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Killer's Kiss (1955)

Unrated | | Crime, Drama, Film-Noir | 1 October 1955 (USA)
Ready to catch a train to his hometown, a washed up boxer tells us about the strange and twisty events that happened to him the past couple of days.

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Cast

Cast overview, first billed only:
...
Jamie Smith ...
Irene Kane ...
Jerry Jarrett ...
Albert
Mike Dana ...
Gangster
Felice Orlandi ...
Gangster
Shaun O'Brien ...
Landlord
Barbara Brand ...
Taxi Dance Lady
David Vaughan ...
Conventioneer #1
Alec Rubin ...
Conventioneer #2
...
Bouncer #1
Phil Stevenson ...
Bouncer #2
Arthur Feldman ...
Policeman #1
Bill Funaro ...
Taxi Driver
Skippy Adelman ...
Mannequin Factory Owner
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Storyline

Prize-fighter Davy Gordon intervenes when private dancer Gloria Price is being attacked by her employer and lover Vincent Raphello. This brings the two together and they get involved with each other, which displeases Raphello. He sends men out to kill Davy, but they instead kill his friend. Gloria is soon kidnapped by Raphello and his men, and it is up to Davy to save her. Written by Leon Wolters <wolters@strw.LeidenUniv.nl>

Plot Summary | Plot Synopsis

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Her Soft Mouth Was the Road to Sin-Smeared Violence! See more »


Certificate:

Unrated | See all certifications »

Parents Guide:

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Details

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Release Date:

1 October 1955 (USA)  »

Also Known As:

Kiss Me, Kill Me  »

Box Office

Budget:

$75,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Many scenes were photographed with a springwound Eyemo camera, which holds 100-foot loads of film. The Eyemo was borrowed from Max Glenn and was subsequently stolen from Stanley Kubrick's car. For many tracking shots, Kubrick and company used the back of a pickup truck in place of a dolly. Kubrick was on welfare during the making of this film. See more »

Goofs

When Vinnie drives Davy to the loft, they take a lift up to at least the second floor. However, when Davy jumps through the loft window, he falls only one story. See more »

Quotes

Gloria Price: It's a mistake to confuse pity with love.
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Connections

Referenced in At the Movies: Episode #10.25 (2013) See more »

Soundtracks

Oh, Susannah
(uncredited)
Written by Stephen Foster
Performed by one of the conventioneers on a harmonica
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User Reviews

 
Kubrik's kiss to New York
4 January 2005 | by (New York) – See all my reviews

This film, directed by Stanley Kubrik, is not seen often these days. It was a surprise that it was shown recently on cable as it gave all of Mr. Kubrik's fans the opportunity to watch one of his early works.

The copy that was shown is amazing in that it has been kept, or probably restored, with great care. Stanley Kubrik was a genius; he probably knew more about movies than many other of his contemporaries. Yet, his legacy is somehow meager, only sixteen full length features in almost fifty years as a director.

Killer's Kiss shows the Manhattan of 1955 like it has never been seen in other movies made in the city. Mr. Kubrik's attention to detail and style overshadows the story. The main problem is his screen play, it never involves the viewer in what he is seeing. This is exacerbated by the voice over one hears over the action. We never know what makes these people tick, much less what's going on in their heads at any given moment.

The story is told in a flashback. We see Davy waiting at the old Pennsylvania Station for the train that is to take him to Seattle. He had planned to leave with Gloria, but she seems never to appear; for all we know, he might be waiting in vain.

The streets of Manhattan come alive in the brilliant black and white cinematography by Mr. Kubrik, himself. That old New York that is no longer around, is captured by Mr. Kubrik in such brilliant detail that we mourn the fact those buildings and institutions are not around any more. The night scenes around Times Square, especially the stairway leading to the dance hall have a style that brings some of Edward Hooper's work to mind. Mr. Kubrik deserves credit for filming on location and never making it feel as though those scenes have been fixed to give that effect. In fact, that's where Kubrik's genius comes into play, we realize he had an eye for making things real.

The acting is not the main focus of this film. Frank Silvera makes a menacing Vincent, the mobster and dance hall owner. Jamie Smith and Irene Kane, go through the paces, but they don't convey to the viewer the passion that is supposed to be going on between them.

This movie should be seen by the serious moviegoer as it shows Mr. Kubrik's tremendous talent. It might be a minor film, in comparison to his best work, but being one of his first movies, one can clearly see what will come later.


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