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Marjorie Lawrence (Eleanor Parker) crowds her life with excitement and achievement from the day she leaves her Australian home and goes to Paris to study voice. After a triumphal debut at the Paris Opera she becomes famous overnight, and her debut at the Met in New York establishes her as one of the great singers of her time. With all her dreams come true, tragedy strikes in the form of infantile paralysis and she faces a life of confinement to a wheel chair. Although she reaches the depths of despair, she manages through the love and devotion of her husband, Dr. Tom King (Glenn Ford), she begins to build a new career by singing to servicemen who, like herself, are confined to wheel chairs. Written by
Les Adams <email@example.com>
This film will always have a great significance to me because it introduced me to the beauty of opera. Marjorie Lawrence was a major soprano with the Metropolitan Opera, and her career was cut short by polio while she was still in her vocal prime. Her story is told with great sensitivity and warmth. The operatic scenes are done to perfection, with the superb soprano Eileen Farrell doing the vocals. Eleanor Parker is seen here in what must be her greatest work as an actress. Parker was a great, if somewhat under-appreciated actress, and she was a beautiful woman. Of course, it is she who dominates the movie. Glenn Ford provides excellent support as her doctor husband who guides her back to her career. When this film was released, I was ten years old, and kept going back again and again to see it over and over. I loved the music, loved the story, and will forever be indebted to it for having introduced me to the beauty of grand opera. If I had to choose a film as the most important of my life, it would have to be this one.
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