| Photos (See all 23 | slideshow) |
| Alec Guinness | ... | Professor Marcus | |
| Cecil Parker | ... | Claude (a.k.a. 'Major Courtney') | |
| Herbert Lom | ... | Louis (a.k.a. 'Mr. Harvey') | |
| Peter Sellers | ... | Harry (a.k.a. 'Mr. Robinson') | |
| Danny Green | ... | One-Round (a.k.a. 'Mr. Lawson') | |
| Jack Warner | ... | The Superintendent | |
| Katie Johnson | ... | The Old Lady | |
| Philip Stainton | ... | The Sergeant | |
| Frankie Howerd | ... | The Barrow Boy | |
| rest of cast listed alphabetically: | |||
| Madge Brindley | ... | Large Lady (uncredited) | |
| Hélène Burls | ... | Hypatia (uncredited) | |
| Kenneth Connor | ... | Cab Driver (uncredited) | |
| Michael Corcoran | ... | Burglar (uncredited) | |
| Harold Goodwin | ... | Parcels Clerk (uncredited) | |
| Fred Griffiths | ... | Junk Man (uncredited) | |
| Lucy Griffiths | ... | Miss Pringle (uncredited) | |
| Phoebe Hodgson | ... | Constance (uncredited) | |
| Vincent Holman | ... | Station Master (uncredited) | |
| Anthony John | ... | Child (uncredited) | |
| Stratford Johns | ... | Security Guard (uncredited) | |
| Evelyn Kerry | ... | Amelia (uncredited) | |
| Sam Kydd | ... | Second Cab Driver (uncredited) | |
| Edie Martin | ... | Lettice (uncredited) | |
| Jack Melford | ... | Detective (uncredited) | |
| Robert Moore | ... | Constable (uncredited) | |
| Arthur Mullard | ... | (uncredited) | |
| Ewan Roberts | ... | Constable (uncredited) | |
| George Roderick | ... | Radio Car Policeman (uncredited) | |
| John Rudling | ... | Nervous Man (uncredited) | |
| Leonard Sharp | ... | Pavement Artist (uncredited) | |
| Peter Williams | ... | Detective at Parcels Office (uncredited) | |
| Neil Wilson | ... | Policeman (uncredited) | |
Directed by | |||
| Alexander Mackendrick | |||
Writing credits | ||
| William Rose | (story and screenplay) | |
| Jimmy O'Connor | uncredited | |
Produced by | |||
| Seth Holt | .... | associate producer | |
| Michael Balcon | .... | producer (uncredited) | |
Original Music by | |||
| Tristram Cary | |||
Cinematography by | |||
| Otto Heller | (director of photography) | ||
Film Editing by | |||
| Jack Harris | |||
Art Direction by | |||
| Jim Morahan | |||
Costume Design by | |||
| Anthony Mendleson | |||
Makeup Department | |||
| Alex Garfath | .... | makeup artist | |
| Daphne Martin | .... | hair styles | |
Production Management | |||
| Hal Mason | .... | production supervisor | |
| David Peers | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Tom Pevsner | .... | assistant director | |
| Michael Birkett | .... | third assistant director (uncredited) | |
| John Meadows | .... | second assistant director (uncredited) | |
Art Department | |||
| W. Simpson Robinson | .... | scenic artist | |
| Bert Davey | .... | assistant art director (uncredited) | |
| Norman Dorme | .... | draughtsman (uncredited) | |
| Tony Rimmington | .... | junior draughtsman (uncredited) | |
| Jack Shampan | .... | draughtsman (uncredited) | |
Sound Department | |||
| Stephen Dalby | .... | sound supervisor (as Steven Dalby) | |
| Gordon Stone | .... | sound editor | |
| Leo Wilkins | .... | recordist | |
| Harry Fairbairn | .... | sound assistant (uncredited) | |
| Don Wortham | .... | boom operator (uncredited) | |
Special Effects by | |||
| Sydney Pearson | .... | special effects | |
Camera and Electrical Department | |||
| Chic Waterson | .... | camera operator (as Chick Waterson) | |
| Alan Bryce | .... | clapper loader (uncredited) | |
| Ray Parslow | .... | focus puller (uncredited) | |
| Herbert Smith | .... | focus puller (uncredited) | |
Editorial Department | |||
| Harry Aldous | .... | assistant editor | |
| Jim Clark | .... | second assistant editor (uncredited) | |
Music Department | |||
| Dock Mathieson | .... | conductor | |
Other crew | |||
| Joan Bridge | .... | Technicolor colour consultant | |
| Felicia Manheim | .... | continuity | |
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| The Ladykillers | The Lavender Hill Mob | Sexy Beast | The A-Team | The Getaway |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
Soon after this atmospheric black comedy begins, aged widow Johnson putters around her house (situated near a railyard) as an imposing shadow seems to peer at her from every window (accented by dramatic music.) When she opens the door, there stands Guinness, in one of his amusingly creepy personas. He rents a room from the lady and arranges to have his cronies come over to practice their quintet. Unfortunately, he has something else in mind and the quintet is merely a cover for a greater plan. The film has detail, wit and character to spare. Guinness (and his friends, played by legendary character actors like Sellars and Lom) are a funny, motley lot. However, the story really belongs to Johnson. Shamefully underbilled and unsung, she perfectly embodies the role at hand and is incredibly memorable in her understated sweetness and supposed vulnerability. This is a woman who looks for the best in everything and everyone and fights injustice whenever she encounters it. Johnson gives a quiet, yet towering performance and it is astonishing how disrespectful her billing is in the film and how little she's been given even in recent packaging. There is nothing wrong with Guinness's work, but this is Johnson's film. (Ironically, according to Robert Osborne, a younger actress was cast in the film, to be made up as older, because the producers felt that the sometimes demanding director would be too much for Johnson to bear. However, that actress died before filming, so Johnson was used and got on fine!) It is truly the type of film that won't be made again. (It may be RE-made, but never with the same quaint, understated style, nor with such polished actors.)