| Photos (See all 12 | slideshow) | Videos (see all 2) |
| Kenneth Tobey | ... | Cmdr. Pete Mathews | |
| Faith Domergue | ... | Prof. Lesley Joyce | |
| Donald Curtis | ... | Dr. John Carter | |
| Ian Keith | ... | Adm. Burns | |
| Dean Maddox Jr. | ... | Adm. Norman | |
| Chuck Griffiths | ... | Lt. Griff, USN | |
| Harry Lauter | ... | Deputy Bill Nash | |
| Richard W. Peterson | ... | Capt. Stacy | |
| rest of cast listed alphabetically: | |||
| Tol Avery | ... | Navy Intern (uncredited) | |
| William Bryant | ... | Helicopter Pilot (uncredited) | |
| Del Courtney | ... | Naval Asst. Sec. Robert David Chase (uncredited) | |
| Roy Engel | ... | Control Room Officer Ordering Drop Nets (uncredited) | |
| Eddie Fisher | ... | McLeod (uncredited) | |
| Sam Hayes | ... | Himself - Radio Newscaster (uncredited) | |
| Jules Irving | ... | King (uncredited) | |
| Jack Littlefield | ... | Aston (uncredited) | |
| Rudy Puteska | ... | Seaman Hall (uncredited) | |
| Ray Storey | ... | Reporter (uncredited) | |
| William Woodson | ... | Opening Narrator (voice) (uncredited) | |
Directed by | |||
| Robert Gordon | |||
Writing credits | ||
| George Worthing Yates | (screenplay) & | |
| Harold Jacob Smith | (screenplay) (as Hal Smith) | |
| George Worthing Yates | (story) | |
Produced by | |||
| Sam Katzman | .... | executive producer | |
| Charles H. Schneer | .... | producer | |
Original Music by | |||
| Mischa Bakaleinikoff | (uncredited) | ||
Cinematography by | |||
| Henry Freulich | (director of photography) | ||
Film Editing by | |||
| Jerome Thoms | |||
Art Direction by | |||
| Paul Palmentola | |||
Set Decoration by | |||
| Sidney Clifford | |||
Production Management | |||
| Leon Chooluck | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Leonard Katzman | .... | assistant director | |
Sound Department | |||
| J.S. Westmoreland | .... | sound (as Josh Westmoreland) | |
Special Effects by | |||
| Jack Erickson | .... | special effects | |
| Ray Harryhausen | .... | technical effects creator | |
Visual Effects by | |||
| Ray Harryhausen | .... | visual effects | |
Camera and Electrical Department | |||
| Richard H. Kline | .... | camera operator (uncredited) | |
Music Department | |||
| Mischa Bakaleinikoff | .... | conductor | |
| Daniele Amfitheatrof | .... | composer: stock music (uncredited) | |
| Ross DiMaggio | .... | composer: stock music (uncredited) | |
| Herschel Burke Gilbert | .... | composer: stock music (uncredited) | |
| Werner R. Heymann | .... | composer: stock music (uncredited) | |
| Heinz Roemheld | .... | composer: stock music (uncredited) | |
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| The Beast from 20,000 Fathoms | Godzilla, King of the Monsters! | Godzilla | 20 Million Miles to Earth | Them! |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Fantasy section | IMDb USA section |
Having already starred in 'The Thing from Another World' (1951) and 'The Beast from 20,000 Fathoms' (1953), Kenneth Tobey completed a memorable treble of classic Sci-Fi films with this offering.
Make no mistake, 'It Came from Beneath the Sea' is one of the classics of the genre and as such is above the mundane criticism about poor script, narrative, performances etc. We all know that these monster-flicks from the 50's and 60's had their shortcomings, but they were made to a formula for a target audience and in this respect there is little to fault and much to commend.
Here we have a giant octopus, disturbed from it's Pacific lair by atomic testing, heading for San Francisco in a foul mood. The Harryhausen effects are great, the narrative follows a course of some scientific logic and Faith Domergue, if a little too old, looks good enough in her tight blouse.
Director Robert Gordon did little else of note which is surprising - he did a good enough job here and whilst not up to the standard of '20 Million Miles to Earth' (1957), 'It Came from Beneath the Sea' is still superior for its type.
BEST SCENE - no contest; the octopus trashing the Golden Gate Bridge.