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Jump Into Hell (1955)

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Four young French Army officers volunteer to join the Foreign Legion to fight in Dien Bien Phu (Vietnam) in 1954.

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Cast

Cast overview, first billed only:
Jacques Sernas ...
Capt. Guy Bertrand (as Jack Sernas)
...
Capt. Jean Callaux
Arnold Moss ...
Gen. Christian De Castries
...
Lt. Heinrich Heldman
...
Sgt. Taite
Norman Dupont ...
Lt. André Maupin
Lawrence Dobkin ...
Maj. Maurice Bonet
...
Gisele Bonet (as Pat Blake)
Lisa Montell ...
Jacqueline (as Irene Montwill)
Alberto Morin ...
Maj. Riviere
Maurice Marsac ...
Capt. LeRoy
Louis Mercier ...
Capt. Darbley
Peter Bourne ...
Lt. Robert
Roger Valmy ...
Maj. Lamoreaux
Leon Lontoc ...
Lt. Pham
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Storyline

Four young French Army officers volunteer to join the Foreign Legion to fight in Dien Bien Phu (Vietnam) in 1954.

Plot Summary | Add Synopsis

Plot Keywords:

soldier | dien bien phu | See All (2) »

Genres:

Drama | War

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

16 September 1955 (Finland)  »

Also Known As:

Cehenneme Atlayis  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Film debut of Patricia Blair. See more »

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User Reviews

 
Crude Propaganda
28 June 2014 | by (Claremont,USA) – See all my reviews

The narrative follows the 1954 battle of Indo-China's Dienbienphu, as the French try to prevent their fortress from falling to the indigenous Viet Minh.

Strictly as a war movie, the results are not very good. Outside of the stock footage, the small battles are not well staged. For example, there's that dreadful scene where three French troops dive into a Viet Minh foxhole, the battle being filmed more like a Three Stooges comedy than a matter of life or death. That's not surprising since director Butler's credits shows a distinct preference for comedy. Then too, the acting, particularly Van Eyck, is uninspired, to say the least. I agree with the reviewer who notes the movie's best parts are those in Paris. Also, note how brief the women's parts are even though they're given the kind of billing that misleads audience expectations.

All in all, it's not possible to discuss this nakedly propagandistic movie without a few observations. The Viet Minh are consistently vilified, while the French colonialists are consistently lionized (with one exception). Nowhere, however, does the film acknowledge the French as an army of foreign occupation, in service to what remained of the French empire post-WWII. Nor does the film distinguish between nationalism, anti-colonialism, and communism. Yet all three were in play among the Viet Minh. The political landscape was, in fact, much more complex than this simple-minded, reductionist screenplay acknowledges. As propaganda, the movie is clumsily obvious, at best. Too bad, we Americans had to find out the complex realities of Indo-China the hard way. At the same time, it's movie screed like this that helped grease the skids.


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