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Kismet (1955)

6.4
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Ratings: 6.4/10 from 881 users  
Reviews: 35 user | 19 critic

Like a tale spun by Scheherazade, Kismet follows the remarkable and repeated changes of fortune that engulf a poor poet. It all happens in one incredible day when Kismet (Fate) takes a hand.

Directors:

, (uncredited)

Writers:

(non-musical play "Kismet"), (screenplay), 3 more credits »
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Title: Kismet (1955)

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Cast

Complete credited cast:
...
...
...
...
Monty Woolley ...
Omar
...
...
Jawan
...
Chief Policeman
...
Hassan-Ben
...
Police subaltern
Reiko Sato ...
1st Princess of Ababu
Patricia Dunn ...
2nd Princess of Ababu
Wonci Lui ...
3rd Princess of Ababu
Julie Robinson ...
Zubbediya
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Storyline

Like a tale spun by Scheherazade, Kismet follows the remarkable and repeated changes of fortune that engulf a poor poet. It all happens in one incredible day when Kismet (Fate) takes a hand. Written by Betty Frayne

Plot Summary | Add Synopsis

Taglines:

FAMED STAGE HIT GLORIFIED ON THE SCREEN! [poster - all caps] See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

8 October 1955 (USA)  »

Also Known As:

Um Estranho no Paraíso  »

Box Office

Budget:

$2,692,960 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)|

Color:

(Eastmancolor)

Aspect Ratio:

2.55 : 1
See  »
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Did You Know?

Trivia

Uncredited, Jack Cole choreographed Marlene Dietrich's seductive dances in the 1944 MGM Ronald Coleman "Kismet". Jack Cole choreographed Edwin Lester and Homer Curran's Los Angeles/San Francisco Civic Light Opera 1953 summer production "Kismet" prior to the show's New York opening in December, 1953. Arthur Freed hired the Broadway show's Jack Cole from New York to duplicate, re-stage the dances he had choreographed for the Broadway production, for the 1955 film musical. See more »

Quotes

Marsinah: [on being told that the Wazir intends to visit her room that night] If you do I'll kill myself, I swear it!
Wazir: Really? It'll be one of the most interesting wedding nights I've had in years.
See more »

Connections

Version of Kismet (1914) See more »

Soundtracks

Baubles, Bangles, and Beads
(uncredited)
Music by Aleksandr Borodin
Music Adapted by Bob Wright (as Robert Wright) and Chet Forrest (as George Forrest)
Lyrics by Bob Wright (as Robert Wright) and Chet Forrest (as George Forrest)
Performed by Ann Blyth
See more »

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User Reviews

 
Soft Simmering Breeze...Petals in the pool drifting....
23 June 2006 | by (United States) – See all my reviews

KISMET was originally a play by Edward Knobloch written about 1910, and used as a vehicle for many years by the popular Broadway character actor Otis Skinner, playing the role of Hajj, the philosophical thief who saves the Caliph of Baghdad. Skinner even did a silent film version of the play. Two years after his death in 1942 a sound version of the film (in color) was made starring Ronald Colman, Marlene Dietrich, and Edward Arnold. The movie was a success, but nobody realized it would shortly become extremely successful in a new way. A song writing team (Bob Wright and Chet Forrest) constructed a score for KISMET based on the melodies of Alexander Borodin. The score contained such songs that became standards as STRANGER IN PARADISE (from the "Polevetsian Dances" in the opera PRINCE IGOR), BAUBLES, BANGLES, and BEADS, THIS IS MY BELOVED, THIS WAS THE NIGHT OF MY LIFE, and others. Wright and Forrest would do this several times on Broadway (they composed reset themes by Heitor Villa Lobos in another musical, for example) but KISMET was their joint masterpiece. So successful were they at rejuvenating the old Knobloch play, it was eventually revived again in the late 1990s in a new form as TIMBUCTOO (reset from the Califate of Baghdad to the great African trade city).

Eventually the musical came to the attention to the Freed unit at MGM, and Vincent Minelli was chosen to direct this 1955 version. The musical expanded on the play a little. Howard Keel (as Hajj - the name was restored to the original one, not Hafiz as Ronald Colman was named in the 1944 version) is involved at the beginning with Jay C. Flippen as a violent bandit leader who is seeking his son, and whom Hajj suggests will be found in Baghdad. We see Flippen from time to time looking for his missing son. In the end he does find the son (who lives up or down to Flippen's own reputation).

Keel had the right voice for Hajj, as did Dolores Gray as Lalume, the Vizier's bored wife (Dietrich in the 1944 film). Ann Blyth played Hajj's daughter Marsinah (who falls for the Caliph, Vic Damone). The evil vizier was played by Sebastian Cabot, and his rival government figure Omar (played by Harry Davenport in the 1944 film) is now played by Monty Wooley, in his final major movie part.

Actually the musical is livelier than it's critical history suggests. The old creaky play may turn off many critics, but it had some color, and the Borodin-inspired melodies raised it. But like BRIGADOON, Minelli could not shoot the film on location as it would have been incredibly expensive. Possibly the studio sets may have effected how the film was received by the critics. But it is entertaining, and (because of the music) very memorable. If some numbers were cut most of the big numbers were saved. Besides, I'd rather hear Keel sing A FOOL SAT BENEATH AN OLIVE TREE than hear Cabot (a questionable singing talent) try WAS I VIZIR. I don't think Sebastian Cabot even tried to sing once on FAMILY AFFAIR...his was a distinguished speaking voice, not a singing one.


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Mario Lanza instead of Vic Damone MusicalFreak84
Keel gives an Oscar worthy performance oldsenior
Dolores Gray was a dynamic performer oldsenior
goof? writer's mistake? nonchee-1
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Sebastian Cabot - Raymond Burr borodinrodin
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