| Photos (See all 11 | slideshow) |
| Jack Hawkins | ... | Pharaoh Khufu | |
| Joan Collins | ... | Princess Nellifer | |
| Dewey Martin | ... | Senta | |
| Alexis Minotis | ... | Hamar | |
| James Robertson Justice | ... | Vashtar | |
| Luisella Boni | ... | Kyra (as Luisa Boni) | |
| Sydney Chaplin | ... | Treneh | |
| James Hayter | ... | Mikka | |
| Kerima | ... | Nailla | |
| Piero Giagnoni | ... | Xenon | |
| rest of cast listed alphabetically: | |||
| Diego Carlisi | ... | Priest (uncredited) | |
| Carlo D'Angelo | ... | (uncredited) | |
| Robert Rietty | ... | Hamar (voice) (uncredited) | |
| Bud Thompson | ... | Mabuna (uncredited) | |
Directed by | |||
| Howard Hawks | |||
Writing credits | ||
| William Faulkner | (written by) & | |
| Harry Kurnitz | (written by) and | |
| Harold Jack Bloom | (written by) | |
Produced by | |||
| Howard Hawks | .... | producer | |
| Arthur Siteman | .... | associate producer | |
| Chuck Hansen | .... | associate producer (uncredited) | |
Original Music by | |||
| Dimitri Tiomkin | |||
Cinematography by | |||
| Lee Garmes | |||
| Russell Harlan | (photographed by) | ||
Film Editing by | |||
| Vladimir Sagovsky | (as V. Sagovsky) | ||
Art Direction by | |||
| Alexandre Trauner | |||
Costume Design by | |||
| Mayo | |||
| Lucilla Mussini | (uncredited) | ||
Makeup Department | |||
| Emile LaVigne | .... | makeup artist (as Emile Lavigne) | |
| Ann Locker | .... | hair stylist | |
Production Management | |||
| Chuck Hansen | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Paul Helmick | .... | assistant director | |
| Noël Howard | .... | second unit director (as Noel Howard) | |
| Chuck Hansen | .... | second assistant director (uncredited) | |
| Jean-Paul Sassy | .... | assistant director (uncredited) | |
Sound Department | |||
| Oliver S. Garretson | .... | sound | |
| Ed Scheid | .... | sound editor (uncredited) | |
Special Effects by | |||
| Donald Steward | .... | special effects (as Don Steward) | |
Camera and Electrical Department | |||
| Ernst Haas | .... | still photographer (uncredited) | |
| Homer Plannette | .... | gaffer (uncredited) | |
Costume and Wardrobe Department | |||
| Joan Joseff | .... | costume jeweller (uncredited) | |
Editorial Department | |||
| Rudi Fehr | .... | supervising editor | |
Music Department | |||
| Dimitri Tiomkin | .... | conductor | |
| Lucien Cailliet | .... | orchestrator (uncredited) | |
| Manuel Emanuel | .... | orchestrator (uncredited) | |
| Jester Hairston | .... | choral director (uncredited) | |
| Paul Marquardt | .... | orchestrator (uncredited) | |
| George Parrish | .... | orchestrator (uncredited) | |
| Leonid Raab | .... | orchestrator (uncredited) | |
| Herbert Taylor | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Christian Ferry | .... | transportation coordinator (uncredited) | |
Other crew | |||
| Dalida | .... | stand-in: Joan Collins | |
| Maisie Kelly | .... | continuity | |
| Enzo Musumeci Greco | .... | master of arms (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| Awful | withoutatrace |
| So few close-ups | the figure |
| Uncut version? When ? | thedreamaster |
| Re-make | KnoxWarner |
| Curious??? | Jaenicke |
| The Music Makes This Movie | dchriscoe |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Land of the Pharaohs is a fascinating, sometimes morbid glimpse into the Hollywoodized past. Unlike many epics, the film forsakes the usual Judeo-Christian perspective in favor of a completely pagan outlook. That, combined with some striking scenes involving the building of Khufu's pyramid, makes this worthwhile entertainment.
Over the years, many have criticized the film, including Howard Hawks, Hawkins and Collins. On close examination, their criticism of the dialogue is only partially justified. While there is some verbosity, and the discourse between Khufu and his first wife over his desire for a son seems unnecessary if not ridiculous(in this instance actions would speak louder than words)the dialogue is more than serviceable. During the funeral ritual for the heroic dead, the grand, evocative speech is even inspired.
Hawks also lamented that the film contained "no one to root for." Indeed, Hawkins' Pharaoh is decisive, infrequently warm and unquenchably greedy. As Princess Nellifer, Joan Collins is even more unsavory. There exists however, a necessary counterpoint in the character of Vashtar, who designs the pyramid in order to free his people. James Robertson Justice gives a sympathetic performance as the designer who is alternately good natured, thoughtful, and indignant at the pharaoh's cruelty. As the pharaohs advisor, Alexis Minotis manages a remarkable acting feat by enforcing Khufu's will and simultaneously evoking audience sympathy. As Vashtar's son, Dewey Martin's All-American boy persona is the only off key note.
Despite the generally capable acting, the film's chief attraction is the abundant spectacle. The thousands of workers toiling to build the pyramid, and the colorful court pageantry, are what linger most in the viewer's mind. The much-discussed ending may or may not be historically accurate, but is nevertheless filmed with a chilling sense of realism. In short, Land of the Pharaohs is an interesting thematic departure from the epics of the 1950s.