A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
A frightened woman is running barefoot on a highway, trying desperately to flag a car. After several cars pass her by, the woman sees another car approaching, and to make sure either the car stops - or, she's killed, she stands in the path of an on-coming car. Private Investigator Mike Hammer is the one at the wheel, and after almost hitting the woman, he tells her to get in. The woman's name is Christina Bailey.. She is obviously on the run, being barefoot and wearing nothing but a trench coat, and the scent of fear. Whoever was after her eventually catches up with them. Christina has information they want, but dies while being questioned. The killers fake an accident by pushing Hammer's car off the road, but, he survives, waking up in hospital two weeks later. As Mike starts to investigate Christina's death, he's told by the police to stay out of it, but, the hard-nosed PI proceeds anyways. Little did he know that Christina's secret would lead to death and destruction. Written by
In the final scene in the beach house, Albert Dekker addresses the character Lily Carver by the name Gabrielle. While similar to the actress' real name, a change in character name is true to the plot. See more »
"Kiss Me Deadly" revealed the developed of Aldrich style
"Kiss Me Deadly" had few similarities with Spillane's story about a gang of dope traffickers Instead Aldrich reworks the plot so that the criminals are mixed up in the theft of priceless and high1y dangerous radioactive material which they are planning to smuggle to an unnamed power The complicated story begins with Hammer picking up a scared girl on a lonely road at night and continues through the girl's subsequent death, a kidnapping and a series of very brutal killings
Spillane's Mike Hammer remains the ultimate in violent private eyes The killings seem to matter less than the sadism One scene in which Hammer deliberately breaks the irreplaceable records of an Italian opera lover in order to get the information he wants is more repellent than any of the murders in the film
Furious but stylish, "Kiss Me Deadly" is a film of great power and stays unique for its mixing of art and pulp fiction
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