5 items from 2017
Twin Peaks Recap is a weekly column by Keith Uhlich covering David Lynch and Mark Frost's limited, 18-episode continuation of the Twin Peaks television series.It's James Hurley's (James Marshall) birthday and he wants a present. Not that he's demanding it—no, no. James is cool. He's always been cool. So in that affable way of his that can be equal parts endearing and insufferable, he asks his going-on-23-year-old coworker, Freddie Sykes (Jake Wardle)—a U.K. to U.S. transplant who, like James, is a security guard at the Great Northern Hotel—to explain why he's always wearing a green gardener's glove on his right hand. "Tell me the story," he says to Freddie. The young man obliges the birthday boy with a captivating tale ("you ain't gonna believe me anyway," he prefaces) of a man in the sky called The Fireman, who told him to buy the glove, »
How did Kiss Me Deadly come to be restored? The real question should be, how did filmdom lose track of its original ending in the first place? Savant uncovers evidence that may explain when, and why, United Artists mutilated the finish of Robert Aldrich’s apocalyptic film noir.
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Before home video the final home for Hollywood films was Television. Robert Aldrich’s 1955 Kiss Me Deadly never saw a theatrical reissue, and it dropped out of major TV visibility in 1962. I saw the documentation in United Artists’ legal folder on the film. To secure capital to launch more movies, Robert Aldrich sold all of his ‘Associates and Aldrich’ pictures back to UA after their original releases were concluded. More papers showed Kiss Me Deadly being included in at least two TV syndication packages, and then each time pointedly removed. »
- Glenn Erickson
Fame – it's a hell of a drug. Feud is like watching Robert De Niro and Al Pacino square off in Heat, except with two of Hollywood's living legends playing a couple of dead ones. In Ryan Murphy's new anthology series, Jessica Lange is Joan Crawford to Susan Sarandon's Bette Davis, a pair of toxic movie divas madly in hate with each other. As Davis famously snipped, "She has slept with every male star at MGM, except Lassie." This eight-episode fever dream celebrates how they basically invented the modern celebrity beef, »
Sometimes it’s hard to put a fresh coat of paint on an old house. The colors can bleed through no matter how many new layers are added, giving the house a look of desperation from a block away. But sometimes the right paint is used, the restoration is done with love and affection, and the new owners actually care about their surroundings. Such is the case with The Night Stalker (1972), the ABC TV movie that took the vampire out of his crumbling castle and transported him to the seedier side of the modern day Las Vegas strip; and in doing so created one of the most endearingly reluctant monster hunters of all time, Carl Kolchak.
Originally airing as the ABC Movie of the Week on Tuesday, January 11th, 1972, The Night Stalker slayed the competition in the ratings, including CBS’s successful Hawaii Five-o/Cannon lineup. And I mean destroyed »
- Scott Drebit
To most, American independent cinema began in the late 1980’s-early 1990’s. With the rise of names like Spike Lee, Richard Linklater, Kelly Reichardt and Quentin Tarantino, American Independent film has been the breeding ground for some of cinema’s greatest artists, and fostered some of cinema’s greatest artistic achievements. However, for anyone with even a surface level interest in independent film, knowledge of its deeper, decade-spanning history here in the Us is quite clear.
Dating back to the very birth of cinema, independent artists of every race, creed, gender and sexual orientation have been creating films looking at specific experiences. However, many of these films, from the silent era to more modern times (Kelly Reichardt’s River Of Grass only just last year saw a real release outside of festival appearances) have gone relatively unseen.
One of these films even comes from a prestigious pedigree. A product, of sorts, »
- Joshua Brunsting
5 items from 2017
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