Ikimono no kiroku (1955)

Director:

Akira Kurosawa

Writers:

Shinobu Hashimoto (writer)
Fumio Hayasaka (story)

Release Date:

25 January 1967 (USA)

Genre:

Drama

Plot:

Kiichi Nakajima, an elderly foundry owner, is so frightened and obsessed with the idea of nuclear extermination...

Plot Keywords:

Nuclear | Tokyo Japan | Paranoia | Dentist | Mailman

Awards:

1 nomination

Cast

  (Cast overview, first billed only)

Toshirô Mifune	...	Kiichi Nakajima
Takashi Shimura	...	Domestic Court Counselor Dr. Harada
Minoru Chiaki	...	Jiro Nakajima
Eiko Miyoshi	...	Toyo Nakajima
Kyôko Aoyama	...	Sue Nakajima
Haruko Togo	...	Yoki Nakajima
Noriko Sengoku	...	Kimie Nakajima
Akemi Negishi	...	Asako Kuribayashi
Hiroshi Tachikawa	...	Ryoichi Sayama
Kichijirô Ueda	...	Mr. Kuribayashi father
Eijirô Tôno	...	Old man from Brazil
Yutaka Sada	...	Ichiro Nakajima
Kamatari Fujiwara	...	Okamoto
Ken Mitsuda	...	Judge Araki
Masao Shimizu	...	Yamazaki, Yoshi's husband (as Gen Shimizu)

Also Known As:

I Live in Fear (USA)
I Live in Fear: Record of a Living Being (International: English title)
Record of a Living Being (Japan) (informal literal title)
What the Birds Knew

Runtime:

103 min

Country:

Japan

Language:

Japanese

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono

Certification:

Australia:PG | UK:PG (video rating) (1998) | UK:A (original rating) | West Germany:12

Filming Locations:

Toho Studios, Tokyo, Japan

Company:

Toho Company

Trivia:

The music score was completed by Masaru Satô when composer Fumio Hayasaka died during production.

Movie Connections:

Referenced in Hachi-gatsu no kyôshikyoku (1991)

Somewhat underrated

Based on reviews I had read, I was expecting either a facile ban-the-bomb message film, or a story about greedy relatives trying to have an old man committed so they can get his money.

I should have known better. Part of Kurosawa's genius in his great middle period (1950-1965) is that he refuses to insist on anything. He fairly presents a series of events and invites us to decide what, if anything, they mean.

Everyone in this film has a point. No one here is really a villain. Even those who are jerks (notably the second son, Jiro) are really trying to do the right thing. And the film reminds me a little of THE CAINE MUTINY in that it very artfully moves our sympathies in one direction for most of the film before presenting us with events that make us wonder if we were wrong.

Toshiro Mifune gives a fine performance as Nakajima, but to tell the truth, I wish Kurosawa had given the role to Takashi Shimura, not only because I think Shimura would have played the role even better, but because it would have given him one more tour-de-force leading role in a Kurosawa film, coming directly after IKIRU and SEVEN SAMURAI. Granted, though, that such a move probably would have caused problems with both Toho and Mifune.