In a lower-class London community of small shops, open-air vendors and flea-marketers, Joe, a small boy, lives with his mother, Joanne, who works in and rooms above the Kandinsky tailor ... See full summary »
Dink Purcell loves his alcoholic father, ex-heavyweight champion Andy "Champ" Purcell, despite his frequent binges, his frequent gambling and their squalid living conditions. And there's ... See full summary »
This mostly unrelated sequel to Cat People (1942) has Amy, the young daughter of Oliver and Alice Reed. Amy is a very imaginative child who has trouble differentiating fantasy from reality,... See full summary »
In a lower-class London community of small shops, open-air vendors and flea-marketers, Joe, a small boy, lives with his mother, Joanne, who works in and rooms above the Kandinsky tailor shop. Joe is innocently and earnestly determined to help realize the wishes of his poor, hard-working neighbours. Hearing from Mr. Kandinsky the tale that a captured unicorn will grant any wish, Joe uses his accumulated pocket change to buy a kid with an emerging horn, believing it to be a unicorn. His subsequent efforts to make dreams come true exemplify the power of hope and will amidst hardship. Written by
Eric Wees <email@example.com>
The title, "A Kid For Two Farthings" is a play on the traditional, if optional, song which almost always concludes the Passover Seder. It's called "Chad Gad Yaw: ( English approximate pronunciation of the Aramaic). It is often translated as "A Kid For Two Zuzim" (a monetary denomination for which "farthing" is an inspired translation. The events in the song are cumulative (as in "The Twelve Days of Christmas.")as well as something of a tongue-twister in the original. For more, see "Chad_Gadya" online for more information. See more »
Python Macklin is clearly meant to be a British wrestler, yet he speaks in a foreign accent. See more »
This has just been shown on the UK's Channel 4 series of Carol Reed films. I watched it having read the reviews here on IMDb. It is a lovely uncomplicated tale of a little boy in the east end of London. Were he any other age he would be an annoying brat. He is in that 6 month time of innocent acceptance of the world around him and wishing good for everyone. The cast is well picked and work nicely together. The story is secondary to the time capsule of Joe's memories which he can cherish in adulthood. It would be great to know how Jonathan Ashmore looks back on the film. I believe he never made another. There must be hundreds of childhood tales in every city. This is a particularly nice telling of one of them.
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