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The Ladykillers (1955)

7.9
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Ratings: 7.9/10 from 18,308 users  
Reviews: 121 user | 66 critic

Five diverse oddball criminal types planning a bank robbery rent rooms on a cul-de-sac from an octogenarian widow under the pretext that they are classical musicians.

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Title: The Ladykillers (1955)

The Ladykillers (1955) on IMDb 7.9/10

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Nominated for 1 Oscar. Another 2 wins & 2 nominations. See more awards »

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Cast

Complete credited cast:
...
Cecil Parker ...
Claude (a.k.a. 'Major Courtney')
...
Louis (a.k.a. 'Mr. Harvey')
...
Danny Green ...
Jack Warner ...
The Superintendent
...
Philip Stainton ...
Frankie Howerd ...
The Barrow Boy
Edit

Storyline

A gang planning a 'job' find themselves living with a little old lady, who thinks they are musicians. When the gang set out to kill Mrs Wilberforce, they run into one problem after another, and they get what they deserve. Written by Rob Hartill

Plot Summary | Add Synopsis

Taglines:

Who was that lady I saw you outwit last night? That was no lady...That was 'Mum' Wilberforce, a lovely old doll, well known to the police, and landlady to the shadiest bunch of characters in London! See more »

Genres:

Comedy | Crime

Certificate:

See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

24 February 1956 (Belgium)  »

Also Known As:

The Lady Killers  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(colour) (Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Richard Attenborough was originally considered for the role of Harry, by director Alexander Mackendrick. See more »

Goofs

When the policeman calls at Mrs Wilberforce's house he introduces himself as "Sergeant McDonald"; at the end of the film the Inspector refers to the same character as "Sergeant Harris". In the credits he is simply listed as "Sergeant". See more »

Quotes

Mrs. Louisa Wilberforce: Simply try for one hour to behave like gentlemen.
See more »

Crazy Credits

During the opening credits, roses are shown, to highlight the fact that William Rose wrote the screenplay. See more »

Connections

References The Desperate Hours (1955) See more »

Soundtracks

Minuet in E major
(uncredited)
Written by Luigi Boccherini, arranged for string ensemble
[playing on the phonograph whenever the robbers are pretending to be practicing]
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Classic dark comedy with lots of mood and style
16 December 2002 | by (Cincinnati, OH) – See all my reviews

Soon after this atmospheric black comedy begins, aged widow Johnson putters around her house (situated near a railyard) as an imposing shadow seems to peer at her from every window (accented by dramatic music.) When she opens the door, there stands Guinness, in one of his amusingly creepy personas. He rents a room from the lady and arranges to have his cronies come over to practice their quintet. Unfortunately, he has something else in mind and the quintet is merely a cover for a greater plan. The film has detail, wit and character to spare. Guinness (and his friends, played by legendary character actors like Sellars and Lom) are a funny, motley lot. However, the story really belongs to Johnson. Shamefully underbilled and unsung, she perfectly embodies the role at hand and is incredibly memorable in her understated sweetness and supposed vulnerability. This is a woman who looks for the best in everything and everyone and fights injustice whenever she encounters it. Johnson gives a quiet, yet towering performance and it is astonishing how disrespectful her billing is in the film and how little she's been given even in recent packaging. There is nothing wrong with Guinness's work, but this is Johnson's film. (Ironically, according to Robert Osborne, a younger actress was cast in the film, to be made up as older, because the producers felt that the sometimes demanding director would be too much for Johnson to bear. However, that actress died before filming, so Johnson was used and got on fine!) It is truly the type of film that won't be made again. (It may be RE-made, but never with the same quaint, understated style, nor with such polished actors.)


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