IMDb > A Kid for Two Farthings (1955)
A Kid for Two Farthings
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A Kid for Two Farthings (1955) More at IMDbPro »


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Up 3% in popularity this week. See why on IMDbPro.
Wolf Mankowitz (based on the book by)
Wolf Mankowitz (screenplay)
View company contact information for A Kid for Two Farthings on IMDbPro.
Release Date:
20 July 1955 (Japan) See more »
In a lower-class London community of small shops, open-air vendors and flea-marketers, Joe, a small boy... See more » | Add synopsis »
Plot Keywords:
1 nomination See more »
User Reviews:
A story for the kid in all of us, regardless of age. See more (13 total) »


  (in credits order)
Celia Johnson ... Joanna

Diana Dors ... Sonia
David Kossoff ... Avrom Kandinsky
Joe Robinson ... Sam Heppner
Jonathan Ashmore ... Joe
Brenda de Banzie ... 'Lady' Ruby
Primo Carnera ... Python Macklin
Lou Jacobi ... Blackie Isaacs
Irene Handl ... Mrs. Abramowitz
Danny Green ... Bully Bason
Sydney Tafler ... Madam Rita
Sidney James ... Ice Berg
Vera Day ... Mimi
Daphne Anderson ... Dora
Joseph Tomelty ... Vagrant
Harold Berens ... Oliver
rest of cast listed alphabetically:
Bart Allison ... Auctioneer (uncredited)
Barbara Archer ... Madam Rita's Workroom Girl (uncredited)
Harry Baird ... Jamaica (uncredited)
Alfie Bass ... Alf the Bird Man (uncredited)
Bruce Beeby ... Policeman (uncredited)
Frank Blake ... Wrestling M.C. (uncredited)
Rosalind Boxall ... Mrs. Alf (uncredited)
Alanna Boyce ... (uncredited)
Madge Brindley ... Mrs. Quinn (uncredited)
Eddie Byrne ... Sylvester the Photographer (uncredited)
Ashr Day ... Indian Girl (uncredited)
Max Denne ... Customer (uncredited)
Harold Goodwin ... Chick Man (uncredited)
Nora Gordon ... Customer (uncredited)
Charlie Green ... Wrestler (uncredited)
Ray Hunter ... Wrestler (uncredited)
George Hurst ... Dog Man (uncredited)
Lily Kann ... Mrs. Kramm (uncredited)
Harold Kasket ... (uncredited)
Sam Kydd ... (uncredited)
Meier Leibovitch ... Mendel (uncredited)
Locarno ... Pigeon Man (uncredited)
Harry Locke ... (uncredited)
James Lomas ... Sandwich Board Man (uncredited)
Arthur Lovegrove ... Postman (uncredited)
Edward Malin ... Dog Man (uncredited)
Lew Marco ... Referee (uncredited)

Spike Milligan ... Indian with Grey Beard (uncredited)

Norman Mitchell ... Stallholder (uncredited)
Judith Nelmes ... Alf's Customer (uncredited)
Mollie Palmer ... Madam Rita's Workroom Girl (uncredited)
Harry Purvis ... Champ (uncredited)
Raymond Rollett ... Breakaway China Stallholder (uncredited)
Marigold Russell ... Customer's Girlfriend (uncredited)
Charles Saynor ... Hokey Pokey Man (uncredited)
Arthur Skinner ... Stallholder (uncredited)
Derek Sydney ... Indian Fortune Teller (uncredited)
Peter Taylor ... Dog Man (uncredited)

Barbara Windsor ... Blonde with a Crush on Sam (uncredited)

Directed by
Carol Reed 
Writing credits
Wolf Mankowitz (based on the book by)

Wolf Mankowitz (screenplay)

Produced by
Carol Reed .... producer
Alexander Korda .... executive producer (uncredited)
Original Music by
Benjamin Frankel 
Cinematography by
Edward Scaife (director of photography)
Film Editing by
Bert Bates  (as A.S. Bates)
Art Direction by
Wilfred Shingleton  (as Wilfrid Shingleton)
Costume Design by
Anna Duse (uncredited)
Makeup Department
Barbara Barnard .... hair stylist (uncredited)
George Frost .... makeup artist (uncredited)
Tony Sforzini .... makeup supervisor (uncredited)
Production Management
John Palmer .... production manager (uncredited)
Second Unit Director or Assistant Director
John Bremer .... assistant director (uncredited)
Jack N. Green .... third assistant director (uncredited)
John Pellatt .... second assistant director (uncredited)
Art Department
Anthony Masters .... assistant art director (uncredited)
Frank Willson .... draughtsman (uncredited)
Sound Department
John Cox .... sound supervisor
Teddy Mason .... dubbing editor
Buster Ambler .... sound recordist (uncredited)
Red Law .... sound recordist (uncredited)
Ken Ritchie .... boom operator (uncredited)
Harry Tate .... sound camera operator (uncredited)
Ivor Worsley .... sound maintenance (uncredited)
Visual Effects by
Wally Veevers .... matte effects (uncredited)
Camera and Electrical Department
Robert Day .... camera operator (uncredited)
Ronald Etherington .... clapper loader (uncredited)
Gerry Fisher .... assistant camera (uncredited)
Costume and Wardrobe Department
Bridget Sellers .... wardrobe (uncredited)
Editorial Department
Teddy Mason .... assembly cutter (uncredited)
Norman Savage .... assistant cutter (uncredited)
Music Department
Benjamin Frankel .... conductor
Other crew
Olga Brook .... continuity (uncredited)
Margaret Townsend .... production secretary (uncredited)

Production CompaniesDistributors

Additional Details

Also Known As:
96 min
Color (Technicolor)
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Recording)
Finland:K-8 | Germany:6 | Sweden:15 | UK:U | USA:Approved (certificate number not listed) | West Germany:12 (f)

Did You Know?

Carol Reed's first colour film.See more »
Errors made by characters (possibly deliberate errors by the filmmakers): Python Macklin is clearly meant to be a British wrestler, yet he speaks in a foreign accent.See more »
Madam Rita:You heard of Christian Dior? Well, I'm Yiddishe Dior.See more »


This FAQ is empty. Add the first question.
18 out of 18 people found the following review useful.
A story for the kid in all of us, regardless of age., 1 August 2008
Author: Roger Burke from Brisbane, Australia

Movies titles always intrigue me, and are often the first thing that causes me to look. Long ago, when the film was released, I recall hearing about this one from my parents and, even then, I was puzzled by the title. Hence, when I had the chance to see this recently, for the first time, I was looking forward to solving my fifty-five year puzzle.

The term 'farthing' has two meanings: first, it was, at one time, an English coin of low value, equal to one-quarter of a penny; two farthings equaled a half-penny, still not much in money terms. And second, 'farthing' was generally used colloquially as anything of little value.

In the story, young Joe (Jonathan Ashmore) is on a quest to find and buy a unicorn because Mr Kadinsky (David Kossof), his friend and his mother's landlord, had told Joe that unicorns were magical creatures that could grant every wish. And young Joe very much wants to have some wishes to come about – starting with seeing his father again, who is a prospector far away in South Africa. However, more pressing needs arise in Petticoat Lane of East London, the setting for this slice of London life in the fifties: Joe's adults friends, Sonia (Diana Dors) and Sam (Joe Robinson) are engaged and they need an engagement ring and other home trifles that they cannot afford to buy; Mr Kadinsky needs an automatic steam press for his shop, but can't afford the price; and Sam is a body builder but he's been encouraged – pressured by Sonia, you might say – to enter a wrestling match against The Python (Primo Carnera) and win some money so that he and Sonia can get married. Young Joe, naturally, wants the unicorn to make it all come true.

So, Joe begins wandering around the stalls of the market, searching, in and out, up and down, until he happens upon an old salt who has a young goat – a kid - with only one horn. With the goat in tow, the old geezer is wandering around the market, trying to sell it. Joe, thinking he's found a real unicorn, sidles up and begins to bargain...

How much? he asks. The man looks at him and says, gruffly, Five bob! I'll give you three and nine, Joe responds, hopefully. The old fellow thrusts him away. Get off, I might as well skin and eat it. He looks around some more, calling out for buyers – to no avail. Joe pulls all of his money out. Look, he says, I'll give you three and nine-pence ha'penny. He held out the money, together with a few worthless foreign coins. Exasperated, no other buyers on hand, the old man says, Oh, well, give me your money. He takes it roughly and stalks off, leaving Joe with the goat.

So, Joe prances off with his 'unicorn', having acquired it for only an additional half-penny - two farthings - and the old man got rid of something that was of no value to him. Puzzled solved for me, at last.

What's more surprising, however, is the fact that Carol Reed produced and directed it – the director famous for The Third Man (1949), Trapeze (1956), Our Man in Havana (1959) and other dramatic goodies from the thirties and forties. Quite a departure, artistically, for Reed, yet this film works as a delightful fantasy, for young Joe, who believes that his prize possession is the reason why so many good things happen thereafter. The irony is that, in a real sense, that's true – but only because his lucky pet gets caught up between Sonia, Sam and The Python.

The most I'll say about the rest of the story is that most of the wishes come true, but at a cost. The real joy in this film is seeing how it all pans out for young Joe and all the other residents of a part of London long gone but happily still living in films such as this. Having lived there myself for five years in the mid-sixties, vivid memories of that area flooded back. In that regard, I would have preferred black-and-white photography instead of the over-saturated colors of this print. But, London always looked so drab and dull in those days, so I guess that's why Reed went for color, and strong ones, all to enhance the magical quality of the setting and story.

The casting was generally very good, with the standout being David Kossof as Kadinsky; what a fine actor he was (passed away only in 2005). Young Jonathan Ashmore as Joe was well directed by Reed, showing a flair for acting (although he never appeared in another film), despite sounding very unlike any East Ender I ever heard. Ditto for his mother, Joanna (Celia Johnson), better known for appearing in weepy romances from the forties, Brief Encounter (1945) being one. Diana Dors decorated her scenes well; Joe Robinson as the body-builder performed in a wonderfully campy and narcissistic manner, a deliberate parody of the profession, I'm sure. Primo Carnera provided a great contrast to Joe in the many times they game to grips with each other. The wrestling scenes between the two are worth seeing the film just for those: bone crunching throws and tosses as only true professional fighters can do. Despite those scenes, it's still a kid's story – no pun intended! The rest of the cast – including Brenda de Banzie, Sid James and even Spike Milligan in a bit part – all contributed in their usual fashion: flawlessly.

If you and your family are looking for a new cultural experience and an enchanting – and quite funny, at times – story as well, then I'd urge you to see it.

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Why was the little boy so middle class sounding? chasndave
Goat (spoiler) Blondfashionisto
Audiobook version lucyrfisher
Many, many years ago Christopher-178
Joe Robinson - Gorgeous! Blondfashionisto
Market location Simonsdvd
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