Land of the Pharaohs (1955)

User Rating:

6.6/10   

Director:

Howard Hawks

Writers:

William Faulkner (written by) &
Harry Kurnitz (written by) ...

Release Date:

24 June 1955 (USA)

Genre:

Drama

Tagline:

HER BLOOD STAINED EVERY STONE OF THE PYRAMID

Plot:

A captured architect designs an ingenious plan to insure the impregnability of tomb of a self-absorbed Pharaoh, obsessed with the security of his next life.

Plot Keywords:

Pharaoh | Tomb | Egypt | Architect | Ancient Egypt

Cast

Jack Hawkins	...	Pharaoh Khufu
Joan Collins	...	Princess Nellifer
Dewey Martin	...	Senta
Alex Minotis	...	Hamar (as Alexis Minotis)
James Robertson Justice	...	Vashtar
Luisella Boni	...	Kyra (as Luisa Boni)
Sydney Chaplin	...	Treneh
James Hayter	...	Mikka, Vashtar's servant
Kerima	...	Nailla
Piero Giagnoni	...	Xenon (Pharaoh's Son)

Also Known As:

Howard Hawks' Land of the Pharaohs (USA) (complete title)

Runtime:

Canada:144 min | UK:105 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.55 : 1

Sound Mix:

Mono (optical prints) | 4-Track Stereo (RCA Sound Recording) (magnetic prints)

Certification:

UK:U (cut) | Australia:G | West Germany:12 | USA:Approved (certificate #16995) | Finland:K-16 | Spain:13 | Sweden:15

Filming Locations:

Egypt

Company:

Continental Company

Trivia:

According to the liner notes of the soundtrack CD, the lyrics of most of the choruses heard throughout the film, often thought to be Asian, Semetic or Egyptian in origin, are actually "gibberish" that composer Dimitri Tiomkin concocted to evoke the period and "sound" like ancient Egyptian and are actually meaningless.

Goofs:

Revealing mistakes: During the ceremony for the soldiers who were cowards in battle, when they are thrown into the alligator pit, the alligators are seen eating but there is not one drop of blood seen in the water.

Quotes:

[first lines]
Hamar: I, Hamar, Lord High Priest of Egypt, am preparing a chronicle of the reign of Khufu, ruler of Egypt. Word has come that again he has been victorious in the war against our enemies and now Egypt has taken its place as the greatest of all nations in the world! Today, Pharaoh and his armies return.

Movie Connections:

Featured in Cineastes en acció (2005)

generally compelling

Land of the Pharaohs is a fascinating, sometimes morbid glimpse into the Hollywoodized past. Unlike many epics, the film forsakes the usual Judeo-Christian perspective in favor of a completely pagan outlook. That, combined with some striking scenes involving the building of Khufu's pyramid, makes this worthwhile entertainment.

Over the years, many have criticized the film, including Howard Hawks, Hawkins and Collins. On close examination, their criticism of the dialogue is only partially justified. While there is some verbosity, and the discourse between Khufu and his first wife over his desire for a son seems unnecessary if not ridiculous(in this instance actions would speak louder than words)the dialogue is more than serviceable. During the funeral ritual for the heroic dead, the grand, evocative speech is even inspired.

Hawks also lamented that the film contained "no one to root for." Indeed, Hawkins' Pharaoh is decisive, infrequently warm and unquenchably greedy. As Princess Nellifer, Joan Collins is even more unsavory. There exists however, a necessary counterpoint in the character of Vashtar, who designs the pyramid in order to free his people. James Robertson Justice gives a sympathetic performance as the designer who is alternately good natured, thoughtful, and indignant at the pharaoh's cruelty. As the pharaohs advisor, Alexis Minotis manages a remarkable acting feat by enforcing Khufu's will and simultaneously evoking audience sympathy. As Vashtar's son, Dewey Martin's All-American boy persona is the only off key note.

Despite the generally capable acting, the film's chief attraction is the abundant spectacle. The thousands of workers toiling to build the pyramid, and the colorful court pageantry, are what linger most in the viewer's mind. The much-discussed ending may or may not be historically accurate, but is nevertheless filmed with a chilling sense of realism. In short, Land of the Pharaohs is an interesting thematic departure from the epics of the 1950s.