Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rashomon... See full summary »
An American boy and a French girl run away from a Swiss school making for Paris to reunite with their parents. The boy's father and the girl's mother join forces, despite cultural differences, to search for their kids.
The Wolves baseball team gets steamed when they find they've been inherited by one K.C. Higgins, a suspected "fathead" who intends to take an active interest in running the team. But K.C. ... See full summary »
This is a movie where three entirely different stories are told though dancing. Words are not used and the style of dancing is different for each part. Kelly is a clown in the 'Circus'; a ... See full summary »
Ted, Doug, and Angie are three ex-G.I.s who vow to meet again at a New York bar on October 11, 1955. They all show up on the appointed day, but quickly find that their friendship isn't what it used to be. However, a program coordinator wants to bring the three men together again on a live TV show. Circumstances are further complicated by a group of gangsters who are after Ted. Written by
Heavily promoted in the first episode of "MGM Parade" in 1955 with a clip and interview featuring star Cyd Charisse. See more »
When Ted runs out of Tim's Bar after reading the "Dear John" letter from his girlfriend, at least one of the cars on the street (a taxi) is an early 1950s model, although the scene is set in 1945. See more »
You notice how sparsely Gene Kelly's finest numbers are shot? Long takes,little in the way of cinematic flair? Well,ponder this for a moment-he will often do something truly spectacular at the end of a take,leading one to wonder just how many times the poor chap put himself through the preceding minutes before getting it right...
A case in point is the justly famed (among those in the know) "Rollerskate Number":In order to demonstrate that the skates are,indeed,authentic,Kelly will swap-flawlessly-from "tap" to "glide" at the end of each take.
Compare and contrast,by the way,with protege Donald O'Connor's emulation in "I Love Melvin"-we never see thetwo movements co-existing within the same shot.
Gene Kelly made me want to dance when I was 11,and not feel like a poof for doing so.
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