When a widow's husband gets murdered in cold blood, Inspector Clouseau is back on the job leaving Maria, the widow to be the suspect. However, Clouseau struggles the overwhelming evidence as the true suspect is still out there.
A gang planning a 'job' find themselves living with a little old lady, who thinks they are musicians. When the gang set out to kill Mrs Wilberforce, they run into one problem after another, and they get what they deserve. Written by
Herbert Lom (Harry) was the last surviving cast member of the film when he died on September 27, 2012 at the age of 95. See more »
The famous minuet heard frequently in the film (supposedly being rehearsed by the crooks) is from Luigi Boccherini's Quintet in E Major, Op.11, No. 5. Most string quintets (Mozart, Brahms, Mendelssohn, etc.) add a second viola to the conventional string quartet (two violins, viola, cello), and are referred to as "viola quintets." Boccherini, himself a cellist, wrote most of his 100+ string quintets for a combination of two violins, viola, and two cellos, or "cello quintet." The crooks in The Ladykillers -- posing as a viola quintet -- display the wrong combination of instruments for performing the Boccherini minuet, but this may have been intended as a mistake on the part of the crooks rather than the filmmakers. See more »
[Mrs. Wilberforce has just discovered the money. Louis pulls Harry aside]
We must get her out of here.
Get her into the car.
[One of Mrs. Wilberforce's guests arrives]
We'll have to take them both. We've got to get away!
[Two more guests arrive]
What do you think we should do? Charter a bus?
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During the opening credits, roses are shown, to highlight the fact that William Rose wrote the screenplay. See more »
When film studios are churning out rubbish like 'The Full Monty' and 'American Pie' under the heading of comedy, you have to wonder what sort of brainless morons are filling cinemas with laughter. It is nothing short of tragic that gargantuan amounts of cash are being expended on useless blow-outs like Titanic,Star Wars- The Phantom Menace, and just lately, The Beach. When Ealing Studios ceased production, the cinema world was suddenly very much poorer.
The Ladykillers is undoubtedly one of the finest comedies ever made, certainly the best Ealing film of them all. Here is a film from the golden age of British cinema that will forever amuse and entertain. It is easy to be nostalgic about these old films but they are still held in high regard for a good reason-they were made by people who knew the art of film making. Moreover, they were made at a time when a trip to the cinema was still a special occasion. So they were made with love and care and with respect for the audience.
The Ladykillers is unusual for an Ealing comedy, being made in colour. It would have worked just as well in black and white, possibly even etter.( I have watched it in black and white on TV by turning the colour controls off!) The location shots, which were done around the back of King's Cross station in London, capture forever something of the old London I used to know as a child.
I suppose they best description for this film is a comedy of a bank robbery gone wrong. The ensemble acting is of the highest order; Katie Johnson as Mrs. Wilberforce just about steals the film from Alec Guinness. The hilarious script leaves you wanting more, even though a lot of the comedy is based on sight gags; the extended scene when the supposed 'musicians' come downstairs one by one while the Boccherini Quintet continues playing is wonderful, as are the moments involving General Gordon the parrot. The cinematography is beautifully realised and so British.
Having read all of the comments on this film, I was suprised that so many American film lovers liked this film - British comedy like this doesn't usually travel well across the water. So a sincere big thank you to all of you guys over there who commented favourably on The Ladykillers.
I don't think that we will ever see the return of institutions like Ealing Studios again, so The Ladykillers should be watched, enjoyed and loved by generations of film lovers to come.
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