A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
A frightened woman is running barefoot on a highway, trying desperately to flag a car. After several cars pass her by, the woman sees another car approaching, and to make sure either the car stops - or, she's killed, she stands in the path of an on-coming car. Private Investigator Mike Hammer is the one at the wheel, and after almost hitting the woman, he tells her to get in. The woman's name is Christina Bailey.. She is obviously on the run, being barefoot and wearing nothing but a trench coat, and the scent of fear. Whoever was after her eventually catches up with them. Christina has information they want, but dies while being questioned. The killers fake an accident by pushing Hammer's car off the road, but, he survives, waking up in hospital two weeks later. As Mike starts to investigate Christina's death, he's told by the police to stay out of it, but, the hard-nosed PI proceeds anyways. Little did he know that Christina's secret would lead to death and destruction. Written by
The first of 3 Robert Aldrich-directed films whch begin with someone crying over the credits. See more »
In the final scene in the beach house, Albert Dekker addresses the character Lily Carver by the name Gabrielle. While similar to the actress' real name, a change in character name is true to the plot. See more »
Want to see a modern-day thriller made 43 years ago?
Kiss Me Deadly is an absolute joy to watch. There are no big-name stars, the director has never been mentioned in the same breath as a Hitchcock or Huston, and it's basically a simple Mickey Spillane story. How its presented on the screen is the genius of the picture. Right from the opening credit sequence, you know you're in for something fresh and innovative. This is a must see for fans of Quentin Tarantino, and there is a curious box containing a certain substance that glows when opened (Pulp Fiction, anyone?). It is one of the finest of the "film noir" genre, predominantly because of the moody black and white photography and its amazing 'timeless' appeal (I would rank it alongside Touch of Evil). It's great to know the film has been "rediscovered", and be sure to see a copy of the film containing 2 different versions of the mind-boggling final sequence shot at the time.
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