| Randolph Scott | ... | Marshal Calem Ware | |
| Angela Lansbury | ... | Tally Dickenson | |
| Warner Anderson | ... | Hamer Thorne | |
| Jean Parker | ... | Cora Dean | |
| Wallace Ford | ... | Dr. Amos Wynn | |
| John Emery | ... | Cody Clark | |
| James Bell | ... | Asaph Dean | |
| Ruth Donnelly | ... | Molly Higgins | |
| Michael Pate | ... | Harley Baskam | |
| Don Megowan | ... | Dooley Brion | |
| Jeanette Nolan | ... | Mrs. Dingo Brion | |
| rest of cast listed alphabetically: | |||
| Victor Adamson | ... | Saloon Waiter (uncredited) | |
| Harry Antrim | ... | Mayor Kent (uncredited) | |
| Stanley Blystone | ... | Rancher (uncredited) | |
| Barry Brooks | ... | Minor Role (uncredited) | |
| Bob Burns | ... | Townsman (uncredited) | |
| Don Carlos | ... | Juan Tobrez (uncredited) | |
| John L. Cason | ... | Dean Ranch Hand (uncredited) | |
| Edwin Chandler | ... | Minor Role (uncredited) | |
| G. Pat Collins | ... | Gambler (uncredited) | |
| Hal K. Dawson | ... | Hotel Clerk (uncredited) | |
| George DeNormand | ... | Barfly (uncredited) | |
| Richard Farnsworth | ... | Townsman (uncredited) | |
| Franklyn Farnum | ... | Townsman (uncredited) | |
| Frank Ferguson | ... | Abe Deland (uncredited) | |
| Duke Fishman | ... | Townsman (uncredited) | |
| Leonard P. Geer | ... | Townsman (uncredited) | |
| Augie Gomez | ... | Townsman (uncredited) | |
| Frank Hagney | ... | Dingo Brion (uncredited) | |
| Sam Harris | ... | Spectator in Opera Box (uncredited) | |
| Reed Howes | ... | Townsman (uncredited) | |
| Jack Kenny | ... | Townsman (uncredited) | |
| Ethan Laidlaw | ... | Barfly (uncredited) | |
| Mike Lally | ... | Townsman (uncredited) | |
| Jay Lawrence | ... | Townsman (uncredited) | |
| Kermit Maynard | ... | Townsman at Stage Coach (uncredited) | |
| Philo McCullough | ... | Townsman (uncredited) | |
| Frank Mills | ... | Fight Spectator (uncredited) | |
| Frank O'Connor | ... | Townsman in Front Row (uncredited) | |
| Artie Ortego | ... | Townsman (uncredited) | |
| Peter Ortiz | ... | Hiram Hayes (uncredited) | |
| Jack Parker | ... | Townsman (uncredited) | |
| Jack Perrin | ... | Townsman (uncredited) | |
| Frank J. Scannell | ... | Bartender (uncredited) | |
| Jerry Schumacher | ... | Barfly (uncredited) | |
| Guy Teague | ... | Townsman (uncredited) | |
| Jack Tornek | ... | Townsman (uncredited) | |
| Harry Tyler | ... | Tony Cabillo - Barber (uncredited) | |
| Wally West | ... | Townsman (uncredited) | |
| Charles Williams | ... | Mr. Willis (uncredited) | |
Directed by | |||
| Joseph H. Lewis | |||
Writing credits | ||
| Kenneth Gamet | (screenplay) | |
| Brad Ward | (story) | |
Produced by | |||
| Harry Joe Brown | .... | producer | |
| Randolph Scott | .... | associate producer | |
Original Music by | |||
| Paul Sawtell | |||
Cinematography by | |||
| Ray Rennahan | (director of photography) | ||
Film Editing by | |||
| Gene Havlick | |||
Art Direction by | |||
| George Brooks | |||
Set Decoration by | |||
| Frank Tuttle | |||
Second Unit Director or Assistant Director | |||
| Abby Singer | .... | assistant director (as Abner E. Singer) | |
Sound Department | |||
| Frank Goodwin | .... | sound | |
| John P. Livadary | .... | recording supervisor (as John Livadary) | |
| John P. Livadary | .... | sound engineer (uncredited) | |
Stunts | |||
| George DeNormand | .... | stunts (uncredited) | |
| Richard Farnsworth | .... | stunts (uncredited) | |
| Mike Lally | .... | stunts (uncredited) | |
| Guy Teague | .... | stunt double: Randolph Scott (uncredited) | |
| Wally West | .... | stunts (uncredited) | |
Music Department | |||
| Paul Sawtell | .... | conductor | |
Other crew | |||
| Jerry Antes | .... | choreographer | |
| David Breen | .... | assistant to producer | |
| Henri Jaffa | .... | technicolor color consultant | |
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| Fighting Man of the Plains | I Shot Jesse James | Last of the Desperados | Jesse James Rides Again | Appaloosa |
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| Full cast and crew | Company credits | External reviews |
| IMDb Western section | IMDb USA section |
The story is simplicity itself. Scott is the marshall keeping the town (referred to several times as a wild beast) peaceful despite the efforts of two corrupt businessmen to take it over and run it on their terms. They hire a gunman (Pate) to come in and knock off Scott. At about the same time Scott's showgirl wife (Lansbury) shows up. They've separated because she doesn't want him using guns to earn a living. Or something like that. (Where have we seen this before?) Pate shoots Scott, who recovers later and shoots Pate. The businessmen are subdued by the rest of the townspeople who have come to their senses and acquired ethics. Scott hands over his badge because the beast has been tamed and the town no longer needs his kind of marshall. He rides off into the sunset with his wife and a carriage full of luggage and mulligan stew. The end.
Angela Lansbury is a first-rate actress. She wows the audience in pieces as different as "The Manchurian Candidate," "Death on the Nile," and "Sweeney Todd" on Broadway. But she's given practically nothing to do here. Warner Anderson's acting is flat and matter-of-fact but he's okay. The other villainous businessmen are less than interesting, which is too bad because movies like this depend as much on the character of their heavies as they do on the star. Wally Ford is in the Thomas Mitchell/ Edgar Buchanan part. The movie's score blossoms during the overture to Lansbury's stage appearance. Elsewhere the score is overblown and sounds hastily assembled with comic notes where none are called for.
The second half of the movie deteriorates. I cannot imagine why the rich ranchers and the rest of the townspeople (the wild beasts) have a sudden and entirely unmotivated change of heart and rally to Scott's side. Also, Scott gets to beat hell out of a human being the size of Man Mountain Dean, without using a gun. The two men have a lengthy and brutal fistfight and wind up with their shirts torn to shreds but not a drop of blood is spilled. But the first third of the movie gives Scott some scenes and dialogue that are outstanding for him, considering his usual persona. He shoots a man in self defense and is, if not ashamed of having done it, at least remorseful. The victim's widow has some sensible and believable lines too, and not favorable to Scott. Scott doesn't go on about his sadness -- he never goes on about anything. But we can sense the writers and the director giving him a chance to play something more than a heroic marble statue. It would have been nice had the rest of the movie been so played.