later Eric saves Val from an ... See full summary »
Three time loser Duke Berne risks life in prison with one more armored car robbery. His attorney's wife Lorna, Berne's old sweetheart, keeps him from it but he goes to jail anyway. Duke and... See full summary »
Soldier of fortune Maxton is stranded in a Central American country. He and Tom, the nephew of the country's richest man, try to end Morloff's banditry but just barely escape a firing squad. They become rivals for Rosita.
A man in priestly robes, seemingly the long-awaited Father O'Shea, arrives at a little-frequented Catholic mission in 1947 China. Though the man seems curiously uncomfortable with his priestly duties, his tough tactics prove very successful in the Seven Villages, as around them China disintegrates in civil war and revolution. But he has a secret, and his friendship with mission nurse Anne (an attractive war widow) seems to be taking on an unpriestly tone... Written by
Rod Crawford <email@example.com>
This film unites Victor Sen Young with Benson Fong. They played #2 son Jimmy Chan and #3 son Tommy Chan in the long running Charlie Chan series. Interestingly they never appeared together in any of the Chan films and later in the series for some unknown reason, the producers changed Sen Young's character's name to Tommy Chan. See more »
Throughout the climactic confrontation as Carmody and Mieh Yang sit next to each other, Mieh Yang's bald head shifts repeatedly between sunshine and shadow. See more »
Great movie stars are rarely great actors. But they are people who exude elements of humanity, which we'd like to possess- John Wayne's toughness, Sharon Stone's glamour, Gary Cooper's inner silence, or Michael Douglas's ruthlessness. More unique than acting talent, Humphrey Bogart's element was that of hardened sinner whose inner spark of decency wasn't entirely subsumed. In this Cinemascope/colour movie, where Bogie's late-night drinking and myriad of broken marital relationships was visibly etched upon every facial crevice, the idea that he could pass himself off as a priest was ludicrous. But THE LEFT HAND OF GOD never demands that of him- nor us.
It makes instead, the not impossible proposition that a simple, remote Chinese community traumatised by marauders might presume Bogie to be the 'priest of Christ' they so anxiously await. We the audience, are privy to who Bogey is and still is. His un-Godly skill, which ultimately saves the mission from General Yang's terror, is entirely in character.
The Catholic theology was also dead on. Those whom Bogie absolved, married and buried were spiritually exonerated by the very innocence we moviegoers cannot share about Bogart. The power of the central argument of William Barrett's much dissipated novel, in spite of -or maybe because of, 50's Hollywood formulaic moviemaking- is somehow preserved.
The repetitious references to Bogey as 'the priest of Christ' and the ingenuous children's enigmatic broken-English farewell of 'Oole Kantackee Hom,' also persuade. We know Bogey must leave, and that he is redeemed in spite of himself. Even Bogie doesn't know that. We now also know that this life-scarred, bloodshot, poker-playing sceptic received a fair Hearing- after dying from throat cancer less than two years later on January 14th 1957 -at least from the left Hand Side of his Maker.
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