A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown's girlfriend who despises him, for information instead.
Private Investigator Mike Hammer gets involved in a murder case after he gives a lift to Christina Bailey. She is obviously on the run as she is barefoot and wearing nothing but a trench coat. Whoever was after her eventually catches up with them. She has information they want but dies while being questioned. They fake an accident by pushing Hammer's car off the road but he survives, waking up in the hospital two weeks later. As he investigates Christina's death he's told by the police to stay out of it but the hard-nosed PI proceeds anyways. Little did he know that Christina's secret would lead to death and destruction. Written by
Although Victor Saville is credited as Executive Producer and director Robert Aldrich is credited only as producer, in reality Aldrich had it written into his contract that he had complete control over the picture and it would be made the way he wanted it, specifically stipulating that his decisions could not be overruled by any studio representative. See more »
In the final scene in the beach house, Albert Dekker addresses the character Lily Carver by the name Gabrielle. While similar to the actress' real name, a change in character name is true to the plot. See more »
Want to see a modern-day thriller made 43 years ago?
Kiss Me Deadly is an absolute joy to watch. There are no big-name stars, the director has never been mentioned in the same breath as a Hitchcock or Huston, and it's basically a simple Mickey Spillane story. How its presented on the screen is the genius of the picture. Right from the opening credit sequence, you know you're in for something fresh and innovative. This is a must see for fans of Quentin Tarantino, and there is a curious box containing a certain substance that glows when opened (Pulp Fiction, anyone?). It is one of the finest of the "film noir" genre, predominantly because of the moody black and white photography and its amazing 'timeless' appeal (I would rank it alongside Touch of Evil). It's great to know the film has been "rediscovered", and be sure to see a copy of the film containing 2 different versions of the mind-boggling final sequence shot at the time.
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