IMDb > Ikimono no kiroku (1955)

Ikimono no kiroku (1955) More at IMDbPro »


Overview

User Rating:
7.3/10   983 votes
MOVIEmeter: ?

Down 19% in popularity this week. See why on IMDbPro.

Director:

Akira Kurosawa

Writers:

Shinobu Hashimoto (writer)
Fumio Hayasaka (story)
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Contact:

View company contact information for I Live in Fear on IMDbPro.

Release Date:

25 January 1967 (USA) more

Genre:

Drama more

Plot:

Kiichi Nakajima, an elderly foundry owner, is so frightened and obsessed with the idea of nuclear extermination... more | add synopsis

Plot Keywords:

more

Awards:

1 nomination more

User Comments:

compelling take on King Lear themes more (16 total)


Cast

  (Cast overview, first billed only)
Toshirô Mifune ... Kiichi Nakajima
Takashi Shimura ... Domestic Court Counselor Dr. Harada
Minoru Chiaki ... Jiro Nakajima
Eiko Miyoshi ... Toyo Nakajima
Kyôko Aoyama ... Sue Nakajima
Haruko Togo ... Yoki Nakajima
Noriko Sengoku ... Kimie Nakajima
Akemi Negishi ... Asako Kuribayashi
Hiroshi Tachikawa ... Ryoichi Sayama
Kichijiro Ueda ... Mr. Kuribayashi father
Eijirô Tôno ... Old man from Brazil
Yutaka Sada ... Ichiro Nakajima
Kamatari Fujiwara ... Okamoto
Ken Mitsuda ... Judge Araki
Masao Shimizu ... Yamazaki, Yoshi's husband (as Gen Shimizu)
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Additional Details

Also Known As:

I Live in Fear (USA)
I Live in Fear: Record of a Living Being (International: English title)
Record of a Living Being (Japan) (informal literal title)
What the Birds Knew
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Runtime:

103 min

Country:

Japan

Language:

Japanese

Aspect Ratio:

1.37 : 1 more

Sound Mix:

Mono

Certification:

Australia:PG | UK:PG (video rating) (1998) | UK:A (original rating) | West Germany:12

Filming Locations:

Toho Studios, Tokyo, Japan

Company:

Toho Company more


Fun Stuff

Trivia:

The music score was completed by Masaru Satô when composer Fumio Hayasaka died during production. more

Movie Connections:

Referenced in Hachi-gatsu no kyôshikyoku (1991) more


FAQ

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4 out of 4 people found the following comment useful.
compelling take on King Lear themes, 4 November 2002
8/10
Author: pyamada from chicago

This is a surprisingly complex film that continues to build and grow right before your eyes. Some of the action and plot mechanism may need to be "accepted" to work, but once you realize that this is not merely an exercise on moral judgements, but a very sly re-working of familiar King Lear themes, the film's power and nuances become evident. For all those who see Kagemusha as a high point, and Ran as a huge failure, they may seek solace in this film, which pushes the trope of the rash old man, who has become so accustomed to getting and doing what he wants, that he cannot and will not accept his extended family's naysaying and interference. A really great film.

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