Based on Kubrick's pictorial for Look Magazine (January 18, 1949) entitled "Prizefighter," "Day Of The Fight" tells of a day in the life of a middleweight Irish boxer named Walter Cartier, ... See full summary »
A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
Two days in the life of priest Father Fred Stadtmuller whose New Mexico parish is so large he can only spread goodness and light among his flock with the aid of a mono-plane. The priestly ... See full summary »
Prize-fighter Davy Gordon intervenes when private dancer Gloria Price is being attacked by her employer and lover Vincent Raphello. This brings the two together and they get involved with each other, which displeases Raphello. He sends men out to kill Davy, but they instead kill his friend. Gloria is soon kidnapped by Raphello and his men, and it is up to Davy to save her. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
Unable to record the film's dialogue on-set due to technical problems, Stanley Kubrick was forced to post-sync all of this film's dialogue and sound effects. Veteran soundman Nathan Boxer was hired to record sound. However, after his boom mike and pole created many shadows, the inexperienced Kubrick was forced to fire him and his sound crew. Irene Kane was unavailable to add her dialogue later, so radio actress Peggy Lobbin voiced her role. See more »
When Vinnie drives Davy to the loft, they take a lift up to at least the second floor. However, when Davy jumps through the loft window, he falls only one story. See more »
It's crazy how you can get yourself in a mess sometimes and not even be able to think about it with any sense-and yet not be able to think about anything else. You get so you're no good for anything or anybody. Maybe it begins by taking life too serious. Anyway, I think that's the way it began for me. Just before my fight with Rodriguez three days ago...
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Stanley Kubrick's career really took off in 1956, upon the release of his first masterpiece; "The Killing", after which he would go on to make many much loved cinema classics such as "Dr Strangelove", "The Shining" and "A Clockwork Orange", to name a few. This movie is, however, no masterpiece; but that's not to say it's without it's plus points.
First and foremost, this movie is admirable for it's directing, which is excellent. Of course Stanley Kubrick would go on to show himself as a genius behind the camera, and this movie is an early taste of that genius in the directorial department. Secondly, despite the B-grade cast, the acting is not bad at all. It's not marvelous, but considering the cast's accomplishments, previously and after this movie was made, it's better than one would expect.
One of the movie's major flaws, however, is its lack of ideas. There are some nice ideas in the film, such as the part where Gloria tells her story to a backdrop of her sister doing ballet, and the Rear Window style way that the Gloria and Davy meet, but as the film is only 67 minutes long, it felt at times that Kubrick was spending too long on certain sequences, which is a problem if the movie is as short as this one is as it looked as though Kubrick was just dragging things out in order to meet an acceptable running time. That might be so bad in a longer film, but here it's not good.
This movie is a nice, taut little thriller and is definitely recommended to people that want to see some early Kubrick and thereby see how he developed as a filmmaker, but it's not a great film and I don't recommend going into this movie expecting it to be one.
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