Based on Kubrick's pictorial for Look Magazine (January 18, 1949) entitled "Prizefighter," "Day Of The Fight" tells of a day in the life of a middleweight Irish boxer named Walter Cartier, ... See full summary »
A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
Two days in the life of priest Father Fred Stadtmuller whose New Mexico parish is so large he can only spread goodness and light among his flock with the aid of a mono-plane. The priestly ... See full summary »
Prize-fighter Davy Gordon intervenes when private dancer Gloria Price is being attacked by her employer and lover Vincent Raphello. This brings the two together and they get involved with each other, which displeases Raphello. He sends men out to kill Davy, but they instead kill his friend. Gloria is soon kidnapped by Raphello and his men, and it is up to Davy to save her. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
In one scene Irene Kane was supposed to walk across 42nd Street, but a truck driver repeatedly blocked the way with his vehicle. The driver agreed to clear the area only if Kane would later meet him for a drink. She agreed and the scene was shot, but to this day no one knows if the rendezvous actually took place. See more »
When Vinnie drives Davy to the loft, they take a lift up to at least the second floor. However, when Davy jumps through the loft window, he falls only one story. See more »
A Kubrick film at only 67 minutes - can you believe it?
It's just over an hour long and even so we have the trademark Kubrick opening, where he takes his own sweet time in letting us know what the film is about but somehow draws us in all the same. Look: it's an hour long, and it's a slight, hour-long kind of story. Don't expect anything more. I think there's also rather clearly a moment when Kubrick realised that he didn't know how he was going to end it all - to be honest, I have a sneaking suspicion that a similar thing happened on "2001", "Eyes Wide Shut" and even "Dr. Strangelove". In each of these cases it was the prompt for a daring and unconventional conclusion. I wish I could say that was the case here.
This doesn't prevent it from being involving while it lasts. Kubrick once again demonstrates the he could point a camera at anything at all and make it interesting - the images are amazing, yet entirely functional. If you have ever loved any black-and-white camera work you'll love this. It's also a masterpiece of violence-without-violence, if you know what I mean. It deserves to be more well-known than it is.
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