An ex-husband and wife team star in a musical version of 'The Taming of the Shrew'; off-stage, the production is troublesome with ex-lovers' quarrels and a gangster looking for some money owed to them.
Tomboy Rose Marie Lemaitre, the orphaned ward of Mountie Mike Malone, falls in love with him, and he with her. But when she goes to "learn to be a lady", she meets outlaw trapper James ... See full summary »
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
Sailor Danny Xavier Smith and two other gobs try to save his sister Susan's virtue. She wants to get a role in the show "Hit the Deck". After wrecking the producers hotel suite, they land ... See full summary »
Loosely traces the life of tenor Enrico Caruso (1873-1921). He loves Musetta, in his home town of Naples, and then Dorothy, the daughter of one of the Metropolitan Opera's patrons. Caruso ... See full summary »
Like a tale spun by Scheherazade, Kismet follows the remarkable and repeated changes of fortune that engulf a poor poet. It all happens in one incredible day when Kismet (Fate) takes a hand. Written by
Opening credits: The events, characters and firms depicted in this photoplay are fictitious. Any similarity to actual persons, living or dead, or to actual firms, is purely coincidental. See more »
Prior to the start of "Not Since Nineveh", Dolores Gray takes the gold purse from the Wazir to throw coins. When she's finished, she tosses it back to Sebastian Cabot which the actor fumbles and drops at his feet. During the song, the bag disappears and reappears at times and ends up behind his feet. It finally disappears by the end of the dance. See more »
[the Poet has just been sentenced by the Wazir, and the Chief Policeman enters to find him and Lalume, the Wazir's wife, kissing]
What kind of a sentence did he get?
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Here we have a musical which unfortunately did not get the full MGM treatment other musicals have been given before. On stage this was a huge hit with complex orchestrations, high quality singing and dancing girls. However, I don't know why, the music was ridiculously simplified, the singing was good but not so complex (for example the exhilarating "And This is My Beloved" lost almost all of its charm once the overlapping quartet was eliminated). As to dancing girls there is not much to choose from. But we still have here a very good example of high entertainment, despite the many drawbacks done by the production company. The sets and the costumes are very realistic and the singing is very good when compared to the quality of the music. Keel and Gray are great as the 'mature' lovers who know how to enjoy life at the expense of her husband. His rich baritone and her sensual contralto voice are at their best in the hypnotic "Rahadlakum", while Vic Damone's tenor and Ann Blyth's soprano reach theirs in the love duets "Stranger in Paradise" and "This is my Beloved." Another good song which wasn't effected too much by the alterations was the philosophical "Sands of Time" sung by the great and unforgettable Keel. If you like musicals, adventures and girls in Arabian costumes this is the movie for you.
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